Author: SHARMISTHA CHATTERJEE Publisher: JEC PUBLICATION ISBN: 9356162379 Category : Fiction Languages : en Pages : 59
Book Description
The Patachitra village is only 20 minutes from Balichak, near Panskura and can be reached by local trains from Howrah. By road, you need to take the NH6, turn left from Debra towards Balichak, go up to Mundamari and then again turn left to reach Naya. The Patachitra of different districts of Bengal are characterized by many peculiarities in colour and design. The one from Manbhum can easily be distinguished by their preference for one particular shade of burnt sienna relieved by white and yellow patches and densely packed composition. In the scrolls of pot of Birbhum, Bankura and Burdwan preference for Indian red background is usually found while the scrolls of Hoogly prefer a dark brown . The Hoogly and Manbhum ‘pats’ have a modern approach with abstract linear treatment. Patachitra is an ancient folk art of Bengal. Art lovers all over the world appreciate it for its effortless style of drawings, colours, lines and space usage. The world Pata derived from the Sanskrit word Patta means cloth. The painters are called Patuas . Patuas do not just paint, they also sing as they unfurl the painting scroll to show it to the audience. These songs are known as Pat-er Gaan and this differentiates the art from many other art-forms. Before this caught attention of people beyond the respective villages, the Patuas used to go out in the morning, showing their artwork in nearby villages and explaining those drawings with the songs they used to write and put to tune. The songs range from traditional mythological tales and tribal rituals to stories based on modern Indian history and contemporary issues like protecting forests and preventing spread of HIV/AIDS Patuas generally use natural colours, which they procure from various trees, leaves, flowers and clays like yellow colour is obtained from turmeric, red from a local fruit called Lotkon, blue from petals of Aparajita flower, green from leaves of Broad Beans (Sheem) tree or Strings beans ( Borboti ) tree and so on . The colours are then mixed with sap of wood apple tree (bel) as a binder. Long scrolls are the most well-known shape of pattachitra . The Patuas slowly unroll them as they share the stories through their songs. Square formats are also popular and seems like has a greater demand because they cost less and are easy to carry . Patachitra has even been mentioned in Puranas and Epics. ‘
Author: Frank J. Korom Publisher: ISBN: Category : Art Languages : en Pages : 124
Book Description
Highlights the state's rich cultural and natural landscapes and attractions with fifty-seven photographs in a week-at-a-glance format.
Author: Alankar Kaushik Publisher: Springer Nature ISBN: 9811924961 Category : Social Science Languages : en Pages : 322
Book Description
This volume focuses on indigenous knowledge in analyzing the traditions and communication processes within various communities of Northeast India. It deals with the historical and theoretical trajectory of communication for social change as a discipline, bringing together a series of interesting case studies from the sphere of meaningful learning where individuals and communities engage in a cooperative and dialogic environment to promote change at multiple levels. The case studies cover a range of media - radio, video, ‘forum theatre’ - and considers both practitioners and audiences. The authors’ focus on narration, diversity, participation, and interaction is timely, and expands knowledge relating to these areas by linking them in new ways. It is of interest to an academic audience as well as practitioners researching and working in areas of education, communication, community development, and social work.
Author: Bruce Kapferer Publisher: Berghahn Books ISBN: 1785333712 Category : Social Science Languages : en Pages : 153
Book Description
Anthropology begins in the encounter with the ‘exotic’: what stands outside of—and challenges—conventional or established understandings. This volume confronts the distortions of orientalism, ethnocentrism, and romantic nostalgia to expose exoticism, defined as the construction of false and unsubstantiated difference. Its aim is to re-found the importance of the exotic in the development of anthropological knowledge and to overcome methodological dualisms and dualistic approaches. Chapters look at the risk of exoticism in the perspectivist approach, the significant exotic corrective of Lévi-Strauss vis-à-vis an imperializing Eurocentrism, our nostalgic relationship with the ethnographic record, and the attempts of local communities to readapt previous exoticized referents, renegotiate their identity, and ‘counter-exoticize.’ This volume demonstrates a range of approaches that will be valuable for researchers and students seeking to effectively establish comparative methodological frameworks that transcend issues of relativism and universalism.
