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Author: Jeanne Chenault Porter Publisher: Brookings Institution Press ISBN: 9780915773060 Category : Art Languages : en Pages : 298
Book Description
Contents 1. Reflections of the Golden Age: The Visitor's Account of Naples Jeanne C. Porter, The Pennsylvania State University 2. Vasari and Naples: The Monteclivetan Order Liana De Girolami Cheney, University of LowelI 3. Caravaggio's "Roman Charity" in the Seven Acts of Mercy Anna Tuck-Scala, The Pennsylvania State University 4. Giovanni Battista Caracciolo and Drawing in 17th Century Naples Alfred Moir, University of Michigan at Ann Arbor 5. The Vita S. Brunonis Cartusianorum Partriarchae and it's Interpretation by Massimo Stanzione in the Certosa di S. Martino Sebastian Schütze, Bibliotheca Hertziana, Rome 6. Fowl Play: Eros and Equivocation in a Neapolitan Portrait Thomas C. Willette, The University of Michigan at Ann Arbor 7. Jusepe de Ribera's Isaac's Benediction of Jacob: Spanish Cross-Currents in 17th Century Naples James Clifton, Rhodes College 8. Female and Male Art: Postille to Garrard's Artemisia Gentileschi George L. Hersey, Yale University 9. Mattia Preti's Madonna of Constantinople and a Marian Cult in 17th Century Naples Michael Tomor, The Pennsylvania State University 10. Pedro of Aragon's Plan of a "Private Port" (darsena) in Naples: Reconstruction and Genesis of a Classical Building Type Elisabeth Sladek, Österreichisches Akademie der Wissenschaften, Rome 11. The Church of the Annunziata in Naples Jörg Garms, Österreichisches Historisches Institut, Rome 12. L'Accademia di Luidi Vanvitelli: Disegni Inediti Antonella Pampalone, Rome, Italy 13. A Drawing by De Mura for the Nunziatella Robert Enggass, Baltimore, Maryland
Author: Jeanne Chenault Porter Publisher: Brookings Institution Press ISBN: 9780915773060 Category : Art Languages : en Pages : 298
Book Description
Contents 1. Reflections of the Golden Age: The Visitor's Account of Naples Jeanne C. Porter, The Pennsylvania State University 2. Vasari and Naples: The Monteclivetan Order Liana De Girolami Cheney, University of LowelI 3. Caravaggio's "Roman Charity" in the Seven Acts of Mercy Anna Tuck-Scala, The Pennsylvania State University 4. Giovanni Battista Caracciolo and Drawing in 17th Century Naples Alfred Moir, University of Michigan at Ann Arbor 5. The Vita S. Brunonis Cartusianorum Partriarchae and it's Interpretation by Massimo Stanzione in the Certosa di S. Martino Sebastian Schütze, Bibliotheca Hertziana, Rome 6. Fowl Play: Eros and Equivocation in a Neapolitan Portrait Thomas C. Willette, The University of Michigan at Ann Arbor 7. Jusepe de Ribera's Isaac's Benediction of Jacob: Spanish Cross-Currents in 17th Century Naples James Clifton, Rhodes College 8. Female and Male Art: Postille to Garrard's Artemisia Gentileschi George L. Hersey, Yale University 9. Mattia Preti's Madonna of Constantinople and a Marian Cult in 17th Century Naples Michael Tomor, The Pennsylvania State University 10. Pedro of Aragon's Plan of a "Private Port" (darsena) in Naples: Reconstruction and Genesis of a Classical Building Type Elisabeth Sladek, Österreichisches Akademie der Wissenschaften, Rome 11. The Church of the Annunziata in Naples Jörg Garms, Österreichisches Historisches Institut, Rome 12. L'Accademia di Luidi Vanvitelli: Disegni Inediti Antonella Pampalone, Rome, Italy 13. A Drawing by De Mura for the Nunziatella Robert Enggass, Baltimore, Maryland
Author: Igor Stravinsky Publisher: A-R Editions, Inc. ISBN: 9780895796431 Category : Ballets Languages : en Pages : 454
Book Description
