Author: Reinier Baarsen
Publisher:
ISBN: 9780300191295
Category : Decorative arts
Languages : en
Pages : 0
Book Description
From 1650 to 1900 Paris was the undisputed center of fashion and taste in Europe. Home to a unique concentration of artists, designers, patrons, critics, and a keen buying public, Paris was the city where trends were made and where novel types of objects, devised for new ways of life, were invented. This book traces the wonderful story of Parisian decorative arts from the reign of Louis XIV to the triumph of art nouveau, through a selection of 150 breathtaking, and often little-known, masterpieces from the collection of the Rijksmuseum in Amsterdam. It features an exhilarating mixture of furniture, gilt bronze, tapestries, silver, watches, snuff-boxes, jewellery, Sèvres porcelain, and other ceramics, as well as some design drawings and engravings. Specially taken photographs reveal the daring design and beautiful execution of the work of some of the greatest artists and craftsmen of their time. Reinier Baarsen discusses the history and significance of each object, presenting the findings of much new research. Published in association with the Rijksmuseum, Amsterdam
Paris 1650-1900
Author: Reinier Baarsen
Publisher:
ISBN: 9780300191295
Category : Decorative arts
Languages : en
Pages : 0
Book Description
From 1650 to 1900 Paris was the undisputed center of fashion and taste in Europe. Home to a unique concentration of artists, designers, patrons, critics, and a keen buying public, Paris was the city where trends were made and where novel types of objects, devised for new ways of life, were invented. This book traces the wonderful story of Parisian decorative arts from the reign of Louis XIV to the triumph of art nouveau, through a selection of 150 breathtaking, and often little-known, masterpieces from the collection of the Rijksmuseum in Amsterdam. It features an exhilarating mixture of furniture, gilt bronze, tapestries, silver, watches, snuff-boxes, jewellery, Sèvres porcelain, and other ceramics, as well as some design drawings and engravings. Specially taken photographs reveal the daring design and beautiful execution of the work of some of the greatest artists and craftsmen of their time. Reinier Baarsen discusses the history and significance of each object, presenting the findings of much new research. Published in association with the Rijksmuseum, Amsterdam
Publisher:
ISBN: 9780300191295
Category : Decorative arts
Languages : en
Pages : 0
Book Description
From 1650 to 1900 Paris was the undisputed center of fashion and taste in Europe. Home to a unique concentration of artists, designers, patrons, critics, and a keen buying public, Paris was the city where trends were made and where novel types of objects, devised for new ways of life, were invented. This book traces the wonderful story of Parisian decorative arts from the reign of Louis XIV to the triumph of art nouveau, through a selection of 150 breathtaking, and often little-known, masterpieces from the collection of the Rijksmuseum in Amsterdam. It features an exhilarating mixture of furniture, gilt bronze, tapestries, silver, watches, snuff-boxes, jewellery, Sèvres porcelain, and other ceramics, as well as some design drawings and engravings. Specially taken photographs reveal the daring design and beautiful execution of the work of some of the greatest artists and craftsmen of their time. Reinier Baarsen discusses the history and significance of each object, presenting the findings of much new research. Published in association with the Rijksmuseum, Amsterdam
Scientists and the Sea, 1650–1900
Author: Margaret Deacon
Publisher: Taylor & Francis
ISBN: 1351901583
Category : History
Languages : en
Pages : 500
Book Description
Scientists and the Sea is a history of how the scientific study of the sea has developed over a period of nearly 2500 years. Beginning with the speculations of Greek philosophers it carries the story forward, showing how curiosity about the ocean appeared in many different forms and locations before, in the late 19th century, the first deep-sea researches heralded the foundation of the science known today as oceanography. Originally published in 1971, this book has never been superseded as the most comprehensive and wide-ranging treatment of the emergence of marine science within the western scientific tradition. After three introductory chapters dealing with knowledge up to the Renaissance, the main part of the work shows how pioneers of scientific observation at sea during the 17th and 18th centuries made notable discoveries, but that it was not until the middle of the 19th century when, aided by the advance of technology, scientists were able to undertake the first explorations of the ocean depths. This second edition contains a new introduction and bibliography.
Publisher: Taylor & Francis
ISBN: 1351901583
Category : History
Languages : en
Pages : 500
Book Description
Scientists and the Sea is a history of how the scientific study of the sea has developed over a period of nearly 2500 years. Beginning with the speculations of Greek philosophers it carries the story forward, showing how curiosity about the ocean appeared in many different forms and locations before, in the late 19th century, the first deep-sea researches heralded the foundation of the science known today as oceanography. Originally published in 1971, this book has never been superseded as the most comprehensive and wide-ranging treatment of the emergence of marine science within the western scientific tradition. After three introductory chapters dealing with knowledge up to the Renaissance, the main part of the work shows how pioneers of scientific observation at sea during the 17th and 18th centuries made notable discoveries, but that it was not until the middle of the 19th century when, aided by the advance of technology, scientists were able to undertake the first explorations of the ocean depths. This second edition contains a new introduction and bibliography.