Author: Amitabh SenGupta Publisher: AuthorHouse ISBN: 147721383X Category : Art Languages : en Pages : 167
Book Description
Th e art of vernacular painting in India is not only varied and rich but also intriguing for several reasons. With such observations the book addresses certain issues, like the validity of the historical information on Indian Art that excludes vernacular trends. The information on vernacular art in India has either been ignored such as in ancient literary discourses or inadvertently misconstrued within the theoretical purviews of modern days. If the hierarchy of the Hindu caste system has marginalised the culture of the lower rung groups, the lexicon of twentieth century anthropological studies has seen this art as material evidence of undeveloped societies; both creating the same value: to be patronised but not ‘art’. Can art be weighed on a scale of development? Arguments have been developed within the specifi c focus on scroll paintings by the itinerant painter bards in Bengal. Th e bardic tradition has been known to exist in India since a pre-Christian era and still continues within two vibrant trends of vernacular art forms – Bangla and Santhal pat. Th e book redefi nes and repositions the notion of art with contemporary folk art. As the picture Plates are self-evident, the book draws attention on a world of art that has not been present in Indian Art History.
Author: Stamatoudi, Irini Publisher: Edward Elgar Publishing ISBN: 180037691X Category : Social Science Languages : en Pages : 640
Book Description
This important Research Handbook offers a comprehensive analysis of the intersections between intellectual property (IP) and cultural heritage law. It explores and compares how both have evolved and sometimes converged over time, how they increased tremendously in significance, as well as in economic value, despite the fact that the former mainly pertains to the private sphere, whilst the latter is considered a ‘common good’.
Author: Sahanawaz Hussain Publisher: Self publishing ISBN: Category : Antiques & Collectibles Languages : en Pages : 179
Book Description
The Book “CULTURE AND TRADITION OF WEST BENGAL” by Sahanawaz Hussain highlights the different culture of west Bengal. The state west Bengal has a diverse culture. Author Sahanawaz Hussain highlights all the culture of different district of west Bengal starting from North Bengal to South Bengal. West Bengal boasts a rich literary and cultural heritage with evidenced by authors like Rabindranath Tagore,folk music like baul,Gambhira as well as Najrul Geeti,Rabindra Sangeet. West Bengal is the home of a thriving cinema industry dubbed “Tollywood”.throughout the year many festivals are celebrated in bengal.
Author: Sahanawaz Hussain Publisher: Crown publishing ISBN: Category : Art Languages : en Pages : 288
Book Description
The book ART AND CULTURE OF WEST BENGAL by Sahanawaz Hussain highlights the different culture of west Bengal. The state west Bengal has a diverse culture. Author Sahanawaz Hussain highlights all the culture of different district of west Bengal starting from North Bengal to South Bengal. West Bengal boasts a rich literary and cultural heritage with evidenced by authors like Rabindranath Tagore,folk music like baul,Gambhira as well as Najrul Geeti,Rabindra Sangeet. West Bengal is the home of a thriving cinema industry dubbed Tollywood.throughout the year many festivals are celebrated in bengal. HIGHLIGHTS OF THE BOOK:- Art & Culture (Literature) The Bengali language boasts a rich literary heritage, shared with neighbouring Bangladesh. West Bengal has a long tradition in folk literature, evidenced by the Charyapada, Mangalkavya, Shreekrishna Kirtana, ThakurmarJhuli, and stories related to Gopal Bhar. In the nineteenth and twentieth century, Bengali literature was modernized in the works of authors such as Bankim Chandra Chattopadhyay, Michael Madhusudan Dutt, Rabindranath Tagore, Kazi Nazrul Islam, Sharat Chandra Chattopadhyay, Jibananda Das and Manik Bandyopadhyay. In modern times Jibanananda Das, Bibhutibhushan Bandopadhyay, Tarashankar Bandopadhyay, Manik Bandopadhyay, Ashapurna Devi, Shirshendu Mukhopadhyay, Buddhadeb Guha, Mahashweta Devi, Samaresh Majumdar, Sanjeev Chattopadhyay and Sunil Gangopadhyay among others are well known. (Music and Dance) The Baul tradition is a unique heritage of Bengali folk music, which has also been influenced by regional music traditions. Other folk music forms include Gombhira and Bhawaiya. Folk music in West Bengal is often accompanied by the ektara, a one-stringed instrument. West Bengal also has an heritage in North Indian classical music. Rabindrasangeet, songs composed and set into tune by Rabindranath Tagore and Nazrul geeti (by Kazi Nazrul Islam) are popular. Also prominent are other musical forms like Dwijendralal, Atulprasad and Rajanikanta's songs, and adhunik or modern music from films and other composers. From the early 1990s, there has been an emergence and popularisation of new genres of music, including fusions of Baul and Jazz by several Bangla bands, as well as the emergence of what