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Author: Harald Kleinschmidt Publisher: Boydell & Brewer ISBN: 1843831465 Category : History Languages : en Pages : 222
Book Description
Study of the changing nature of the perception of an action and the action itself, and how thought-processes altered radically in the middle ages. Can dancers dance for a year and a day without drinking, eating and sleeping? Can pictures be made to speak to their viewers? Can lavender purify the soul? The modern mind regards it as impossible and simply regards reports that these things happened as typical of the `fantastic' Middle Ages. In his new book, however, Harald Kleinschmidt argues that we should not be so swift to dismiss such matters. In this thought-provoking study of the logic of perception and action behind these and other stories, and of the history of the five senses, he argues that modern Western rationalism is peculiar in seeing an opposition between perceivers and the targets of their curiosity, actors and their environments or, in general terms, subject and object. Instead, he shows that whether active or passive, people saw their deeds as correlated and mutually dependent. Using a wide range of textual and pictorial sources, he goeson to demonstrate that the assumption of an opposition between subject and object resulted from fundamental changes of standards of perception and patterns of action that took place during the Middle Ages, resulting in the emergence of a new rationalism. HARALD KLEINSCHMIDT teaches in the College of International Studies at the University of Tsukuba, Japan.
Author: Harald Kleinschmidt Publisher: Boydell & Brewer ISBN: 1843831465 Category : History Languages : en Pages : 222
Book Description
Study of the changing nature of the perception of an action and the action itself, and how thought-processes altered radically in the middle ages. Can dancers dance for a year and a day without drinking, eating and sleeping? Can pictures be made to speak to their viewers? Can lavender purify the soul? The modern mind regards it as impossible and simply regards reports that these things happened as typical of the `fantastic' Middle Ages. In his new book, however, Harald Kleinschmidt argues that we should not be so swift to dismiss such matters. In this thought-provoking study of the logic of perception and action behind these and other stories, and of the history of the five senses, he argues that modern Western rationalism is peculiar in seeing an opposition between perceivers and the targets of their curiosity, actors and their environments or, in general terms, subject and object. Instead, he shows that whether active or passive, people saw their deeds as correlated and mutually dependent. Using a wide range of textual and pictorial sources, he goeson to demonstrate that the assumption of an opposition between subject and object resulted from fundamental changes of standards of perception and patterns of action that took place during the Middle Ages, resulting in the emergence of a new rationalism. HARALD KLEINSCHMIDT teaches in the College of International Studies at the University of Tsukuba, Japan.
Author: Henning Laugerud Publisher: Aarhus Universitetsforlag ISBN: 8771840656 Category : History Languages : en Pages : 480
Book Description
The Saturated Sensorium is a book about the senses and their media in the Middle Ages: a book about what it meant to sense and perceive something. The book highlights the integrated and unified nature of medieval senses and media. It discusses the inter- and multi-mediality of cultic and cultural artefacts as well as the sensorial and inter-sensorial dimensions of a wide array of cultural concepts and practices within medieval religion, art, archaeology, architecture, literature, music, food, social life, ritual, devotion, cognition, and memory. These domains of sensory and media history are dealt with, not as isolated anthology articles in only loose connection with one another, but as coordinate and comparative chapters of a coherent book each covering a principal branch of the cultural history of the medieval senses. Across a number of academic disciplines, specialists address the interdisciplinary and compound character of visus (sight), auditus (hearing), tactus (touch), olfactus (smell) and gustus (taste), showing that there was far more to the senses and to sense experience than these five classical Aristotelian categories might suggest. A plentiful variety of sensory modes interacted, crossed, and permeated each other in mutually entangled and braided ways. The saturated sensorium nurtured the sacred and secular practices of mediation, representation, and consumption; the embodied and mental concepts of sanctity, memory, and imagery; the physical and spiritual spaces of environment, cult, and burial; the material and visual culture of sacraments, sensation, and incarnation.
Author: Publisher: BRILL ISBN: 9004413030 Category : History Languages : en Pages : 407
Book Description
In our daily lives, we are surrounded by all sorts of things – such as trees, cars, persons, or madeleines – and perception allows us access to them. But what does ‘to perceive’ actually mean? What is it that we perceive? How do we perceive? Do we perceive the same way animals do? Does reason play a role in perception? Such questions occur naturally today. But was it the same in the past, centuries ago? The collected volume tackles this issue by turning to the Latin philosophy of the 13th and 14th centuries. Did medieval thinkers raise the same, or similar, questions as we do with respect to perception? What answers did they provide? What arguments did they make for raising the questions they did, and for the answers they gave to them? The philosophers taken into consideration are, among others, Albert the Great, Roger Bacon, William of Auvergne, Thomas Aquinas, Duns Scotus, John Pecham, Richard Rufus, Peter Olivi, Robert Kilwardby, John Buridan, and Jean of Jandun. Contributors are Elena Băltuță, Daniel De Haan, Martin Klein, Andrew LaZella, Lukáš Lička, Mattia Mantovani, André Martin, Dominik Perler, Paolo Rubini, José Filipe Silva, Juhana Toivanen, and Rega Wood.