Great Flute Makers of France
French Medical Culture in the Nineteenth Century
Author:
Publisher: BRILL
ISBN: 9004418350
Category : Medical
Languages : en
Pages : 400
Book Description
The eleven essays in this volume illustrate the richness, complexity, and diversity of French medical culture in the nineteenth century, a period that witnessed the medicalization of French society. Medical themes permeated contemporary culture and politics, and medical discourse infused many levels of French society from the bastions of science - the medical faculties and research institutions - to novels, the theater, and the daily lives of citizens as patients. The contributors to this volume - all established scholars in the history of medicine - present the French medical experience from the point of view of both practitioners and patients, and show how medical themes colored popular perceptions and shaped public policies. Topics addressed range from popular medicine to elite Parisian medicine, the interaction of literary and medical discourse, social theater, medical research and practice, medical specialization and education. The essays reflect current trends of medico-historical analysis which emphasize the centrality of class, race, and gender in understanding concepts of disease and the practice of medicine. They show how the medical experience of patients, practitioners, students, and researchers varied according to social class, gender, and geography and the importance of these factors for the construction of disease.
Publisher: BRILL
ISBN: 9004418350
Category : Medical
Languages : en
Pages : 400
Book Description
The eleven essays in this volume illustrate the richness, complexity, and diversity of French medical culture in the nineteenth century, a period that witnessed the medicalization of French society. Medical themes permeated contemporary culture and politics, and medical discourse infused many levels of French society from the bastions of science - the medical faculties and research institutions - to novels, the theater, and the daily lives of citizens as patients. The contributors to this volume - all established scholars in the history of medicine - present the French medical experience from the point of view of both practitioners and patients, and show how medical themes colored popular perceptions and shaped public policies. Topics addressed range from popular medicine to elite Parisian medicine, the interaction of literary and medical discourse, social theater, medical research and practice, medical specialization and education. The essays reflect current trends of medico-historical analysis which emphasize the centrality of class, race, and gender in understanding concepts of disease and the practice of medicine. They show how the medical experience of patients, practitioners, students, and researchers varied according to social class, gender, and geography and the importance of these factors for the construction of disease.
A Kingdom of Images
Author: Peter Fuhring
Publisher: Getty Publications
ISBN: 1606064509
Category : Art
Languages : en
Pages : 348
Book Description
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Publisher: Getty Publications
ISBN: 1606064509
Category : Art
Languages : en
Pages : 348
Book Description
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Fashioning Old and New
Author: Bruno Blondé
Publisher: Brepols Publishers
ISBN: 9782503528786
Category : Consumo (Economía política)
Languages : en
Pages : 0
Book Description
The geographical coverage will be an urban one.
Publisher: Brepols Publishers
ISBN: 9782503528786
Category : Consumo (Economía política)
Languages : en
Pages : 0
Book Description
The geographical coverage will be an urban one.
Childbirth and the Display of Authority in Early Modern France
Author: Lianne McTavish
Publisher: Routledge
ISBN: 1351952390
Category : History
Languages : en
Pages : 407
Book Description
Throughout the early modern period in France, surgeon men-midwives were predominantly associated with sexual impropriety and physical danger; yet over time they managed to change their image, and by the eighteenth century were summoned to attend even the uncomplicated deliveries of wealthy, urban clients. In this study, Lianne McTavish explores how surgeons strove to transform the perception of their midwifery practices, claiming to be experts who embodied obstetrical authority instead of intruders in a traditionally feminine domain. McTavish argues that early modern French obstetrical treatises were sites of display participating in both the production and contestation of authoritative knowledge of childbirth. Though primarily written by surgeon men-midwives, the texts were also produced by female midwives and male physicians. McTavish's careful examination of these and other sources reveals representations of male and female midwives as unstable and divergent, undermining characterizations of the practice of childbirth in early modern Europe as a gender war which men ultimately won. She discovers that male practitioners did not always disdain maternal values. In fact, the men regularly identified themselves with qualities traditionally respected in female midwives, including a bodily experience of childbirth. Her findings suggest that men's entry into the lying-in chamber was a complex negotiation involving their adaptation to the demands of women. One of the great strengths of this study is its investigation of the visual culture of childbirth. McTavish emphasizes how authority in the birthing room was made visible to others in facial expressions, gestures, and bodily display. For the first time here, the vivid images in the treatises are analysed, including author portraits and engravings of unborn figures. McTavish reveals how these images contributed to arguments about obstetrical authority instead of merely illustrating the written content of the books. At the same time, her arguments move far beyond the lying-in chamber, shedding light on the exchange of visual information in early modern France, a period when identity was largely determined by the precarious act of putting oneself on display.
