Patrons and Artists in the Italian Renaissance PDF Download

Author: David Chambers
Publisher: Springer
ISBN: 1349006238
Category : History
Languages : en
Pages : 252

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Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304

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Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.

Author: David Sanderson Chambers
Publisher: MacMillan
ISBN: 9780333111390
Category : Art patronage
Languages : en
Pages : 220

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Clerical patronage - Guild patronage - Civic patronage - Princely and private patronage - Letters of artists & patrons.

Author: David Sanderson Chambers
Publisher:
ISBN: 9783330939172
Category : Art patronage
Languages : en
Pages : 220

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Author: Jonathan K. Nelson
Publisher: Princeton University Press
ISBN: 0691161941
Category : Architecture
Languages : en
Pages : 255

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An analysis of Italian Renaissance art from the perspective of the patrons who made 'conspicuous commissions', this text builds on three concepts from the economics of information - signaling, signposting, and stretching - to develop a systematic methodology for assessing the meaning of patronage.

Author: Guy Fitch Lytle
Publisher: Princeton University Press
ISBN: 1400855918
Category : Art
Languages : en
Pages : 406

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The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Mary Hollingsworth
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0

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'In a subject of this magnitude, the author's coverage is impeccable ... Patronage in Renaissance Italy is an absolute must.' - The Art Book A perfect read for art historians and their students and for lovers of Renaissance art and civilization. In this first comprehensive study of patrons in the Italian quattrocento, Mary Hollingsworth shows how the patron - rather than the artist - carefully controlled both subject and medium in artistic creation. In a competitive and violent age, she explains, image and ostentation were essential statements of the patron's power. As a result, perceived cost became more important than artistic quality (and buildings, bronze, or tapestry were considered more eloquent statements than cheaper marble or fresco). Since Christian teaching frowned on wealth and power, money also had to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Artists in the early Renaissance were employed as craftsmen, Hollingsworth concludes, and only late in the century did their relations with patrons start to adopt a pattern we might recognize today. Praise for Mary Hollingsworth: 'Many readers, specialists and non-specialists alike, will welcome this book as a reliable and straightforward introduction to an important and interesting subject' - Literary Review 'She writes authoritatively, drawing on a vast store of knowledge' - Frances Spalding, The Sunday Times 'A thorough, readable and skilfully crafted survey' - Burlington Magazine 'This book will be of interest to anyone who looks at art in fifteenth-century Italy [and] will be particularly salutary for anyone who teaches or studies art history.' - Apollo Mary Hollingsworth is an academic and an expert in Renaissance art and architecture. Her published works include The Medici, The Borgias, and The Cardinal's Hat.

Author: John T. Paoletti
Publisher: Perigee Trade
ISBN:
Category : Art
Languages : en
Pages : 580

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"Art, Power, and Patronage in Renaissance Italy has a freshness and breadth of approach that sets the art in its context, exploring why it was created and who commissioned the palaces, cathedrals, paintings, and sculptures. For, as the authors claim, Italian Renaissance artists were no more solitary geniuses than are most architects and commercial artists today." "This book covers not only the foremost artistic centers of Rome and Florence. Here too are Venice and the Veneto, Assisi, Siena, Milan, Pavia, Genoa, Padua, Mantua, Verona, Ferrara, Urbino, and Naples - each city revealing unique political and social structures that influenced its artistic styles." "The book includes genealogies of influential families, listings of popes and doges, plans of cities, a time chart, a bibliography, a glossary, and an index."--BOOK JACKET.

Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356

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"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).

Author: David Sanderson Chambers
Publisher:
ISBN:
Category : Art Partonage Italy History Sources
Languages : en
Pages : 219

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