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Art in France, 1900-1940

Art in France, 1900-1940 PDF Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352

Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.

Art in France, 1900-1940

Art in France, 1900-1940 PDF Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352

Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.

Peinture en France, 1900-1967

Peinture en France, 1900-1967 PDF Author: France. Ministère d'Etat chargé des affaires culturelles
Publisher:
ISBN:
Category :
Languages : fr
Pages : 127

Book Description


Hans Hartung

Hans Hartung PDF Author: Hans Hartung
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

Book Description


Subject Catalog

Subject Catalog PDF Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 1042

Book Description


Catalogue of the Library of the National Gallery of Canada

Catalogue of the Library of the National Gallery of Canada PDF Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782

Book Description


Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art

Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344

Book Description


The Brothers Le Nain

The Brothers Le Nain PDF Author: Esther Susan Bell
Publisher: Yale University Press
ISBN: 0300218885
Category : Art
Languages : en
Pages : 473

Book Description
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists' full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers.

France in the Golden Age

France in the Golden Age PDF Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870992953
Category : Classicism in art
Languages : en
Pages : 420

Book Description


Internationalizing the History of American Art

Internationalizing the History of American Art PDF Author: Barbara Groseclose
Publisher: Penn State Press
ISBN: 0271046899
Category : Art
Languages : en
Pages : 258

Book Description
"A collection of essays presenting international perspectives on the narratives and the practices grounding the scholarly study of American art"--Provided by publisher.

Conservative Echoes in Fin-de-Si_cle Parisian Art Criticism

Conservative Echoes in Fin-de-Si_cle Parisian Art Criticism PDF Author: Michael Marlais
Publisher: Penn State Press
ISBN: 9780271041971
Category : Art
Languages : en
Pages : 280

Book Description
While the painting of the 1880s and 1890s in Paris has been studied in great depth, the concurrent art criticism has not been given the attention it deserves. Conservative Echoes examines previously unexplored aspects of the symbolist criticism of art, revealing its conservative nature, and thus providing a new view of the art criticism of one of the most significant periods in the development of modern art. Art historians tend to focus on a small body of criticism written by authors who championed one or more of the artists recognized today as leaders of the avant-garde. In essence, it is the art that directs most studies of criticism rather than the criticism itself. Michael Marlais has studied late nineteenth-century criticism on all levels, from popular press to esoteric review, in order to understand the context in which avant-garde art criticism appeared. He focuses on the critics Félix Fénéon, Albert Aurier, Alphonse Germain, Camille Mauclair, and Maurice Denis, noting both conservative and modernist features of their writing, while attempting to situate them within the antinaturalist intellectual trends of the period. Marlais emphasizes the relationship of avant-garde critics to the broader cultural milieu, thus providing both a valuable corrective in the study of fin-de-siècle art history and another way of understanding the cultural climate in Paris during that time.