Alladine and Palomides PDF Download

Author: Maurice Maeterlinck
Publisher: New York : Barse & Hopkins, [19--]
ISBN:
Category : Drama
Languages : en
Pages : 238

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Book Description

Author: Roger Nichols
Publisher: Cambridge University Press
ISBN: 9780521314466
Category : Music
Languages : en
Pages : 224

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Book Description
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.

Author: Claude Debussy
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 68

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Book Description

Author: Gillian Opstad
Publisher: Boydell Press
ISBN:
Category : Music
Languages : en
Pages : 396

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Book Description
The colourful lives of the three divas who made Debussy's Mélisande their own.

Author: François Lesure
Publisher:
ISBN: 1580469035
Category : Biography & Autobiography
Languages : en
Pages : 546

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Book Description
English translation and revised edition of the most comprehensive and reliable biography of Claude Debussy. François Lesure's "critical biography" of Claude Debussy (Fayard, 2003) is widely recognized by scholars as the most comprehensive and reliable account of that composer's life and career as well as of the artistic milieu in whichhe worked. This encyclopedic volume draws extensively on Debussy's complete correspondence (at that time unpublished), a painstaking tracking of contemporary reviews and comments in the press, and an examination of other primary documents-including private diaries-that had not been available to previous biographers. As such, Lesure's book presents a wealth of new information while debunking a number of myths that had developed over the years since the composer's death in 1918. The present English translation and revised edition, by Debussy authority Marie Rolf, augments Lesure's numerous notes with several thousand new ones by Rolf, providing more precise information oncrucial and sometimes contentious points. It also reflects Debussy scholarship that has appeared since 2003, updating Lesure's seminal work. Rolf's translation-the first ever-will make Lesure's findings accessible to scholars, musicians, and music lovers in English-speaking lands and around the world. FRANÇOIS LESURE (1923-2001) was the Director of the Music division of the Bibliothèque nationale de France, Professor of Musicology at the Université libre de Bruxelles, and Chair of Musicology at the École pratique des Hautes Études. MARIE ROLF is senior associate dean of graduate studies and professor of music theory at the Eastman School of Music and a memberof the editorial board for the Ouvres complètes de Claude Debussy.

Author: James R. Briscoe
Publisher: Yale University Press
ISBN: 0300076266
Category : Music
Languages : en
Pages : 316

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Book Description
Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.

Author: Lawrence Gilman
Publisher: New York : G. Schirmer
ISBN:
Category : Opera
Languages : en
Pages : 106

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Book Description

Author: Maurice Maeterlinck
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 79

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Book Description
This is a book based on Maurice Polydore's play. From 1932, Marie Bernard Maeterlinck was known as Count Maeterlinck. He was a Fleming-born Belgian dramatist, poet, and writer who wrote in French. Charles Alfred Byrne has translated this work. The narrative begins when Golaud discovers Mélisande on the side of a wooded river. He had lost his crown in the ocean but refused to retrieve it. They married, and he soon gained the heart of Arkl, Golaud's grandpa and sick King of Allemonde. He becomes interested in Pelleas, Golaud's brother. They came together by the fountain, where Mélisande had misplaced her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and tracks them down when they are petting, where he murders Pelléas and injures Mélisande. She died later after giving birth to an odd baby girl.

Author: Claude Debussy
Publisher: Alma Books
ISBN: 0714544965
Category : Music
Languages : en
Pages : 99

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Book Description
In this guide to Pelleas and Melisande, Maeterlinck's original play is reprinted in full, so that the opera lover can read the scenes that Debussy did not set to music. Hugh Macdonald's much praised English translation is published here for the first time, with an essay uncovering the musical roots of Pelleas and Melisande and illustrating its importance to the music of the twentieth century. Alain Raitt, author of several studies of symbolist writers, evaluates Maeterlinck's status as a dramatist, and Roger Nichols analyses the score. Proust's short pastiche of the opera and Arthur Symons's review of the first English performances challenge us to come to terms with this eternally intriguing masterpiece.Contents: Something Borrowed, Something New, Hugh Macdonald; A Musical Synopsis, Roger Nichols; Maeterlinck and the Theatre, Alan Raitt; Profound or Pretentious?, Nicholas John; Pelleas et Melisande: text by Maurice Maeterlinck; Pelleas and Melisande: English Translation by Hugh Macdonald

Author: Stephen Walsh
Publisher: Vintage
ISBN: 1524731935
Category : Biography & Autobiography
Languages : en
Pages : 336

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Book Description
One of the most revered composers of the twentieth century, Claude Debussy (1862–1918) achieved the unheard of: he reinvented the language of music without alienating the majority of music lovers. Debussy drove French music into entirely new regions of beauty and excitement at a time when old traditions threatened to stifle it. Yet despite his profound influence on French culture, Debussy’s own life was complicated and often troubled by struggles over money, women, and ill health. Here, Stephen Walsh, acclaimed author of Stravinsky, chronicles both the composer himself and the unique moment in European history that bore him. Walsh’s engagingly original approach is to enrich a lively biography with analyses of Debussy’s music: from his first daring breaks with the rules as a Conservatoire student to his achievements as the greatest French composer of his time.