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Author: Michele Mancini Publisher: Patrick Frey Edition ISBN: 9783906803418 Category : Motion picture producers and directors Languages : en Pages : 640
Book Description
Around 1980 in Rome, a small cooperative around film critics Michele Mancini and Giuseppe Perrella produced a mysterious, elaborate and yet seemingly effortless 600-page book of b&w photographs, Pier Paolo Pasolini: Corpi e Luoghi (1981). In the multifaceted cultural and political environment of the era, the publication was acclaimed an indispensable tool for future Pasolini (1922-1975) research. Although long since forgotten and out of print, Corpi e Luoghi, to this day, it remains what one reviewer called the most Pasolinian book to date. With its relentless and yet playful classification of some 2,000 film stills arranged under the categories of bodies and places, Mancini and Perrella stage an ever-shifting archival space. Some of the pictures recurring under various subcategories. With a hidden reference to Walter Benjamin and a correspondingly revolutionary attitude, quotation here is understood as a form of appropriation, as a practical application of specific material.
Author: Michele Mancini Publisher: Patrick Frey Edition ISBN: 9783906803418 Category : Motion picture producers and directors Languages : en Pages : 640
Book Description
Around 1980 in Rome, a small cooperative around film critics Michele Mancini and Giuseppe Perrella produced a mysterious, elaborate and yet seemingly effortless 600-page book of b&w photographs, Pier Paolo Pasolini: Corpi e Luoghi (1981). In the multifaceted cultural and political environment of the era, the publication was acclaimed an indispensable tool for future Pasolini (1922-1975) research. Although long since forgotten and out of print, Corpi e Luoghi, to this day, it remains what one reviewer called the most Pasolinian book to date. With its relentless and yet playful classification of some 2,000 film stills arranged under the categories of bodies and places, Mancini and Perrella stage an ever-shifting archival space. Some of the pictures recurring under various subcategories. With a hidden reference to Walter Benjamin and a correspondingly revolutionary attitude, quotation here is understood as a form of appropriation, as a practical application of specific material.
Author: Stacy Szymaszek Publisher: ISBN: 9780999431382 Category : Languages : en Pages : 160
Book Description
THE PASOLINI BOOK documents the poet Stacy Szymaszek's engagement with the work of the Italian film director, poet, and political figure Pier Paolo Pasolini alongside her own evolving vocation as civic poet and dissenting subject within an American polis by turns hostile and hospitable. Extending the exploration of the temporally unbound, genderqueer, and disaster-prone persona of her earlier works, this volume collects two successive iterations of "felt translations," poem-for-poem rewritings, channelings, and détournements, of Pasolini's Roman Poems, undertaken over a decade apart. Separating the two suites of poems are three iterations of autofiction titled "A Sentimental Education," in which Szymaszek's Midwestern upbringing is recentered and transformed through speculative identification with Pasolini. The Pasolini Book evidences a search for a civic poetry in which the poet does not contain multitudes so much as she exudes an abundant and experimental identity emerging from long experience seeking political and artistic solidarities on the margins of institutional life. "We are all in danger," Pasolini said in an interview only hours before he was murdered; today, in the midst of capitalist ruin, Szymaszek's poetry maps the particular pains of embattled artistic autonomy and the turbulent state of social and political community. Poetry. Italian Studies. Art. LGBTQ+ Studies.
Author: Patrick Rumble Publisher: University of Toronto Press ISBN: 1442656026 Category : Performing Arts Languages : en Pages : 234
Book Description
The Trilogia della vita (Trilogy of Life) is a series of three films that Pier Paolo Pasolini completed before his horrifying assassination in 1975, and it remains among the most controversial of his cinematic works. In Allegories of Contamination Patrick Rumble provides an incisive critical and theoretical study of these films and the Marxist filmmaker's complex, original concept of the cinematic medium. With the three films that make up the Trilogy of Life – The Decameron, Canterbury Tales, andThe Arabian Nights – Pasolini attempts to recapture the aura surrounding popular, predominantly oral forms of storytelling through a pro-modern vision of innocent, unalienated bodies and pleasures. In these works Pasolini appears to abandon the explicitly political engagement that marked his earlier works - films that led him to be identified with other radical filmmakers such as Bellocchio, Bertolucci, and Godard. However, Pasolini insisted that these were his 'most ideological films,' and his political engagement translates into a mannerist, anti-classical style or what he called a 'cinema of poetry.' Rumble offers a comparative study based on the concept of 'aesthetic contamination,' which is fundamental to the understanding of Pasolini's poetics. Aesthetic contamination concerns the mediation between different cultures and different historical moments. Through stylistic experimentation, the Trilogy of Life presents a genealogy of visual codes, an interrogation of the subjectivity of narrative cinema. In these films Pasolini celebrates life, and perhaps therein lies their simple heresy.
Author: Sam Rohdie Publisher: Indiana University Press ISBN: 9780253210104 Category : Art Languages : it Pages : 248
Book Description
Pasolini was a controversial film-maker, poet and essayist, best known for his films narrating myths, such as Oedipus Rex, Medea, Theorem, The Canterbury Tales, The Decameron and A Thousand and One Arabian Knights. This book is a personal account of Pier Paolo Pasolini's cinema and literature, written by the author of Antonioni and Rocco and his Brothers.
Author: Ara H. Merjian Publisher: University of Chicago Press ISBN: 022665527X Category : Avant-garde Languages : en Pages : 285
Book Description
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
Author: Maurizio Viano Publisher: Univ of California Press ISBN: 0520078551 Category : Performing Arts Languages : en Pages : 391
Book Description
"Superb. . . . In its careful handling of the biographical and the autobiographical, the factual and the speculative, this book will become a model for how studies of individual directors should be done in the future."—Peter Brunette, author of Roberto Rossellini
Author: Gian Maria Annovi Publisher: ISBN: 9780231180306 Category : Languages : en Pages : 258
Book Description
Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression.
Author: Pier Paolo Pasolini Publisher: University of Chicago Press ISBN: 022612116X Category : Poetry Languages : en Pages : 513
Book Description
Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.
Author: Sergio Rigoletto Publisher: Edinburgh University Press ISBN: 0748654550 Category : Social Science Languages : en Pages : 176
Book Description
Headline: A study of how Italian films re-envisage male identity in response to sexual liberationBlurb: Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers.Key Features* Re-examines key Italian films, including Bernardo Bertolucci's The Conformist, Ettore Scola's A Special Day, Pier Paolo Pasolini's Theorem and Lina Wertmuller's The Seduction of Mimi, in the light of gender and queer theory.* Covers the major thematic concerns, genres and stylistic traits of 1970s Italian political cinema* Analyses the broader cultural context of 1970s Italy, including sections on Italian feminism, Gay liberation and the post-'68 social movements.Key Words: Gender; Queer; Body; Gay; Feminism; Pier Paolo Pasolini; Bernardo Bertolucci; Lina Wertmuller; Nanni Moretti; Federico Fellini; Ettore Scola; Marco Ferreri.
Author: Michele Mancini
Author: Michele Mancini
Author: Stacy Szymaszek
Author: Patrick Rumble
Author: Sam Rohdie
Author: Ara H. Merjian
Author: Maurizio Viano
Author: Gian Maria Annovi
Author: Pier Paolo Pasolini
Author: Sergio Rigoletto
Author: Pier Paolo Pasolini