Paris on Parade PDF Download

Author: Robert Forrest Wilson
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 412

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Author: Robert Forrest Wilson
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 406

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Author: Daniel Frasnay
Publisher:
ISBN: 9782911966101
Category : Music-halls (Variety-theaters, cabarets, etc.)
Languages : fr
Pages : 111

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Author: Pierre Théberge
Publisher: Yale University Press
ISBN: 0300103751
Category : Art
Languages : en
Pages : 432

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A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.

Author: James Lorin Brown
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 460

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Author: Jean Edward Smith
Publisher: Simon & Schuster
ISBN: 1501164937
Category : History
Languages : en
Pages : 256

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Prize-winning and bestselling historian Jean Edward Smith tells the “rousing” (Jay Winik, author of 1944) story of the liberation of Paris during World War II—a triumph achieved only through the remarkable efforts of Americans, French, and Germans, racing to save the city from destruction. Following their breakout from Normandy in late June 1944, the Allies swept across northern France in pursuit of the German army. The Allies intended to bypass Paris and cross the Rhine into Germany, ending the war before winter set in. But as they advanced, local forces in Paris began their own liberation, defying the occupying German troops. Charles de Gaulle, the leading figure of the Free French government, urged General Dwight Eisenhower to divert forces to liberate Paris. Eisenhower’s advisers recommended otherwise, but Ike wanted to help position de Gaulle to lead France after the war. And both men were concerned about partisan conflict in Paris that could leave the communists in control of the city and the national government. Neither man knew that the German commandant, Dietrich von Choltitz, convinced that the war was lost, schemed to surrender the city to the Allies intact, defying Hitler’s orders to leave it a burning ruin. In The Liberation of Paris, Jean Edward Smith puts “one of the most moving moments in the history of the Second World War” (Michael Korda) in context, showing how the decision to free the city came at a heavy price: it slowed the Allied momentum and allowed the Germans to regroup. After the war German generals argued that Eisenhower’s decision to enter Paris prolonged the war for another six months. Was Paris worth this price? Smith answers this question in a “brisk new recounting” that is “terse, authoritative, [and] unsentimental” (The Washington Post).

Author: Robert Doisneau
Publisher:
ISBN:
Category : Human beings
Languages : en
Pages : 41

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Author: Patrick Bishop
Publisher: Simon and Schuster
ISBN: 1639367047
Category : History
Languages : en
Pages : 311

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A moving, dramatic social history of the liberation of Paris in 1944, one of the most inspiring and momentous events of the twentieth century. The fall of Paris to the Nazis on June 14th, 1940, was one of the darkest days of World War II. And the liberation of the city on August 25th, 1944, felt like the brightest. The liberation was also the biggest party of the century: champagne flowed freely, total strangers embraced—it was a celebration of life renewed against the backdrop of the world's favorite city, as experienced by the likes of Ernest Hemingway, J. D. Salinger, Pablo Picasso, and Robert Capa. But there was nothing preordained about this happy ending. Had things transpired differently, Paris might have gone down as a ghastly monument to Nazi nihilism. Paris 1944—timed for the eightieth anniversary of the liberation of Paris—tells the story of those iridescent days in a startling new way. Cutting through decades of myth-making, the reader watches the city’s fate hanging in the balance against the drama, heroism, joy, and suspense of one of the most explosive moments of the twentieth century.

Author: Jonathan M. House
Publisher: NYU Press
ISBN: 1479881155
Category : History
Languages : en
Pages : 325

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When not at war, armies are often used to control civil disorders, especially in eras of rapid social change and unrest. But in nineteenth century Europe, without the technological advances of modern armies and police forces, an army’s only advantages were discipline and organization—and in the face of popular opposition to the regime in power, both could rapidly deteriorate. Such was the case in France after the Napoleonic Wars, where a cumulative recent history of failure weakened an already fragile army’s ability to keep the peace. After the February 1848 overthrow of the last king of France, the new republican government proved remarkably resilient, retaining power while pursuing moderate social policies despite the concerted efforts of a variety of radical and socialist groups. These efforts took numerous forms, ranging from demonstrations to attempted coups to full-scale urban combat, and culminated in the crisis of the June Days. At stake was the future of French government and the social and economic policy of France at large. In Controlling Paris, Jonathan M. House offers us a study of revolution from the viewpoint of the government rather than the revolutionary. It is not focused on military tactics so much as on the broader issues involved in controlling civil disorders: relations between the government and its military leaders, causes and social issues of public disorder, political loyalty of troops in crisis, and excessive use of force to control civil disorders. Yet somehow, despite all these disadvantages, the French police and armed forces prevented regime change far more often than they failed to do so.

Author: Tom Stoppard
Publisher: Grove/Atlantic, Inc.
ISBN: 0802193153
Category : Performing Arts
Languages : en
Pages : 352

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This was the first time I felt as involved in film as in working in theatre. My immersion in Parade’s End from the writing to the finishing touches took up the time I might have given to writing my own play but, perhaps to an unwarranted degree, I think of this Parade’s End as mine, such was the illusion of proprietorship over Ford’s characters and story. —Tom Stoppard, from the Introduction Tom Stoppard’s BBC / HBO dramatization of Ford Madox Ford’s masterwork takes a prominent place in the ranks of his oeuvre. Parade's End is the reinvention of a masterwork of modernist English literature produced by one of the most critically acclaimed and respected writers working today. Parade’s End is the story of Christopher Tietjens, the “last Tory,” his beautiful, disconcerting wife Sylvia, and the virginal young suffragette Valentine Wannop: an upper class love triangle before and during the Great War. Parade's End is a three-part drama, directed by the BAFTA-winning Susanna White, and featuring internationally renowned actors including Benedict Cumberbatch, Rebecca Hall, and Adelaide Clemens. This edition includes bonus scenes which were not broadcast, an introductory essay by Stoppard, and a selection of stills from the production as well as photographs taken on location.