Author: James Watt
Publisher:
ISBN:
Category : Chemists
Languages : en
Pages : 536

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Book Description

Author: Robert E. Kohler
Publisher: University of Chicago Press
ISBN: 0226450619
Category : Biography & Autobiography
Languages : en
Pages : 456

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Book Description
Robert Kohler shows exactly how entrepreneurial academic scientists became intimate "partners in science" with the officers of the large foundations created by John D. Rockefeller and Andrew Carnegie, and in so doing tells a fascinating story of how the modern system of grant-getting and grant-giving evolved, and how this funding process has changed the way laboratory scientists make their careers and do their work. "This book is a rich historical tapestry of people, institutions and scientific ideas. It will stand for a long time as a source of precise and detailed information about an important aspect of the scientific enterprise. . .It also contains many valuable lessons for the coming years."—John Ziman, Times Higher Education Supplement

Author: Judy Wearing
Publisher: ECW/ORIM
ISBN: 1554905516
Category : Technology & Engineering
Languages : en
Pages : 226

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Book Description
Not even geniuses get it right the first time . . . An “entertaining” look at the failures of great inventors (Booklist). To achieve great things, you have to be willing to take risks—and as Edison’s Concrete Piano reveals, some of the most famous names in history experienced plenty of flops and face-plants in the course of their careers. Thomas Edison, for example, not only revolutionized the world with the light bulb, but also designed a concrete piano, a nonoperational helicopter made from box kites and piano wire, and a machine to speak to the dead. Alexander Graham Bell, inventor of the telephone, actually devoted most of his time to his sheep farm in Nova Scotia—devising a multi-nippled sheep somewhere along the way. You’ll also read about Leonardo da Vinci’s walk-on-water shoes, George Washington Carver’s miracle peanut cure, and much more. The ludicrous ideas, faulty designs, and offbeat hobbies in this volume will inspire laughs—and serve as a reminder that even the very best minds make mistakes. “Captivating . . . This book is full of lessons for inventors and non-inventors alike.” —Henry Petroski, author of Success through Failure

Author: Subrata Dasgupta
Publisher: Routledge
ISBN: 0429629648
Category : Psychology
Languages : en
Pages : 295

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Book Description
At the heart of creativity is the practice of bringing something new into existence, whether it be a material object or abstract idea, thereby making history and enriching the creative tradition. A Cognitive Historical Approach to Creativity explores the idea that creativity is both a cognitive phenomenon and a historical process. Blending insights and theories of cognitive science with the skills, mentality and investigative tools of the historian, this book considers diverse issues including: the role of the unconscious in creativity, the creative process, creating history with a new object or idea, and the relationship between creators and consumers. Drawing on a plethora of real-life examples from the eighteenth century through to the present day, and from distinct fields including the arts, literature, science and engineering, Subrata Dasgupta emphasizes historicity as a fundamental feature of creativity. Providing a unified, integrative, interdisciplinary treatment of cognitive history and its application to understanding and explaining creativity in its multiple domains, A Cognitive Historical Approach to Creativity is essential reading for all researchers of creativity.

Author: Edward O. Wilson
Publisher: W. W. Norton & Company
ISBN: 0871407000
Category : Science
Languages : en
Pages : 153

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Book Description
Pulitzer Prize–winning biologist Edward O. Wilson imparts the wisdom of his storied career to the next generation. Edward O. Wilson has distilled sixty years of teaching into a book for students, young and old. Reflecting on his coming-of-age in the South as a Boy Scout and a lover of ants and butterflies, Wilson threads these twenty-one letters, each richly illustrated, with autobiographical anecdotes that illuminate his career—both his successes and his failures—and his motivations for becoming a biologist. At a time in human history when our survival is more than ever linked to our understanding of science, Wilson insists that success in the sciences does not depend on mathematical skill, but rather a passion for finding a problem and solving it. From the collapse of stars to the exploration of rain forests and the oceans’ depths, Wilson instills a love of the innate creativity of science and a respect for the human being’s modest place in the planet’s ecosystem in his readers.

Author: Jan Golinski
Publisher: University of Chicago Press
ISBN: 022635136X
Category : Biography & Autobiography
Languages : en
Pages : 268

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Book Description
How did someone become a scientist before the profession itself existed? Jan Golinski finds an answer in the remarkable career of Humphry Davy (1778-1829), one of the foremost British men of science of the nineteenth century. Originally a country boy from a modest background, Davy s remarkable accomplishments propelled him to a knighthood and the presidency of the Royal Society. He was a brilliant and celebrated lecturer, and his chemical investigations led to the discoveries of sodium, potassium, and other elements and to the invention of the miners safety lamp. He was also a poet, a friend of Coleridge and Wordsworth, who wrote philosophical dialogues, a book on salmon-fishing, and narratives of his travels. An enigmatic figure to his contemporaries, Davy has continued to elude the attempts of biographers to classify him. Golinski argues that Davy s life is best viewed as a prolonged process of self-experimentation. Readers will follow Davy s course from his youthful enthusiasm for physiological experimentation to his late-life manifestation as a melancholic traveler on the European continent. Along the way, they will gain an appreciation for the creativity Davy invested in his self-fashioning as a man of science, and the obstacles he overcame, in a period when the path to a scientific career was not as well-trodden as it is today. The Experimental Self is an inventive treatment of a major figure in science history."

