Author: Theophilus Ballou White
Publisher: Philadelphia : Art Alliance Press
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
Paul Philippe Cret, Architect and Teacher
Author: Theophilus Ballou White
Publisher: Philadelphia : Art Alliance Press
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
Publisher: Philadelphia : Art Alliance Press
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
A Museum on the Verge
Author: Jeffrey Abt
Publisher: Wayne State University Press
ISBN: 9780814328415
Category : Architecture
Languages : en
Pages : 332
Book Description
The Detroit Institute of Arts is one of America's largest and oldest municipal art museums. However, even as the museum grew into a distinguished collection, there were threats of closure. The DIA has walked a financial tightrope since it opened just over a century ago, and was nearly closed by government funding cuts in the 1970s and 1990s. Now Jeffrey Abt tells how the DIA has had to struggle to maintain its fine art collection with barely enough income to remain open. A Museum on the Verge goes behind the scenes at the DIA to disclose the political, economic, and social forces that shaped the museum from its founding to the present day. Drawing on new archival research, Abt reveals that the growing discrepancy between the museum's size and its operating budget was the result of a century of ad hoc solutions to institutional problems that left the DIA vulnerable to annual income losses -- especially reductions of government funding. He also explains its complex relations with private and government entities and delineates the integral role of the museum's support group, the Founders Society. Abt's account is supplemented by a wealth of material, including legal documents and numerical data taken at five-year intervals from the 1880s through 2000 that is presented in both tables and graphs. The data, which comprehensively survey vital statistics such as attendance, collections growth, and finances, provide a rich resource for comparative research on other museums. As a case study of a prominent public institution, A Museum on the Verge offers an invaluable research model for scholars and museum professionals alike.
Publisher: Wayne State University Press
ISBN: 9780814328415
Category : Architecture
Languages : en
Pages : 332
Book Description
The Detroit Institute of Arts is one of America's largest and oldest municipal art museums. However, even as the museum grew into a distinguished collection, there were threats of closure. The DIA has walked a financial tightrope since it opened just over a century ago, and was nearly closed by government funding cuts in the 1970s and 1990s. Now Jeffrey Abt tells how the DIA has had to struggle to maintain its fine art collection with barely enough income to remain open. A Museum on the Verge goes behind the scenes at the DIA to disclose the political, economic, and social forces that shaped the museum from its founding to the present day. Drawing on new archival research, Abt reveals that the growing discrepancy between the museum's size and its operating budget was the result of a century of ad hoc solutions to institutional problems that left the DIA vulnerable to annual income losses -- especially reductions of government funding. He also explains its complex relations with private and government entities and delineates the integral role of the museum's support group, the Founders Society. Abt's account is supplemented by a wealth of material, including legal documents and numerical data taken at five-year intervals from the 1880s through 2000 that is presented in both tables and graphs. The data, which comprehensively survey vital statistics such as attendance, collections growth, and finances, provide a rich resource for comparative research on other museums. As a case study of a prominent public institution, A Museum on the Verge offers an invaluable research model for scholars and museum professionals alike.
Symbolic Space
Author: Richard A. Etlin
Publisher: University of Chicago Press
ISBN: 9780226220857
Category : Architecture
Languages : en
Pages : 268
Book Description
Richard A. Etlin demonstrates how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the eighteenth century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he reconsiders eighteenth-century French architecture with regard to the ways in which it was informed by symbolic space. This book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.
Publisher: University of Chicago Press
ISBN: 9780226220857
Category : Architecture
Languages : en
Pages : 268
Book Description
Richard A. Etlin demonstrates how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the eighteenth century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he reconsiders eighteenth-century French architecture with regard to the ways in which it was informed by symbolic space. This book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.
