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Author: Matthias Voller Publisher: diplom.de ISBN: 3832402012 Category : Literary Collections Languages : en Pages : 95
Book Description
Inhaltsangabe:Abstract: Reading postmodern fiction - once a term limited to denote a decidedly US-American tendency in contemporary literature but now applicable to a whole range of works that have in recent years been published by an international group of writers - one almost invariably gets the uneasy feeling of having read it all before. Recognizing some passages, the reader feels a strong sense of deja vu and keeps wondering whether the passages he or she does not recognize are just from those books he or she has not read. Surely enough, an increasingly large number of postmodern authors tend to conceive their books as a jumble of allusions to themes, structures and scenes from earlier texts, so-called master- or parent texts. Others go even further in alluding to previously published texts. They deliberately draw an one particular, generally acknowledged and highly acclaimed master text or classical piece of world literature and read it parodically against the grain, thus re-writing and re-working a renowned classic into a new work of art. Still others overtly appropriate and even plagiarize titles, paragraphs and whole passages from a variety of literary predecessors. However, allusions, appropriations and plagiarisms are only an the surface of postmodern fiction; beneath are other things, which are formally more interesting: parodistic intertextuality as a leitmotif central to a postmodern synthesis, challenging traditional literary concepts, such as author, genre and literary period an the one hand and originality and inventiveness an the other hand, fragmentation of literature and simultaneous presentation of literary and cinematic scenes and events from a variety of perspectives - also referred to as synchronic approach of telling a story, deconstruction and re-presentation of texts, and, ultimately, recognition of fiction as a world of its own, as a linguistic artefact which does not stand for reality any longer. Consequently, postmodern fiction is not concerned with the process of writing as a one-to-one reproduction of reality. Quite the contrary, postmodern fiction abandons the mimetic principle of conventional narrative and severs its ties to space, time, cause-and-effect and reality and goes back to the original springs of narrative. Going beyond the limits of the real world and exploring the realms of fantasy and dreams, postmodern fiction evidently manifests a turning back to fairy-tales, religious parables, and the stories [...]
Author: Matthias Voller Publisher: diplom.de ISBN: 3832402012 Category : Literary Collections Languages : en Pages : 95
Book Description
Inhaltsangabe:Abstract: Reading postmodern fiction - once a term limited to denote a decidedly US-American tendency in contemporary literature but now applicable to a whole range of works that have in recent years been published by an international group of writers - one almost invariably gets the uneasy feeling of having read it all before. Recognizing some passages, the reader feels a strong sense of deja vu and keeps wondering whether the passages he or she does not recognize are just from those books he or she has not read. Surely enough, an increasingly large number of postmodern authors tend to conceive their books as a jumble of allusions to themes, structures and scenes from earlier texts, so-called master- or parent texts. Others go even further in alluding to previously published texts. They deliberately draw an one particular, generally acknowledged and highly acclaimed master text or classical piece of world literature and read it parodically against the grain, thus re-writing and re-working a renowned classic into a new work of art. Still others overtly appropriate and even plagiarize titles, paragraphs and whole passages from a variety of literary predecessors. However, allusions, appropriations and plagiarisms are only an the surface of postmodern fiction; beneath are other things, which are formally more interesting: parodistic intertextuality as a leitmotif central to a postmodern synthesis, challenging traditional literary concepts, such as author, genre and literary period an the one hand and originality and inventiveness an the other hand, fragmentation of literature and simultaneous presentation of literary and cinematic scenes and events from a variety of perspectives - also referred to as synchronic approach of telling a story, deconstruction and re-presentation of texts, and, ultimately, recognition of fiction as a world of its own, as a linguistic artefact which does not stand for reality any longer. Consequently, postmodern fiction is not concerned with the process of writing as a one-to-one reproduction of reality. Quite the contrary, postmodern fiction abandons the mimetic principle of conventional narrative and severs its ties to space, time, cause-and-effect and reality and goes back to the original springs of narrative. Going beyond the limits of the real world and exploring the realms of fantasy and dreams, postmodern fiction evidently manifests a turning back to fairy-tales, religious parables, and the stories [...]
Author: Mirjam Horn Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110379104 Category : Literary Criticism Languages : en Pages : 294
Book Description
This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American literature. While various forms of art such as music, painting, or theater have come to institutionalize appropriation as a valid mode to ventilate what authorship, originality, and the anxiety of influence may mean, the literary sphere still has a hard time acknowledging the unmarked acquisition of words, ideas, and manuscripts. The author shows how postmodern plagiarism in particular serves as a literary strategy of appropriation at the interface between literary economics, law, and theoretical discourses of literature. She investigates the complex expectations surrounding the strong link between an individual author subject and its alienable text, a link that several postmodern writers powerfully question and violate. Identifying three distinct practices of postmodern plagiarism, the book examines their specific situatedness, precepts, and subversive potential as litmus tests for the literary market, and the ongoing dynamic notion of the concepts authorship, originality, and creativity.