Author: Harald Kleinschmidt Publisher: Boydell Press ISBN: 9780851159492 Category : History Languages : en Pages : 426
Book Description
"Illustrations and narrative work together in this book to present medieval culture as one visual image. Drawing extensively from a wide range of primary source material, the breadth and originality of Kleinschmidt's study will have an important influence on scholarly perception of the middle ages, as a period of continual change and continually changing attitudes."--BOOK JACKET.
Author: Richard Hoffmann Publisher: Cambridge University Press ISBN: 1139915711 Category : History Languages : en Pages : 429
Book Description
How did medieval Europeans use and change their environments, think about the natural world, and try to handle the natural forces affecting their lives? This groundbreaking environmental history examines medieval relationships with the natural world from the perspective of social ecology, viewing human society as a hybrid of the cultural and the natural. Richard Hoffmann's interdisciplinary approach sheds important light on such central topics in medieval history as the decline of Rome, religious doctrine, urbanization and technology, as well as key environmental themes, among them energy use, sustainability, disease and climate change. Revealing the role of natural forces in events previously seen as purely human, the book explores issues including the treatment of animals, the 'tragedy of the commons', agricultural clearances and agrarian economies. By introducing medieval history in the context of social ecology, it brings the natural world into historiography as an agent and object of history itself.
Author: Andrew Albin Publisher: Fordham University Press ISBN: 0823285596 Category : History Languages : en Pages : 240
Book Description
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar stories, objects, symbols, and myths. Whose Middle Ages? gives nonspecialists access to the richness of our historical knowledge while debunking damaging misconceptions about the medieval past. Myths about the medieval period are especially beloved among the globally resurgent far right, from crusading emblems on the shields borne by alt-right demonstrators to the on-screen image of a purely white European populace defended from actors of color by Internet trolls. This collection attacks these myths directly by insisting that readers encounter the relics of the Middle Ages on their own terms. Each essay uses its author’s academic research as a point of entry and takes care to explain how the author knows what she or he knows and what kinds of tools, bodies of evidence, and theoretical lenses allow scholars to write with certainty about elements of the past to a level of detail that might seem unattainable. By demystifying the methods of scholarly inquiry, Whose Middle Ages? serves as an antidote not only to the far right’s errors of fact and interpretation but also to its assault on scholarship and expertise as valid means for the acquisition of knowledge.
Author: Constance Classen Publisher: University of Illinois Press ISBN: 0252094409 Category : History Languages : en Pages : 258
Book Description
From the softest caress to the harshest blow, touch lies at the heart of our experience of the world. Now, for the first time, this deepest of senses is the subject of an extensive historical exploration. The Deepest Sense: A Cultural History of Touch fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate and sensuous approach to history makes it possible to foreground the tactile foundations of Western culture--the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. She delves into a range of vital issues, from the uses--and prohibitions--of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity. Through poignant descriptions of the healing power of a medieval king's hand or the grueling conditions of a nineteenth-century prison, we find that history, far from being a dry and lifeless subject, touches us to the quick.
Author: Publisher: BRILL ISBN: 9004324720 Category : History Languages : en Pages : 633
Book Description
Late Medieval and Early Modern Fight Books offers insights into the cultural and historical transmission and practices of martial arts, based on the corpus of the Fight Books (Fechtbücher) in 14th- to 17th-century Europe. The first part of the book deals with methodological and specific issues for the studies of this emerging interdisciplinary field of research. The second section offers an overview of the corpus based on geographical areas. The final part offers some relevant case studies. This is the first book proposing a comprehensive state of research and an overview of Historical European Martial Arts Studies. One of its major strengths lies in its association of interdisciplinary scholars with practitioners of martial arts. Contributors are Sydney Anglo, Matthias Johannes Bauer, Eric Burkart, Marco Cavina, Franck Cinato, John Clements, Timothy Dawson, Olivier Dupuis, Bert Gevaert, Dierk Hagedorn, Daniel Jaquet, Rachel E. Kellet, Jens Peter Kleinau, Ken Mondschein, Reinier van Noort, B. Ann Tlusty, Manuel Valle Ortiz, Karin Verelst, and Paul Wagner.
Author: C. M. Woolgar Publisher: Yale University Press ISBN: 0300181914 Category : Cooking Languages : en Pages : 373
Book Description
In this revelatory work of social history, C. M. Woolgar shows that food in late-medieval England was far more complex, varied, and more culturally significant than we imagine today. Drawing on a vast range of sources, he charts how emerging technologies as well as an influx of new flavors and trends from abroad had an impact on eating habits across the social spectrum. From the pauper's bowl to elite tables, from early fad diets to the perceived moral superiority of certain foods, and from regional folk remedies to luxuries such as lampreys, Woolgar illuminates desire, necessity, daily rituals, and pleasure across four centuries.
Author: Harald Kleinschmidt
Author: Harald Kleinschmidt
Author: Henning Laugerud
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Author: Eamon Duffy
Author: Harald Kleinschmidt
Author: Richard Hoffmann
Author: Andrew Albin
Author: Constance Classen
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Author: C. M. Woolgar