has been called Jeebonmukhi Gaan (a modern genre based on realism). Bengali dance forms draw from folk traditions, especially those of the tribal groups, as well as the broader Indian dance traditions. Chau dance of Purulia is a rare form of mask dance. State is known for Bengali folk music such as baul and kirtans and gajan, and modern songs including Bengali adhunik songs. (Films) The state is home to a thriving cinema industry, dubbed Tollywood. Tollygunj in Kolkata is the location of numerous Bengali movie studios, and the name Tollywood (similar to Hollywood and Bollywood) is derived from that name. The Bengali film industry is well known for all kind of films, and has produced acclaimed directors like Satyajit Ray, Mrinal Sen, Tapan Sinha and Ritwik Ghatak. Prominent contemporary directors include Buddhadev Dasgupta, Goutam Ghose, Aparna Sen and Rituparno Ghosh.It has also produced famous film personalities like Uttam Kumar,Soumitra Chatterjee,Suchitra Sen,Kanon Devi,Kishore Kumar and many more. (Fine Arts) Bengal had been the harbinger of modernism in fine arts. Abanindranath Tagore, called the father of Modern Indian Art had started the Bengal School of Art which was to create styles of art outside the European realist tradition which was taught in art colleges under the colonial administration of the British Government. The movement had many adherents like Gaganendranath Tagore, RamkinkarBaij, Jamini Roy and Rabindranath Tagore. After Indian Independence, important groups like the Calcutta Group and the Society of Contemporary Artists were formed in Bengal which dominated the art scene in India. (Reformist Heritage) The capital, Kolkata, was the workplace of several social reformers, like Raja Ram Mohan Ray, Iswar Chandra Vidyasagar, and Swami Vivekananda. These social reforms have eventually led to a cultural atmosphere where practices like sati, dowry, and caste-based discrimination or untouchability, the evils that crept into the Hindu society, were abolished. (Costumes) Bengali women commonly wear the shaŗi , often distinctly designed according to local cultural customs. In urban areas, many women and men wear Western attire. Among men, western dressing has greater acceptance. Men also wear traditional costumes such as the panjabi with dhuti, often on cultural occasions. (Festivals) Durga Puja in October is the most popular festival in the West Bengal. Poila Baishakhthe Bengali New Year, Rathayatra, Dolyatra or Basanta-Utsab, Nobanno, Poush Parbon (festival of Poush), Kali Puja, SaraswatiPuja, LaxmiPuja, Christmas, Eid ul-Fitr, Eid ul-Adha and Muharram are other major festivals.
Author: Lucas Lixinski Publisher: Taylor & Francis ISBN: 1003852262 Category : Art Languages : en Pages : 685
Book Description
The Routledge Handbook of Heritage and the Law sheds light on the relationship between the two fields and analyses how the law shapes heritage and heritage practice in both expected and unexpected ways. Including contributions from 41 authors working across a range of jurisdictions, the volume analyses the law as a transnational phenomenon and uses international and comparative legal methodologies to distil lessons for broad application. Demonstrating that the law is fundamentally a language of power and contestation, the Handbook shows how this impacts our views of heritage. It also shows that, to understand the ways in which the law impacts key aspects of heritage practice, it is important to tap into the possibilities of heritage as points of convergence of identity, struggles over resources, and the distribution of power. Framing heritage as a driver for legal engagement rather than a passive regulatory object, the book first reviews the legal fields or mechanisms that can shape action in the heritage field, then questions how these enable authority and give power to those who seize heritage, and finally envisions how the discussion between heritage and the law can lay new grounds in both those fields. Lifting the mists that often render the law opaque in heritage studies, the Handbook showcases the law as a medium through which the culture and the power of heritage are expressed and might be shared. The Routledge Handbook of Heritage and the Law presents a view of the law that is aimed at those who wish to reflect on how law has changed, or could change, what heritage is and how it can support social, cultural, local, or other development. It will be of interest to scholars, students, policymakers, and practitioners working in the areas of museum studies, heritage studies, and urban studies, as well as in cultural intervention and planning. Chapter 8 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. Chapter 34 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY) 4.0 license. The Routledge Handbook of Heritage and the Law | Lucas Lixinski, Lucie (taylorfrancis.com)
Author: SHARMISTHA CHATTERJEE
Author: Frank J. Korom
Author: Alankar Kaushik
Author: Bruce Kapferer
Author: Amitabh SenGupta
Author: Stamatoudi, Irini
Author: Sahanawaz Hussain
Author: Sahanawaz Hussain
Author: Sharmila Chandra
Author: Lucas Lixinski