This volume contains all of the known musical sources and sketches for Stravinsky¿s Pulcinella (1919-1920) representing over 250 facsimile pages from the combined holdings of the Paul Sacher Stiftung (Basel) and the British Library (London) with invited essays by Lynn Garafola, , Ulrich Mosch, Jeanne Chenault Porter and Richard Taruskin. This publication was enhanced by the research of the late Barry Brook and by an appendix of song texts in the Neapolitan dialect by Dale Monson.Numerous tables in this publication provide efficient access to the entries on each page of the facsimile: according to the source groups, sketches, sources and sketches in order of the sources and sources and sketches in order of the published edition.In her commentary Maureen Carr discusses: the genesis of the idea for Pulcinella, the sources chosen by Stravinsky and those that he discarded, the sketches, as well as analytical perspectives on Stravinsky¿s compositional process for this work. In addition to the musical sources and sketches, other documents in this volume, such as a preliminary outline of the work in the hand of the painter, Pablo Picasso (Musée Picasso) and a more detailed scenario written out by the choreographer, Leonide Massine (Basel), will help scholars to understand the nature of the collaboration among these luminaries [the composer Igor Stravinsky (1882-1971), the Spanish painter Pablo Picasso (1881¿1973), the Russian choreographer Léonide Massine (Miasin; 1895¿1979), and the Russian impresario Sergei Diaghilev (1872¿1929)] that resulted in this astonishing dramatic work for dance and song. Book URL: https://www.areditions.com/books/MC002.html
Author: John A. Marino Publisher: JHU Press ISBN: 0801899397 Category : History Languages : en Pages : 358
Book Description
2011 Winner of the Phyllis Goodhart Gordan Book Prize of the Renaissance Society of America Naples in the sixteenth and seventeenth centuries managed to maintain a distinct social character while under Spanish rule. John A. Marino's study explores how the population of the city of Naples constructed their identity in the face of Spanish domination. As Western Europe’s largest city, early modern Naples was a world unto itself. Its politics were decentralized and its neighborhoods diverse. Clergy, nobles, and commoners struggled to assert political and cultural power. Looking at these three groups, Marino unravels their complex interplay to show how such civic rituals as parades and festival days fostered a unified Neapolitan identity through the assimilation of Aragonese customs, Burgundian models, and Spanish governance. He discusses why the relationship between mythical and religious representations in ritual practices allowed Naples's inhabitants to identify themselves as citizens of an illustrious and powerful sovereignty and explains how this semblance of stability and harmony hid the city's political, cultural, and social fissures. In the process, Marino finds that being and becoming Neapolitan meant manipulating the city's rituals until their original content and meaning were lost. The consequent widening of divisions between rich and poor led Naples's vying castes to turn on one another as the Spanish monarchy weakened. Rich in source material and tightly integrated, this nuanced, synthetic overview of the disciplining of ritual life in early modern Naples digs deep into the construction of Neapolitan identity. Scholars of early modern Italy and of Italian and European history in general will find much to ponder in Marino's keen insights and compelling arguments.
Author: Andrew Graham-Dixon Publisher: W. W. Norton & Company ISBN: 0393082938 Category : Biography & Autobiography Languages : en Pages : 585
Book Description
A New York Times Book Review Editors' Choice and a Washington Post Notable Book of the Year "This book resees its subject with rare clarity and power as a painter for the 21st century." —Hilary Spurling, New York Times Book Review Michelangelo Merisi da Caravaggio (1571–1610) lived the darkest and most dangerous life of any of the great painters. This commanding biography explores Caravaggio’s staggering artistic achievements, his volatile personal trajectory, and his tragic and mysterious death at age thirty-eight. Featuring more than eighty full-color reproductions of the artist’s best paintings, Caravaggio is a masterful profile of the mercurial painter.