Publisher: Routledge
ISBN: 1351952390
Category : History
Languages : en
Pages : 407
Book Description
Throughout the early modern period in France, surgeon men-midwives were predominantly associated with sexual impropriety and physical danger; yet over time they managed to change their image, and by the eighteenth century were summoned to attend even the uncomplicated deliveries of wealthy, urban clients. In this study, Lianne McTavish explores how surgeons strove to transform the perception of their midwifery practices, claiming to be experts who embodied obstetrical authority instead of intruders in a traditionally feminine domain. McTavish argues that early modern French obstetrical treatises were sites of display participating in both the production and contestation of authoritative knowledge of childbirth. Though primarily written by surgeon men-midwives, the texts were also produced by female midwives and male physicians. McTavish's careful examination of these and other sources reveals representations of male and female midwives as unstable and divergent, undermining characterizations of the practice of childbirth in early modern Europe as a gender war which men ultimately won. She discovers that male practitioners did not always disdain maternal values. In fact, the men regularly identified themselves with qualities traditionally respected in female midwives, including a bodily experience of childbirth. Her findings suggest that men's entry into the lying-in chamber was a complex negotiation involving their adaptation to the demands of women. One of the great strengths of this study is its investigation of the visual culture of childbirth. McTavish emphasizes how authority in the birthing room was made visible to others in facial expressions, gestures, and bodily display. For the first time here, the vivid images in the treatises are analysed, including author portraits and engravings of unborn figures. McTavish reveals how these images contributed to arguments about obstetrical authority instead of merely illustrating the written content of the books. At the same time, her arguments move far beyond the lying-in chamber, shedding light on the exchange of visual information in early modern France, a period when identity was largely determined by the precarious act of putting oneself on display.
Fashion Beyond Versailles
Author: Donna Bohanan
Publisher: LSU Press
ISBN: 080714522X
Category : Business & Economics
Languages : en
Pages : 167
Book Description
As the twin epicenters of style and innovation, the cities of Paris and Versailles dominate studies of consumerism in seventeenth-century France, but little scholarship exists on the material culture, fashion, and consumption patterns in the provinces. Donna J. Bohanan's Fashion beyond Versailles fills this historiographical gap by examining the household inventories of French nobles and elites in the southern province of Dauphin?. As a result, she reveals a closer relationship between consumer behavior of the center and the periphery than most historians have maintained. Far-reaching in its sociological and psychological implications, Fashion beyond Versailles both makes use of and contributes to the burgeoning literature on material culture, fashion, and consumption.
Publisher: LSU Press
ISBN: 080714522X
Category : Business & Economics
Languages : en
Pages : 167
Book Description
As the twin epicenters of style and innovation, the cities of Paris and Versailles dominate studies of consumerism in seventeenth-century France, but little scholarship exists on the material culture, fashion, and consumption patterns in the provinces. Donna J. Bohanan's Fashion beyond Versailles fills this historiographical gap by examining the household inventories of French nobles and elites in the southern province of Dauphin?. As a result, she reveals a closer relationship between consumer behavior of the center and the periphery than most historians have maintained. Far-reaching in its sociological and psychological implications, Fashion beyond Versailles both makes use of and contributes to the burgeoning literature on material culture, fashion, and consumption.
Relocating Modern Science
Author: K. Raj
Publisher: Springer
ISBN: 0230625312
Category : History
Languages : en
Pages : 298
Book Description
Relocating Modern Science challenges the belief that modern science was created uniquely in the West and was subsequently diffused elsewhere. Through a detailed analysis of key moments in the history of science, it demonstrates the crucial roles of circulation and intercultural encounter for their emergence.
Publisher: Springer
ISBN: 0230625312
Category : History
Languages : en
Pages : 298
Book Description
Relocating Modern Science challenges the belief that modern science was created uniquely in the West and was subsequently diffused elsewhere. Through a detailed analysis of key moments in the history of science, it demonstrates the crucial roles of circulation and intercultural encounter for their emergence.
The Landscape of Consumption
Author: Clé Lesger
Publisher: Springer
ISBN: 1137314060
Category : History
Languages : en
Pages : 221
Book Description
This volume brings together research on retailing, shopping and urban space; themes that have attracted wide interest in recent decades. The authors argue that the 'modernity' of the nineteenth century is often over-emphasised at the expense of recognising earlier innovation.
Publisher: Springer
ISBN: 1137314060
Category : History
Languages : en
Pages : 221
Book Description
This volume brings together research on retailing, shopping and urban space; themes that have attracted wide interest in recent decades. The authors argue that the 'modernity' of the nineteenth century is often over-emphasised at the expense of recognising earlier innovation.