Author: Dominique PoulotPublisher:
ISBN:
Category :
Languages : en
Pages : 223
Book Description
Patrimoine et musées
Author: Dominique PoulotMuseums and Heritage Organizations
Author: Musées et Patrimoine
Author: CollectifPublisher: FeniXX
ISBN: 2402068035
Category : Art
Languages : fr
Pages : 479
Book Description
Un panorama des différentes spécialités des musées et du patrimoine : historique, administration, législation, conservation et restauration des oeuvres, médiation culturelle et mise en valeur des collections. « Copyright Electre »
Against the Modern
Author: Gabriel P. WeisbergPublisher: Rutgers University Press
ISBN: 9780813531564
Category : Painting, French
Languages : en
Pages : 204
Book Description
"The exhibition at the Dahesh Museum that the publication of this book celebrates is the first in a century to feature Dagnan Bouveret's work. Against the Modern pays special attention to the evolution of this artist's style and subject matter and brings to the public gaze the real diversity, accessibility - and surprising modernity - that has made Dagnan-Bouveret worthy of our attention today."--BOOK JACKET.
Musées Et Patrimoine Immateriel
Author: Les musées de France
Author: José FrèchesPublisher:
ISBN:
Category : Museums
Languages : fr
Pages : 208
Book Description
Objects and Others
Author: George W. StockingPublisher: Univ of Wisconsin Press
ISBN: 0299103234
Category : Social Science
Languages : en
Pages : 266
Book Description
History of Anthropology is a series of annual volumes, inaugurated in 1983, each of which treats an important theme in the history of anthropological inquiry. Objects and Others, the third volume, focuses on a number of questions relating to the history of museums and material culture studies: the interaction of museum arrangement and anthropological theory; the tension between anthropological research and popular education; the contribution of museum ethnography to aesthetic practice; the relationship of humanistic and anthropological culture, and of ethnic artifact and fine art; and, more generally, the representation of culture in material objects. As the first work to cover the development of museum anthropology since the mid-nineteenth century, it will be of great interest and value not only to anthropologist, museologists, and historians of science and the social sciences, but also to those interested in "primitive" art and its reception in the Western world.
Contemporary Museums
Author: Yves GiraultPublisher: John Wiley & Sons
ISBN: 1786307456
Category : Art
Languages : en
Pages : 276
Book Description
At the center of current debates surrounding the social function of museums, questions concerning museum activities and the participation of both inhabitants and the public arise. In 2019, these questions were the subject of many heated debates at the 34th General Assembly of ICOM in Kyoto, which intended to propose a new definition of the museum. As the representations of the tensions between Universalist and Communitarian approaches are not only largely dependent on the historical and socio-political contexts of the various countries concerned, a generational angle must also be considered. It thus seems totally anachronistic to try to defend a dichotomous vision that is far too simplistic. At the heart of these current events and international issues, this collective work studies, in an international context, the values, actions and discourses advocated for participating in processes such as collection, selection, conservation and interpretation of heritage elements linked to the territories, resources, knowledge and know-how of various communities. The analysis of the tensions and asymmetries of power between various groups of actors – politicians, managers, scientists, visitors, representatives of local or diasporic populations, among others – particularly in the context of decolonization policies of museums, is also a major part of this book.
The Museum of French Monuments 1795-1816
Author: Alexandra StaraPublisher: Routledge
ISBN: 9781409437994
Category : Cultural property
Languages : en
Pages : 202
Book Description
The first volume in two centuries on Alexandre Lenoir's Museum of French Monuments in Paris, this study presents a comprehensive picture of a seminal project of French Revolutionary cultural policy, one crucial to the development of the modern museum institution. The book offers a new critical perspective of the Museum's importance and continuing relevance to the history of material culture and collecting, through juxtaposition with its main opponent, the respected connoisseur and theorist Quatremère de Quincy. This innovative approach highlights the cultural and intellectual context of the debate, situating it in the dilemmas of emerging modernity, the idea of nationhood, and changing attitudes to art and its histories. Open only from 1795 to 1816, the Museum of French Monuments was at once popular and controversial. The salvaged sculptures and architectural fragments that formed its collection presented the first chronological panorama of French art, which drew the public; it also drew the ire of critics, who saw the Museum as an offense against the monuments' artistic integrity. Underlying this localized conflict were emerging ideas about the nature of art and its relationship to history, which still define our understanding of notions of heritage, monument, and the museum.
The Museums of Contemporary Art
Author: J. Pedro LorentePublisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.