Author: Mary D. Garrard Publisher: Univ of California Press ISBN: 0520228413 Category : Art Languages : en Pages : 212
Book Description
"In this admirable work, at once passionately argued and lucidly written, Professor Garrard effectively considers the social, psychological, and formal complexity of the shaping and reshaping not only of the artist's feminine and feminist identity in the misogynistic society of the seventeenth century, but also of that identity in the discipline of art history today."—Steven Z. Levine, author of Monet, Narcissus, and Self-Reflection "Mary Garrard's detailed investigation into attribution problems in two Artemisia Gentileschi paintings brilliantly interweaves connoisseurship, constructions of gender and artistic identity, and historical analysis. The result is a richer and more nuanced vision of the best-known female artist in western history before the modern era, and an important contribution to feminist studies." —Whitney Chadwick, author of Women, Art, and Society "In her new book, Garrard has taken two bold steps that challenge much received opinion in the 'discipline' of art history. Analyzing two of Gentileschi's least violent but most moving images, Garrard argues that the painter's personality is discernible no less in the subjects and their interpretation than in the 'style' of the works; consideration of both aspects is essential to understanding the meaning of these extraordinary pictures and her authorship. Perhaps even more important, Garrard makes crystal clear that Artemisia Gentileschi, far from a 'good woman painter,' was one of the major visual thinkers of her time."—Irving Lavin, co-author with Marilyn Aronberg Lavin, of La Liturgia d'Amore: Immagini dal Canto dei Cantici nell'arte di Cimabue, Michelangelo, e Rembrandt (Modena, 2000) "Developing her earlier methodologies and revising some conclusions, Garrard clarifies her distinct theoretical approach and voice among feminist critiques of art history. In this text, which reads in part like a forensic mystery, Garrard builds not only an argument for attributions of particular works, but a new understanding of Gentileschi herself at a particular moment in history."—Hilary Robinson, editor of Visibly Female: Feminism and Art Today "One of our most distinguished feminist art historians brings contemporary gender studies to bear on traditional paintings connoisseurship to show how attributions to female artists have often been governed by tacit cultural assumptions about the limitations of women. Her case makes compelling reading for anyone interested in early modern society, culture, women and art in Italy, and in the problematics of feminism and art history."—Kathleen Weil-Garris Brandt, author of Leonardo e la Scultura "By revealing a great woman painter's ways of expressing uniqueness while negotiating expectations, Mary Garrard helps each of us with the subtleties of remaining authentic while living in the world. Artemisia Gentileschi around 1622 is art history to live by."—Gloria Steinem
Author: Liana De Girolami Cheney Publisher: Cambridge Scholars Publishing ISBN: 1527558274 Category : Art Languages : en Pages : 318
Book Description
This volume investigates emblematic and art-historical issues in Lavinia Fontana’s mythological paintings. Fontana is the first female painter of the sixteenth century in Italy to depict female nudes, as well as mythological and emblematic paintings associated with concepts of beauty and wisdom. Her paintings reveal an appropriation of the antique, a fusion between patronage and culture, and a humanistic pursuit of Mannerist conceits. Fontana’s secular imagery provides a challenging paragone with the male tradition of history painting during the sixteenth century and paves the way for new subjects to be depicted and interpreted by female painters of the seventeenth century.
Author: Liana Cheney Publisher: Peter Lang ISBN: 9780820488134 Category : Art Languages : en Pages : 410
Book Description
This book examines the artistic, cultural, and historical influence of Giorgio Vasari's teachers, mentors, and patrons on his sacred and profane paintings. As a Maniera artist, Vasari learns to admire and assimilate the art of the ancient masters. With the guidance of Dante's literary writings and Marsilio Ficino's Neoplatonic philosophy, Vasari reveals a moral and didactic vision in his art. Additionally, Vasari's artistic patronage is influenced by the political views of Niccolò Machiavelli. In the integration of both ancient art and myths with the didactic legacy of biblical figures and moral personifications, Vasari manifests his artistic theory and symbolism in his sacred and profane paintings.
Author: Jutta Gisela Sperling Publisher: Routledge ISBN: 1317098102 Category : History Languages : en Pages : 387
Book Description
The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore some of the ambiguities and contradictions surrounding the issue, and point to the need for further study, in particular in the realm of lactation imagery in the visual arts. This volume builds on existing scholarship on representations of the breast, the iconography of the Madonna Lactans, allegories of abundance, nature, and charity, women mystics' food-centered practices of devotion, the ubiquitous practice of wet-nursing, and medical theories of conception. It is informed by studies on queer kinship in early modern Europe, notions of sacred eroticism in pre-tridentine Catholicism, feminist investigations of breastfeeding as a sexual practice, and by anthropological and historical scholarship on milk exchange and ritual kinship in ancient Mediterranean and medieval Islamic societies. Proposing a variety of different methods and analytical frameworks within which to consider instances of lactation imagery, breastfeeding practices, and their textual references, this volume also offers tools to support further research on the topic.
Author: Jeanne Chenault Porter
Author: Jeanne Chenault Porter
Author: Igor Stravinsky
Author: John A. Marino
Author: Andrew Graham-Dixon
Author: Mary D. Garrard
Author: Liana De Girolami Cheney
Author: Susan C. Scott
Author: Liana Cheney
Author: R. Ward Bissell
Author: Jutta Gisela Sperling