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Author: Jennifer A. González Publisher: Ver ISBN: 9780895511270 Category : Art Languages : en Pages : 0
Book Description
Pepón Osorio is an internationally recognized artist whose installations challenge the stereotypes and misconceptions that shape our view of social institutions and human relationships. This book shows that although Osorio draws on his Puerto Rican background and the immigrant experience for inspiration, his artistic statements bridge geographical barriers and class divides.
Author: Jennifer A. González Publisher: Ver ISBN: 9780895511270 Category : Art Languages : en Pages : 0
Book Description
Pepón Osorio is an internationally recognized artist whose installations challenge the stereotypes and misconceptions that shape our view of social institutions and human relationships. This book shows that although Osorio draws on his Puerto Rican background and the immigrant experience for inspiration, his artistic statements bridge geographical barriers and class divides.
Author: Erika Suderburg Publisher: U of Minnesota Press ISBN: 9780816631599 Category : Art Languages : en Pages : 392
Book Description
From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms. In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.
Author: Jennifer A. Gonzalez Publisher: MIT Press ISBN: 0262516020 Category : Art Languages : en Pages : 315
Book Description
An exploration of the visual culture of “race” through the work of five contemporary artists who came to prominence during the 1990s. Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepón Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer González offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes González, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All five of the American installation artists González considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space and the power of display in settings that mimic the very spaces they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, but also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as “artifacts” and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.
Author: Fairmount Park Art Association Publisher: Hearst Books ISBN: Category : Art Languages : en Pages : 166
Book Description
"What will we leave for future generations? What is it about a community that might inspire a work of art? Can that art give meaning to our public spaces?" "The artists and communities participating in the program New Land Marks: Public Art, Community, and Meaning of Place have been grappling with these challenging questions. The resulting book documents how a long-standing Philadelphia cultural organization - the Fairmount Park Art Association - initiated this program in order to plan and create unique public art projects with communities that volunteered to participate. Artists have been working with these communities to incorporate public art into ongoing community development, urban greening, civic history, streetscape enhancement, and other revitalization initiatives. The resulting proposals - which represent "works in process" - celebrate community identity, commemorate "untold" histories, inspire civic pride, respond to the local environment, and invigorate public spaces. This book is a guide for those interested in how communities and artists can examine the appearance and meaning of public spaces." "In addition to illustrating the work of the twenty-one artists participating in this innovative public art project, the book includes essays by noted authors Ellen Dissanayake, Thomas Hine, Lucy Lippard, and Penny Balkin Bach, Executive Director of the Fairmount Park Art Association, who also served as general editor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: New Museum (New York, N.Y.) Publisher: ISBN: 9780985448561 Category : Art Languages : en Pages : 0
Book Description
This book looks at art made and exhibited in New York over the course of one year, providing a synchronic panorama in which established artists and emerging figures of the time are presented alongside the work of authors whose influence has since faded from the discussion. Centering on the year 1993, the exhibition is conceived as a time capsule, an experiment in collective memory that attempts to capture a specific moment at the intersection of art, pop culture, and politics. The exhibition draws its subtitle from the eponymous album that the New York rock band Sonic Youth recorded in 1993 and captures the complex exchange between mainstream and underground culture across disciplines, which came to define the art of the era. The New Museum's exhibition will include a number of historical reconstructions of important installations and exhibitions from 1993, while other works will be revisited and reinterpreted from the vantage point of today, highlighting the ways in which certain actions, events, attitudes, and emotions reverberate towards the present. These works will sketch out the complex intersection between art and the world at large that defined the 1990s and continues to shape artistic expression today.
Author: Tania El Khoury Publisher: ISBN: 9781939067203 Category : Installations (Art) Languages : en Pages : 80
Book Description
Across Syria, many gardens conceal the dead bodies of activists and protestors who adorned the streets during the early periods of the uprising. These domestic burials play out a continuing collaboration between the living and the dead. The dead protect the living by not exposing them to further danger at the hands of the regime. The living protect the dead by conserving their identities, telling their stories, and not allowing their deaths to become instruments of the regime. Gardens Speak is an interactive sound installation that toured around the world. It contains the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves would have recounted it.This book contains the narrative text of those ten oral histories in both English and spoken Arabic. It includes an acknowledgement and introduction by the artist, and illustrations of the audience experience in Gardens Speak.
Author: Cherise Smith Publisher: Duke University Press ISBN: 0822347997 Category : Art Languages : en Pages : 339
Book Description
An analysis of the complex engagements with issues of identity in the performances of the artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee.
Author: Jennifer A. González
Author: Jennifer A. González
Author: Smithsonian American Art Museum
Author: Erika Suderburg
Author: Jennifer A. Gonzalez
Author: Fairmount Park Art Association
Author: New Museum (New York, N.Y.)
Author: Tania El Khoury
Author: 
Author: Amalia Mesa-Bains
Author: Cherise Smith