Author: Fiske KimballPublisher:
ISBN:
Category :
Languages : en
Pages : 366
Book Description
Paul Philippe Cret (1876-1945).
Author: Fiske KimballPaul Phillippe Cret
Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Typed, signed note and biographical sketch France/America Paul Philippe Cret (October 24, 1876 - September 8, 1945) was a French-American architect and industrial designer. For more than thirty years, he headed the Department of Architecture at the University of Pennsylvania. Born in Lyon, France, Cret was educated at that city's École des Beaux-Arts, then in Paris, where he studied at the Atelier of Jean-Louis Pascal. He came to the United States in 1903 to teach at the University of Pennsylvania. Although settled in America, he happened to be in France at the outbreak of World War I. He enlisted and remained in the French army for the duration, for which he was awarded the Croix de Guerre and made an officer in the Legion of Honor. His first major commission, designed with Albert Kelsey, was the Pan-American Union Building (now Organization of American States) in Washington DC (1908-10), a breakthrough that led to many war memorials, civic buildings, court houses, and other solid, official structures. His work through the 1920s was firmly in the Beaux-Arts tradition, but with the radically simplified classical form of the Folger Shakespeare Library (1929-32), he flexibly adopted and applied monumental classical traditions to modernist innovations. (Bertram Goodhue also falls in that category.) Some of Cret's work is remarkably streamlined and forward-thinking, and includes collaborations with sculptors such as Alfred Bottiau and Leon Hermant. In the late 1920s the architect was brought in as design consultant on Fellheimer and Wagner's magnificent Cincinnati Union Terminal (1929-33), the high-water mark of Art Deco style in the United States. He became an American citizen in 1927. In 1931 the regents of The University of Texas at Austin commissioned Cret to design a master-plan for the campus, and build the Beaux-Art Main Building (1934-37), the university's signature tower. Cret would go on to collaborate on about twenty buildings on the campus. Cret's contributions to the railroad industry also included the design of the side fluting on the Burlington's Pioneer Zephyr (debuted in 1934) and the Santa Fe's Super Chief (1936) passenger cars. Cret won the Gold Medal of the American Institute of Architects in 1938. Ill health forced his resignation from teaching in 1937, and after years of inactivity he died in Philadelphia, Pennsylvania of heart disease. Cret headed the Department of Architecture at the University of Pennsylvania for over 30 years, and designed such projects as the Rodin Museum in Philadelphia, the master plan for the University of Texas in Austin, the Benjamin Franklin Bridge in Philadelphia, and the Duke Ellington Bridge in Washington, DC. Louis Kahn studied at the University of Pennsylvania under Cret, and worked in Cret's architectural office, 1929-30. Other notable architects who studied under Cret include Alfred Easton Poor, Charles I. Barber, and Chinese architect Lin Huiyin.
Paul Philippe Cret
Author: Elizabeth Greenwell GrossmanPublisher:
ISBN:
Category : Architecture
Languages : en
Pages : 428
Book Description
Paul Philippe Cret, Architect and Teacher
Author: Theophilus Ballou WhitePublisher: Philadelphia : Art Alliance Press
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
Meeting Louis at the Fair
Author: Carol S. PorterPublisher: Virginia Publishing
ISBN: 9781891442223
Category : Architecture
Languages : en
Pages : 188
Book Description
The Story of Architecture
Author: Witold RybczynskiPublisher: Yale University Press
ISBN: 0300270992
Category : Architecture
Languages : en
Pages : 736
Book Description
An inviting exploration of architecture across cultures and centuries by one of the field’s eminent authors In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra, national icons such as the Lincoln Memorial and the Sydney Opera House, and skyscrapers such as the Seagram Building and Beijing’s CCTV headquarters. Rybczynski’s narrative emphasizes the ways that buildings across time and space are united by the human desire for order, meaning, and beauty. This is the story of architecture’s physical manifestation of the universal aspiration to celebrate, honor, and commemorate, and an exploration of the ways that each building is a unique product of patrons, architects, and builders. Firm in opinion, even-handed, and rooted in scholarship, this book will delight anyone interested in understanding the buildings they use, visit, and pass by each day.
Guiding Lights
Author: Nancy ArbuthnotPublisher: Naval Institute Press
ISBN: 1612512429
Category : History
Languages : en
Pages : 304
Book Description
In this easy-to-use reference, Naval Academy English professor Nancy Prothro Arbuthnot tells the stories behind sixty of the Academy's monuments and memorials. To personalize the memorials and the naval figures they honor, she has included letters, firsthand battle reports, Lucky Bag commentaries, award citations, and other documents. Along with famous quotations, the book also presents poems and tributes written by midshipmen that explain how the memorials have inspired them, along with original poems by the author. More than 140 illustrations, including black-and-white photographs and reproductions of historic sketches, visually enrich the book. In revealing the people and events behind the Academy s memorials, Arbuthnot provides models or guiding lights to help readers steer their own courses through life.
Buying Baroque
Author: Edgar Peters BowronPublisher: Penn State Press
ISBN: 0271079444
Category : Art
Languages : en
Pages : 449
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Founders of American Industrial Design
Author: Carroll GantzPublisher: McFarland
ISBN: 1476616507
Category : Art
Languages : en
Pages : 219
Book Description
As the Great Depression started in 1929, several dozen creative individuals from a variety of artistic fields, including theatre, advertising, graphics, fashion and furniture design, pioneered a new profession. Responding to unprecedented public and industry demand for new styles, these artists entered the industrial world during what was called the "Machine Age," to introduce "modern design" to the external appearance and form of mass-produced, functional, mechanical consumer products formerly not considered art. The popular designs by these "machine designers" increased sales and profits dramatically for manufacturers, which helped the economy to recover; established a new profession, industrial design; and within a decade, changed American products from mechanical monstrosities into sleek, modern forms expressive of the future. This book is about those industrial designers and how they founded, developed, educated and organized today's profession of more than 50,000 practitioners.
30 Trees
Author: Ron HendersonPublisher: Birkhäuser
ISBN: 3035627320
Category : Architecture
Languages : en
Pages : 232
Book Description
30 Trees präsentiert die Lieblingsbäume von 30 international erfolgreichen Landschaftsarchitekt:innen. Dabei beschreiben sie die Eigenschaften, die das Wesen dieser Bäume verkörpern, die gestalteten Landschaften, die sie mit den Bäumen in Verbindung bringen, und die Verwendung der Bäume in den realisierten Projekten. Diese persönlichen Einblicke werden durch fünf wissenschaftliche Aufsätze über Kriterien wie Typologie, Ökologie, Pflege und Jahreszeiten ergänzt, die bei der Baumauswahl für die Landschaft entscheidend sind. Ergänzend enthält das Buch eine botanische Beschreibung jeder genannten Spezies. Das Ergebnis ist ein Kompendium von Erkenntnissen über Baumarten und Wissen über den Einsatz von Bäumen in der Landschaftsarchitektur – für Designerinnen und Designer ebenso interessant wie für Laiinnen und Laien. Kompendium über beliebte Bäume in der Landschaftsarchitektur Über 30 Projekte aus der ganzen Welt Ausgewählt von 30 internationalen Landschaftsarchitekt:innen