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Author: James Steffen Publisher: University of Wisconsin Pres ISBN: 0299296539 Category : History Languages : en Pages : 329
Book Description
Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Parajanov succeeded in creating a small but marvelous body of work whose style embraces such diverse influences as folk art, medieval miniature painting, early cinema, Russian and European art films, surrealism, and Armenian, Georgian, and Ukrainian cultural motifs. The Cinema of Sergei Parajanov is the first English-language book on the director's films and the most comprehensive study of his work. James Steffen provides a detailed overview of Parajanov's artistic career: his identity as an Armenian in Georgia and its impact on his aesthetics; his early films in Ukraine; his international breakthrough in 1964 with Shadows of Forgotten Ancestors; his challenging 1969 masterpiece, The Color of Pomegranates, which was reedited against his wishes; his unrealized projects in the 1970s; and his eventual return to international prominence in the mid-to-late 1980s with The Legend of the Surami Fortress and Ashik-Kerib. Steffen also provides a rare, behind-the-scenes view of the Soviet film censorship process and tells the dramatic story of Parajanov's conflicts with the authorities, culminating in his 1973–77 arrest and imprisonment on charges related to homosexuality. Ultimately, the figure of Parajanov offers a fascinating case study in the complicated dynamics of power, nationality, politics, ethnicity, sexuality, and culture in the republics of the former Soviet Union. Outstanding Academic Title, Choice Magazine
Author: James Steffen Publisher: University of Wisconsin Pres ISBN: 0299296539 Category : History Languages : en Pages : 329
Book Description
Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Parajanov succeeded in creating a small but marvelous body of work whose style embraces such diverse influences as folk art, medieval miniature painting, early cinema, Russian and European art films, surrealism, and Armenian, Georgian, and Ukrainian cultural motifs. The Cinema of Sergei Parajanov is the first English-language book on the director's films and the most comprehensive study of his work. James Steffen provides a detailed overview of Parajanov's artistic career: his identity as an Armenian in Georgia and its impact on his aesthetics; his early films in Ukraine; his international breakthrough in 1964 with Shadows of Forgotten Ancestors; his challenging 1969 masterpiece, The Color of Pomegranates, which was reedited against his wishes; his unrealized projects in the 1970s; and his eventual return to international prominence in the mid-to-late 1980s with The Legend of the Surami Fortress and Ashik-Kerib. Steffen also provides a rare, behind-the-scenes view of the Soviet film censorship process and tells the dramatic story of Parajanov's conflicts with the authorities, culminating in his 1973–77 arrest and imprisonment on charges related to homosexuality. Ultimately, the figure of Parajanov offers a fascinating case study in the complicated dynamics of power, nationality, politics, ethnicity, sexuality, and culture in the republics of the former Soviet Union. Outstanding Academic Title, Choice Magazine
Author: Ani Avagyan Publisher: Cambridge Scholars Publishing ISBN: 1527522199 Category : Art Languages : en Pages : 274
Book Description
This volume brings together 30 museum experts (26 in English and 4 in French) to lift the lid on museum print and texts. Contributions were originally presented at the UNESCO World Book Capital of 2012, a timely and far-sighted conference held in Armenia. If text is essential to communication, how can museums be sure that what they offer will engage, interpret or even transform the visitor, the tourist or the scholar? This book offers a wealth of answers to this question and related concerns.
Author: Irene Tsatsos Publisher: ISBN: 9781893900226 Category : Languages : en Pages : 0
Book Description
The first extended monograph on Sara Kathryn Arledge, lavishly illustrated with previously unseen works on paper, hand-painted slides, and film stills, bound in cloth and featuring the innovative use of papers of multiple weights, textures, and colors.In Arledge's artwork, abstraction is an entry point to consider daily encounters marked by abundance, loss, and transcendence, along with a healthy dose of skepticism and pointed humor. An under-recognized painter and innovator of mid-20th century experimental cinema, Arledge (1911-1998) was a prolific artist who emphasized the eerie in the mundane and the disorienting in the beautiful. Defying convention and authority, Arledge created a diverse and experimental body of work in between film and painting: "My plan was to extend the nature of painting to include time." She is considered a pioneer of ciné-dance (dance made uniquely by and for the medium of film) and was one of the first to film dance movement. Arledge worked at the margins of art history, shaping her practice along with her idiosyncratic personal myth.Arledge's two major film works, Introspection and What is a Man?, were completed in 1946 and 1958, respectively, yet neither was screened with any frequency until the late 1970s. Arledge's exhibition and screening history is erratic, with many years between various public presentations. Her films have been exhibited most recently at the Armory and at Berkeley Art Museum Pacific Film Archives, which holds her archives, and at the Los Angeles County Museum of Art (1977); Pasadena Filmforum (1980); and the Independent Film Festival, Santa Cruz, CA (1982). Her paintings were exhibited in large group exhibitions at the Metropolitan Museum, The Art Institute of Chicago, the San Francisco Museum of Art, and the Los Angeles County Museum.This publication accompanies an exhibition organized by the Armory Center for the Arts in Pasadena, CA. Alongside photographic reproductions of Arledge's work, the gorgeous clothbound catalogue contains Arledge's personal writing, an expanded timeline of her life, and an interview with Terry Cannon, the founder of Los Angeles Filmforum (formerly Pasadena Filmforum) and an early champion of Arledge's work.
Author: Peter Hames Publisher: Wallflower Press ISBN: 9781904764427 Category : Czechoslovakia Languages : en Pages : 0
Book Description
This study of the most significant movement in post-war Central and East European cinema examines the origins and development of Czechoslovakian film during this time, as well as the political and cultural changes which influenced some of the most important works.
Author: Renee Hobbs Publisher: Oxford University Press ISBN: 0190854340 Category : Performing Arts Languages : en Pages : 377
Book Description
In the past two decades, several U.S. states have explored ways to mainstream media literacy in school curriculum. However one of the best and most accessible places to learn this necessary skill has not been the traditional classroom but rather the library. In an increasing number of school, public, and academic libraries, shared media experiences such as film screening, learning to computer animate, and video editing promote community and a sense of civic engagement. The Library Screen Scene reveals five core practices used by librarians who work with film and media: viewing, creating, learning, collecting, and connecting. With examples from more than 170 libraries throughout the United States, the book shows how film and media literacy education programs, library services, and media collections teach patrons to critically analyze moving image media, uniting generations, cultures, and communities in the process.
Author: James Steffen
Author: James Steffen
Author: Ani Avagyan
Author: Sergeĭ Paradzhanov
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Author: Irene Tsatsos
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Author: Peter Hames
Author: Renee Hobbs