Author: David Philip Miller
Publisher: Routledge
ISBN: 1351943758
Category : History
Languages : en
Pages : 332

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Book Description
The 'water controversy' concerns one of the central discoveries of modern science, that water is not an element but rather a compound. The allocation of priority in this discovery was contentious in the 1780s and has occupied a number of 20th century historians. The matter is tied up with the larger issues of the so-called chemical revolution of the late eighteenth century. A case can be made for James Watt or Henry Cavendish or Antoine Lavoisier as having priority in the discovery depending upon precisely what the discovery is taken to consist of, however, neither the protagonists themselves in the 1780s nor modern historians qualify as those most fervently interested in the affair. In fact, the controversy attracted most attention in early Victorian Britain some fifty to seventy years after the actual work of Watt, Cavendish and Lavoisier. The central historical question to which the book addresses itself is why the priority claims of long dead natural philosophers so preoccupied a wide range of people in the later period. The answer to the question lies in understanding the enormous symbolic importance of James Watt and Henry Cavendish in nineteenth-century science and society. More than credit for a particular discovery was at stake here. When we examine the various agenda of the participants in the Victorian phase of the water controversy we find it driven by filial loyalty and nationalism but also, most importantly, by ideological struggles about the nature of science and its relation to technological invention and innovation in British society. At a more general, theoretical, level, this study also provides important insights into conceptions of the nature of discovery as they are debated by modern historians, philosophers and sociologists of science.

Author: Hillel Schwartz
Publisher: MIT Press
ISBN: 1935408453
Category : History
Languages : en
Pages : 473

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Book Description
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review

Author: Ben Russell
Publisher: Reaktion Books
ISBN: 1780234023
Category : Biography & Autobiography
Languages : en
Pages : 282

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Book Description
Scottish inventor and mechanical engineer James Watt (1736–1819) is best known for his pioneering work on the steam engine that became fundamental to the incredible changes and developments wrought by the Industrial Revolution. But in this new biography, Ben Russell tells a much bigger, richer story, peering over Watt’s shoulder to more fully explore the processes he used and how his ephemeral ideas were transformed into tangible artifacts. Over the course of the book, Russell reveals as much about the life of James Watt as he does a history of Britain’s early industrial transformation and the birth of professional engineering. To record this fascinating narrative, Russell draws on a wide range of resources—from archival material to three-dimensional objects to scholarship in a diversity of fields from ceramics to antique machine-making. He explores Watt’s early years and interest in chemistry and examines Watt’s partnership with Matthew Boulton, with whom he would become a successful and wealthy man. In addition to discussing Watt’s work and incredible contributions that changed societies around the world, Russell looks at Britain’s early industrial transformation. Published in association with the Science Museum London, and with seventy illustrations, James Watt is not only an intriguing exploration of the engineer’s life, but also an illuminating journey into the broader practices of invention in the eighteenth and early nineteenth centuries. Published in association with the Science Museum, London

Author: Andrew Hook
Publisher: Birlinn Ltd
ISBN: 1788854845
Category : History
Languages : en
Pages : 410

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Book Description
The Glasgow Enlightenment is widely regarded as the first book to explore the nature and accomplishments of the Enlightenment in eighteenth-century Glasgow in a comprehensive manner. In addition to a general introduction by the editors, there are seven chapters devoted to Glasgow University professors, such as Adam Smith, Francis Hutcheson, Thomas Reid, John Millar, William Leechman, and John Anderson. At a time when the Glasgow economy was booming in the strength of its trade with America, these and other Glasgow men of science and learning were making major contributions to the European world of philosophy, law, political economy, natural philosophy, medicine, and religious toleration. There are also five chapters on other individuals and topics, including the physician and author John Moore, James Boswell during his student days, images of Glasgow in popular poetry, and Popular party clergymen who challenged the dominant views of the academic Enlightenment with an alternative vision of liberty and piety. This edition features a new bibliographical preface by Richard B. Sher that discusses the substantial secondary literature on eighteenth-century Glasgow and the Glasgow Enlightenment since the original publication of this book more than a quarter of a century ago.