Pattern Sources Of Scriptural Subjects In Tudor And Stuart Embroideries PDF Download
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Book Description
“Pattern Sources Of Scriptural Subjects In Tudor And Stuart Embroideries” explores the colourful history of embroidery, focusing on the sources of design of “scriptural” subjects in English needlework during the sixteenth and seventeenth centuries. This vintage book will appeal to those with an interest in the history and development of European needlework. Contents include: “A History of Textiles and Weaving”, “Pattern Sources of Scriptural Subjects in Tudor and Stuart Embroideries”, and “Embroideries of Scriptural Subjects Identified with Engravings in the 'Thesaurus Sacrarum', of Gerard de Jode, Antwerp, 1585”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on embroidery.
Book Description
“Pattern Sources Of Scriptural Subjects In Tudor And Stuart Embroideries” explores the colourful history of embroidery, focusing on the sources of design of “scriptural” subjects in English needlework during the sixteenth and seventeenth centuries. This vintage book will appeal to those with an interest in the history and development of European needlework. Contents include: “A History of Textiles and Weaving”, “Pattern Sources of Scriptural Subjects in Tudor and Stuart Embroideries”, and “Embroideries of Scriptural Subjects Identified with Engravings in the 'Thesaurus Sacrarum', of Gerard de Jode, Antwerp, 1585”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on embroidery.
Author: Kevin Killeen Publisher: OUP Oxford ISBN: 0191510599 Category : Literary Criticism Languages : en Pages : 951
Book Description
The Bible was, by any measure, the most important book in early modern England. It preoccupied the scholarship of the era, and suffused the idioms of literature and speech. Political ideas rode on its interpretation and deployed its terms. It was intricately related to the project of natural philosophy. And it was central to daily life at all levels of society from parliamentarian to preacher, from the 'boy that driveth the plough', famously invoked by Tyndale, to women across the social scale. It circulated in texts ranging from elaborate folios to cheap catechisms; it was mediated in numerous forms, as pictures, songs, and embroideries, and as proverbs, commonplaces, and quotations. Bringing together leading scholars from a range of fields, The Oxford Handbook of the Bible in Early Modern England, 1530-1700 explores how the scriptures served as a generative motor for ideas, and a resource for creative and political thought, as well as for domestic and devotional life. Sections tackle the knotty issues of translation, the rich range of early modern biblical scholarship, Bible dissemination and circulation, the changing political uses of the Bible, literary appropriations and responses, and the reception of the text across a range of contexts and media. Where existing scholarship focuses, typically, on Tyndale and the King James Bible of 1611, The Oxford Handbook of the Bible in England, 1530-1700 goes further, tracing the vibrant and shifting landscape of biblical culture in the two centuries following the Reformation.
Author: Lisa Hopkins Publisher: Walter de Gruyter GmbH & Co KG ISBN: 1501514172 Category : History Languages : en Pages : 281
Book Description
Throughout the sixteenth and seventeenth centuries, the edges of Europe were under pressure from the Ottoman Turks. This book explores how Shakespeare and his contemporaries represented places where Christians came up against Turks, including Malta, Tunis, Hungary, and Armenia. Some forms of Christianity itself might seem alien, so the book also considers the interface between traditional Catholicism, new forms of Protestantism, and Greek and Russian orthodoxy. But it also finds that the concept of Christendom was under threat in other places, some much nearer to home. Edges of Christendom could be found in areas that were or had been pagan, such as Rome itself and the Danelaw, which once covered northern England; they could even be found in English homes and gardens, where imported foreign flowers and exotic new ingredients challenged the concept of what was native and natural.
Author: Susan Frye Publisher: University of Pennsylvania Press ISBN: 0812206983 Category : Literary Criticism Languages : en Pages : 339
Book Description
The Renaissance woman, whether privileged or of the artisan or the middle class, was trained in the expressive arts of needlework and painting, which were often given precedence over writing. Pens and Needles is the first book to examine all these forms as interrelated products of self-fashioning and communication. Because early modern people saw verbal and visual texts as closely related, Susan Frye discusses the connections between the many forms of women's textualities, including notes in samplers, alphabets both stitched and penned, initials, ciphers, and extensive texts like needlework pictures, self-portraits, poetry, and pamphlets, as well as commissioned artwork, architecture, and interior design. She examines works on paper and cloth by such famous figures as Elizabeth I, Mary, Queen of Scots, and Bess of Hardwick, as well as the output of journeywomen needleworkers and miniaturists Levina Teerlinc and Esther Inglis, and their lesser-known sisters in the English colonies of the New World. Frye shows how traditional women's work was a way for women to communicate with one another and to shape their own identities within familial, intellectual, religious, and historical traditions. Pens and Needles offers insights into women's lives and into such literary texts as Shakespeare's Othello and Cymbeline and Mary Sidney Wroth's Urania.
Author: Celeste Brusati Publisher: BRILL ISBN: 9004226435 Category : History Languages : en Pages : 772
Book Description
This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700. Like texts, images partook of rhetorical forms and hermeneutic functions – typological, paraphrastic, parabolic, among others – based largely in illustrative traditions of biblical commentary. If the specific relation between biblical texts and images exemplified the range of possible relations between texts and images more generally, it also operated in tandem with other discursive paradigms – scribal, humanistic, antiquarian, historical, and literary, to name but a few – for the connection, complementary or otherwise, between verbal and visual media. The Authority of the Word discusses the ways in which the mutual form and function, manner and meaning of texts and images were conceived and deployed in early modern Europe. Contributors include James Clifton, John R. Decker, Maarten Delbeke, Wim François, Jan L. de Jong, Catherine Levesque, Andrew Morrall, Birgit Ulrike Münch, Carolyn Muessig, Bart Ramakers, Kathryn Rudy, Els Stronks, Achim Timmermann, Anita Traninger, Peter van der Coelen, Geert Warnar, and Michel Weemans.
Author: Nancy Graves Cabot
Author: Nancy Graves Cabot
Author: Kevin Killeen
Author: Lisa Hopkins
Author: Susan Frye
Author: Celeste Brusati
Author: Patricia Wardle
Author: Lady Lever Art Gallery
Author: Gay Swift
Author: Margaret H. Swain
Author: Art Institute of Chicago. Ryerson Library