The 1933 Chicago World's Fair
Author: Cheryl Ganz
Publisher: University of Illinois Press
ISBN: 0252078527
Category : History
Languages : en
Pages : 270
Book Description
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
Publisher: University of Illinois Press
ISBN: 0252078527
Category : History
Languages : en
Pages : 270
Book Description
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
The Civic Architecture of Paul Cret
Author: Elizabeth Greenwell Grossman
Publisher:
ISBN: 9780521496018
Category : Architecture
Languages : en
Pages : 274
Book Description
Focusing on 6 important civic projects erected between 1907 and 1939, Grossman demonstrates how Cret's architecture contributed to the debate about modern architecture and classicism which engaged the architectural profession during the 1920s and '30s
Publisher:
ISBN: 9780521496018
Category : Architecture
Languages : en
Pages : 274
Book Description
Focusing on 6 important civic projects erected between 1907 and 1939, Grossman demonstrates how Cret's architecture contributed to the debate about modern architecture and classicism which engaged the architectural profession during the 1920s and '30s
Nationalism and Architecture
Author: Darren Deane
Publisher: Routledge
ISBN: 1351915797
Category : Architecture
Languages : en
Pages : 597
Book Description
Unlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various national building projects, ethnic and trans-national expression, national identities and histories of nationalist architecture and the philosophies and sociological studies of nationalism. It argues that nationalism needs to be trans-national as a notion to be critically understood and the geographical scope of the proposed volume reflects the continuing relevance of the topic within current architectural scholarship as an overarching notion. The interdisciplinary essays are coherently grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism. These chapters, offer vignettes of the protean appearances of nationalism across nations, and offer a basis of developing wider knowledge and critically situated understanding of the question, beyond a singular nation's limited bounds.
Publisher: Routledge
ISBN: 1351915797
Category : Architecture
Languages : en
Pages : 597
Book Description
Unlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various national building projects, ethnic and trans-national expression, national identities and histories of nationalist architecture and the philosophies and sociological studies of nationalism. It argues that nationalism needs to be trans-national as a notion to be critically understood and the geographical scope of the proposed volume reflects the continuing relevance of the topic within current architectural scholarship as an overarching notion. The interdisciplinary essays are coherently grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism. These chapters, offer vignettes of the protean appearances of nationalism across nations, and offer a basis of developing wider knowledge and critically situated understanding of the question, beyond a singular nation's limited bounds.
Crucial Words
Author: Gert Wingårdh
Publisher: Walter de Gruyter
ISBN: 3034610572
Category : Architecture
Languages : en
Pages : 107
Book Description
The conditions in which present-day architecture is produced are partly local and singular and partly global and universal. Understanding contemporary architecture means understanding all of these aspects. What are the pivotal themes? Gert Wingårdh and Rasmus Wærn, Sweden’s most active architect and its best-known architecture critic, asked themselves this question and made a selection of approximately fifty terms and concepts, including Branding, Collaborators, Corporate, Desire, Future, Everyday, Ornament, and Wheelchair. The result is a very special dictionary with humorous illustrations and original articles by interesting protagonists such as Denise Scott Brown, Kenneth Frampton, Massimiliano Fuksas, Hans Ibelings, Peter Blundell Jones, Vittorio Magnago Lampugnani, Hans Ulrich Obrist, Juhani Pallasmaa, Joseph Rykwert, Jaime Salazar, Axel Sowa, and Wilfried Wang. A special highlight is the text by Nobel laureate Ohran Pamuk. Die Voraussetzungen, unter welchen heutige Architektur entsteht, sind teils lokal und einmalig bedingt, teils sind sie von globaler und allgemeingültiger Natur. Zeitgenössische Architektur verstehen heisst, all diese Aspekte verstehen. Welches sind dabei die entscheidenden Themen? Gert Wingårdh und Rasmus Wærn, Schwedens aktivster Architekt beziehungsweise bekanntester Architekturkritiker, haben sich diese Frage gestellt und eine kritische Auswahl von rund 50 Begriffen getroffen, etwa Branding, Collaborators, Corporate, Desire, Future, Everyday, Ornament, Wheelchair. Dadurch ist ein ganz spezielles, witzig illustriertes Begriffs-Wörterbuch entstanden, mit Originalbeiträgen von so interessanten Protagonisten wie etwa Denise Scott Brown, Massimiliano Fuksas, Hans Ibelings, Peter Blundell Jones, Vittorio Magnago Lampugnani, Hans Ulrich Obrist, Juhani Pallasmaa, Joseph Rykwert, Jaime Salazar, Axel Sowa, Wilfried Wang; ein besonderes Highlight ist der Text von Nobelpreisträger Orhan Pamuk.