Author: Henk Oosterling Publisher: Lexington Books ISBN: 0739146556 Category : Philosophy Languages : en Pages : 243
Book Description
Bringing together an international and interdisciplinary group of scholars, Intermedialities: Philosophy, Arts, Politics is a comprehensive collection devoted to the new field of research called 'intermedialities.' The concept of intermedialities stresses the necessity of situating philosophical and political debates on social relations in the divergent contexts of media theories, avant-garde artistic practices, continental philosophy, feminism, and political theory. The 'intermedial' approach to social relations does not focus on the shared identity but instead on the epistemological, ethical, and political status of inter (being-in-between). At stake here are the political analyses of new modes of being in common that transcend national boundaries, the critique of the new forms of domination that accompany them, and the search for new emancipatory possibilities. Opening a new approach to social relations, intermedialities investigates not only engagements between already constituted positions but even more the interval, antagonism, and differences that form and decenter these positions. Consequently, in opposition to the resurgence of cultural and ethnic particularisms and to the leveling of difference produced by globalization, the political and ethical analysis of the 'in-between' enables a conception of community based on difference, exposure, and interaction with others rather than on an identification with a shared identity. Investigations of 'in-betweenness,' both as medium specific and between heterogeneous 'sites' of inquiry, range here from philosophical conceptuality to artistic practices, from the political circulation of money and power to the operation of new technologies. They inevitably invoke the crucial role of embodiment in creative thought and collective acting. As a mediating instance between the psyche and society, matter and spirit, nature and culture, and biology and technology, the body is another interval forming and informed by socio-linguistic relations. As these complex intersections between media, materiality, art, and the philosophy and politics of the in-between suggest, the project of intermedialities provides new ways of rethinking relations among arts, politics, and science.
Author: Joe Bray Publisher: Routledge ISBN: 1136301747 Category : Literary Criticism Languages : en Pages : 562
Book Description
What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future? The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future. This volume is the ideal introduction for those approaching the study of experimental literature for the first time or looking to further their knowledge.
Author: Margaret Drabble Publisher: Oxford University Press, USA ISBN: Category : Literary Criticism Languages : en Pages : 676
Book Description
Based on the bestselling Oxford Companion to English Literature, this is an indispensable, compact guide to all aspects of English literature. For this revised edition, existing entries have been fully updated and 60 new entries have been added on contemporary writers, such as Peter Acroyd,Martin Amis, Toni Morrison, and Jeanette Winterson. Detailed new appendices include a chronology of English literature, and a listing of major literary prize-winners.
Author: Gilbert Sorrentino Publisher: Dalkey Archive Press ISBN: 9781564781543 Category : Fiction Languages : en Pages : 600
Book Description
Gilbert Sorrentino is one of the most accomplished innovators in twentieth-century fiction, a position that is everywhere confirmed in this trilogy of novels, Odd Number, Rose Theatre, and Misterioso. Beginning with a series of interrogations (we never do find out why they are being conducted) about characters drawn from other Sorrentino novels and concluding with the reappearance of the same characters, Pack of Lies is Gilbert Sorrentino's testament to the supremacy of the imagination, a critique of the state of art and society, and a vicious comedy portraying a world of fraud and mayhem.
Author: N. Katherine Hayles Publisher: University of Chicago Press ISBN: 022623004X Category : Literary Criticism Languages : en Pages : 317
Book Description
The scientific discovery that chaotic systems embody deep structures of order is one of such wide-ranging implications that it has attracted attention across a spectrum of disciplines, including the humanities. In this volume, fourteen theorists explore the significance for literary and cultural studies of the new paradigm of chaotics, forging connections between contemporary literature and the science of chaos. They examine how changing ideas of order and disorder enable new readings of scientific and literary texts, from Newton's Principia to Ruskin's autobiography, from Victorian serial fiction to Borges's short stories. N. Katherine Hayles traces shifts in meaning that chaos has undergone within the Western tradition, suggesting that the science of chaos articulates categories that cannot be assimilated into the traditional dichotomy of order and disorder. She and her contributors take the relation between order and disorder as a theme and develop its implications for understanding texts, metaphors, metafiction, audience response, and the process of interpretation itself. Their innovative and diverse work opens the interdisciplinary field of chaotics to literary inquiry.
Author: Philip Kuberski Publisher: SUNY Press ISBN: 9780791419137 Category : Literary Criticism Languages : en Pages : 232
Book Description
This book shows how writers like James Joyce, James Merrill, and Doris Lessing; scientists like Gregory Bateson, Ilya Prigogine, and David Bohm; and theorists like Jacques Derrida, Jacques Lacan, and Michel Serres forecasted and initiated a shift away from modernist conceptions of the world as a machine; the self as an isolated, enclosed principle, and representation as a reductive survey of the world and the self. The focus of this book is the "chaosmos" (a Joycean coinage) apparent within the atom and also within analogous "nuclear" sites such as the self, the word, the organism, and the world. By "chaosmos," Kuberski intends a unitary and yet untotalized--a chiasmic--concept of the world as a field of inevitable and intermittent interference and convergence, a multi-leveled complexity from which emerge organisms, languages, and selves. In exploring and mapping chaosmos, Kuberski emphasizes significant convergences of literary and philosophic, deconstructive and organistic, Eastern and Western, and scientific and humanistic points of view.
Author: Matthias Voller
Author: Matthias Voller
Author: Mirjam Horn
Author: Henk Oosterling
Author: Christoph Strupp
Author: 
Author: Joe Bray
Author: Margaret Drabble
Author: Gilbert Sorrentino
Author: N. Katherine Hayles
Author: Philip Kuberski