Publisher: Walter de Gruyter
ISBN: 3034610572
Category : Architecture
Languages : en
Pages : 107
Book Description
The conditions in which present-day architecture is produced are partly local and singular and partly global and universal. Understanding contemporary architecture means understanding all of these aspects. What are the pivotal themes? Gert Wingårdh and Rasmus Wærn, Sweden’s most active architect and its best-known architecture critic, asked themselves this question and made a selection of approximately fifty terms and concepts, including Branding, Collaborators, Corporate, Desire, Future, Everyday, Ornament, and Wheelchair. The result is a very special dictionary with humorous illustrations and original articles by interesting protagonists such as Denise Scott Brown, Kenneth Frampton, Massimiliano Fuksas, Hans Ibelings, Peter Blundell Jones, Vittorio Magnago Lampugnani, Hans Ulrich Obrist, Juhani Pallasmaa, Joseph Rykwert, Jaime Salazar, Axel Sowa, and Wilfried Wang. A special highlight is the text by Nobel laureate Ohran Pamuk. Die Voraussetzungen, unter welchen heutige Architektur entsteht, sind teils lokal und einmalig bedingt, teils sind sie von globaler und allgemeingültiger Natur. Zeitgenössische Architektur verstehen heisst, all diese Aspekte verstehen. Welches sind dabei die entscheidenden Themen? Gert Wingårdh und Rasmus Wærn, Schwedens aktivster Architekt beziehungsweise bekanntester Architekturkritiker, haben sich diese Frage gestellt und eine kritische Auswahl von rund 50 Begriffen getroffen, etwa Branding, Collaborators, Corporate, Desire, Future, Everyday, Ornament, Wheelchair. Dadurch ist ein ganz spezielles, witzig illustriertes Begriffs-Wörterbuch entstanden, mit Originalbeiträgen von so interessanten Protagonisten wie etwa Denise Scott Brown, Massimiliano Fuksas, Hans Ibelings, Peter Blundell Jones, Vittorio Magnago Lampugnani, Hans Ulrich Obrist, Juhani Pallasmaa, Joseph Rykwert, Jaime Salazar, Axel Sowa, Wilfried Wang; ein besonderes Highlight ist der Text von Nobelpreisträger Orhan Pamuk.
The Perfect Square
Author: Nancy M. Heinzen
Publisher: Temple University Press
ISBN: 1592139892
Category : History
Languages : en
Pages : 220
Book Description
Great cities and neighborhoods rise and fall, yet Rittenhouse Square in Philadelphia has seized the imagination and envy of social climbers, urban planners, and novelists alike for two centuries. In The Perfect Square, Nancy Heinzen—a resident of Rittenhouse Square for over 40 years and an activist committed to its preservation—provides the first full-length social history of this public urban space. One of the five squares William Penn established when he founded the city, the southwest-situated Rittenhouse Square has transformed from a marshy plot surrounded by brickyards and workers’ shanties into the epicenter of Philadelphia high society. A keystone of center city Philadelphia, it was once home to great dynasties, elegant mansions, and grand dames of the Victorian era. Today it is lined with million-dollar high-rise condominiums, where nouveau-riche entrepreneurs and descendants of ethnic immigrants live side-by-side. Heinzen lovingly chronicles this urban space’s development and growth, illustrating that not only is Rittenhouse Square unique, but so is the combination of human events and relationships that have created and sustained it. Painstakingly researched and generously illustrated with black-and-white photos from public archives, The Perfect Square will appeal to lay readers interested in history, to professional historians and urban planners, and to the thousands of new residents who have settled on or near Rittenhouse Square since the dawn of the 21st century.
Publisher: Temple University Press
ISBN: 1592139892
Category : History
Languages : en
Pages : 220
Book Description
Great cities and neighborhoods rise and fall, yet Rittenhouse Square in Philadelphia has seized the imagination and envy of social climbers, urban planners, and novelists alike for two centuries. In The Perfect Square, Nancy Heinzen—a resident of Rittenhouse Square for over 40 years and an activist committed to its preservation—provides the first full-length social history of this public urban space. One of the five squares William Penn established when he founded the city, the southwest-situated Rittenhouse Square has transformed from a marshy plot surrounded by brickyards and workers’ shanties into the epicenter of Philadelphia high society. A keystone of center city Philadelphia, it was once home to great dynasties, elegant mansions, and grand dames of the Victorian era. Today it is lined with million-dollar high-rise condominiums, where nouveau-riche entrepreneurs and descendants of ethnic immigrants live side-by-side. Heinzen lovingly chronicles this urban space’s development and growth, illustrating that not only is Rittenhouse Square unique, but so is the combination of human events and relationships that have created and sustained it. Painstakingly researched and generously illustrated with black-and-white photos from public archives, The Perfect Square will appeal to lay readers interested in history, to professional historians and urban planners, and to the thousands of new residents who have settled on or near Rittenhouse Square since the dawn of the 21st century.
Collecting Shakespeare
Author: Stephen H. Grant
Publisher: JHU Press
ISBN: 1421411873
Category : Antiques & Collectibles
Languages : en
Pages : 264
Book Description
The first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world. In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger. Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr. While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday on April 23, 1932. The library houses 82 First Folios, 277,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, DC, for cultural programs, including theater, concerts, lectures, and poetry readings. With unprecedented access to the primary sources within the Folger vault, Grant draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
Publisher: JHU Press
ISBN: 1421411873
Category : Antiques & Collectibles
Languages : en
Pages : 264
Book Description
The first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world. In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger. Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr. While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday on April 23, 1932. The library houses 82 First Folios, 277,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, DC, for cultural programs, including theater, concerts, lectures, and poetry readings. With unprecedented access to the primary sources within the Folger vault, Grant draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
Valuing Detroit’s Art Museum
Author: Jeffrey Abt
Publisher: Springer
ISBN: 3319452193
Category : Business & Economics
Languages : en
Pages : 285
Book Description
This book explores the perilous situation that faced the Detroit Institute of Arts during the city's bankruptcy, when creditors considered it a "nonessential asset" that might be sold to settle Detroit's debts. It presents the history of the museum in the context of the social, economic, and political development of Detroit, giving a history of the city as well as of the institution, and providing a model of contextual institutional history. Abt describes how the Detroit Institute of Arts became the fifth largest art museum in America, from its founding as a private non-profit corporation in 1885 to its transformation into a municipal department in 1919, through the subsequent decades of extraordinary collections and facilities growth coupled with the repeated setbacks of government funding cuts during economic downturns. Detroit's 2013 bankruptcy underscored the nearly 130 years of fiscal missteps and false assumptions that rendered the museum particularly vulnerable to the monetary power of a global art investment community eager to capitalize on the city's failures and its creditors' demands. This is a remarkable and important contribution to many fields, including non-profit management and economics, cultural policy, museum and urban history, and the histories of both the Detroit Institute of Arts and the city of Detroit itself. Despite the museum's unique history, its story offers valuable lessons for anyone concerned about the future of art museums in the United States and abroad.
Publisher: Springer
ISBN: 3319452193
Category : Business & Economics
Languages : en
Pages : 285
Book Description
This book explores the perilous situation that faced the Detroit Institute of Arts during the city's bankruptcy, when creditors considered it a "nonessential asset" that might be sold to settle Detroit's debts. It presents the history of the museum in the context of the social, economic, and political development of Detroit, giving a history of the city as well as of the institution, and providing a model of contextual institutional history. Abt describes how the Detroit Institute of Arts became the fifth largest art museum in America, from its founding as a private non-profit corporation in 1885 to its transformation into a municipal department in 1919, through the subsequent decades of extraordinary collections and facilities growth coupled with the repeated setbacks of government funding cuts during economic downturns. Detroit's 2013 bankruptcy underscored the nearly 130 years of fiscal missteps and false assumptions that rendered the museum particularly vulnerable to the monetary power of a global art investment community eager to capitalize on the city's failures and its creditors' demands. This is a remarkable and important contribution to many fields, including non-profit management and economics, cultural policy, museum and urban history, and the histories of both the Detroit Institute of Arts and the city of Detroit itself. Despite the museum's unique history, its story offers valuable lessons for anyone concerned about the future of art museums in the United States and abroad.