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Author: Philip Hardie Publisher: OUP Oxford ISBN: 9780199231249 Category : Literary Criticism Languages : en Pages : 408
Book Description
This collection of essays examines the presence of what might be seen as an unclassical love of paradox and the marvellous in the literature and art of Augustan Rome, and shows that it is an important strain in the poetry of Virgil, Horace, and Ovid, as well as in prose works of history and rhetoric, and in the Augustan visual arts.
Author: Philip Hardie Publisher: OUP Oxford ISBN: 9780199231249 Category : Literary Criticism Languages : en Pages : 408
Book Description
This collection of essays examines the presence of what might be seen as an unclassical love of paradox and the marvellous in the literature and art of Augustan Rome, and shows that it is an important strain in the poetry of Virgil, Horace, and Ovid, as well as in prose works of history and rhetoric, and in the Augustan visual arts.
Author: Philip Hardie Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110798859 Category : Literary Criticism Languages : en Pages : 1542
Book Description
This volume gathers together about two thirds of the articles and essays published between 1983 and 2021 by Philip Hardie, whose work on ancient literature has been of seminal importance in the field. The centre of gravity lies in late Republican and Augustan poetry, in particular Lucretius, Virgil, and Ovid, with important contributions on wider Augustan culture; on Neronian and Flavian epic; on the Latin poetry of late antiquity; and on the reception of Latin poetry.
Author: Alice König Publisher: Cambridge University Press ISBN: 1316999947 Category : Literary Criticism Languages : en Pages : 427
Book Description
This book explores new ways of analysing interactions between different linguistic, cultural, and religious communities across the Roman Empire from the reign of Nerva to the Severans (96–235 CE). Bringing together leading scholars in classics with experts in the history of Judaism, Christianity and the Near East, it looks beyond the Greco-Roman binary that has dominated many studies of the period, and moves beyond traditional approaches to intertextuality in its study of the circulation of knowledge across languages and cultures. Its sixteen chapters explore shared ideas about aspects of imperial experience - law, patronage, architecture, the army - as well as the movement of ideas about history, exempla, documents and marvels. As the second volume in the Literary Interactions series, it offers a new and expansive vision of cross-cultural interaction in the Roman world, shedding light on connections that have gone previously unnoticed among the subcultures of a vast and evolving Empire.
Author: Therese Fuhrer Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110400960 Category : Literary Criticism Languages : en Pages : 328
Book Description
The term ‘cityscaping’ is here introduced to characterise the creative process through which the image of the city is created and represented in various media– text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients’ spatial imagination; another is to inquire into the semantics and functions that are ascribed to the image of a city as constructed in various media. The examples of ancient texts and works of art, and modern literature and films, are used to elucidate the artistic potential of images of the city and the techniques by which they are semanticised. With its interdisciplinary approach, the volume for the first time makes clear how strongly mental images of urban space, both ancient and modern, have been shaped by the techniques of their representation in media.
Author: Giulia Maria Chesi Publisher: Bloomsbury Publishing ISBN: 1350069523 Category : History Languages : en Pages : 481
Book Description
The subject of the posthuman, of what it means to be or to cease to be human, is emerging as a shared point of debate at large in the natural and social sciences and the humanities. This volume asks what classical learning can bring to the table of posthuman studies, assembling chapters that explore how exactly the human self of Greek and Latin literature understands its own relation to animals, monsters, objects, cyborgs and robotic devices. With its widely diverse habitat of heterogeneous bodies, minds, and selves, classical literature again and again blurs the boundaries between the human and the non-human; not to equate and confound the human with its other, but playfully to highlight difference and hybridity, as an invitation to appraise the animal, monstrous or mechanical/machinic parts lodged within humans. This comprehensive collection unites contributors from across the globe, each delving into a different classical text or narrative and its configuration of human subjectivity-how human selves relate to other entities around them. For students and scholars of classical literature and the posthuman, this book is a first point of reference.
Author: Graham Anderson Publisher: Routledge ISBN: 0429639171 Category : History Languages : en Pages : 182
Book Description
Fantasy in Greek and Roman Literature offers an overview of Greek and Roman excursions into fantasy, including imaginary voyages, dream-worlds, talking animals and similar impossibilities. This is a territory seldom explored and extends to rarely read texts such as the Aesop Romance, The Battle of the Frogs and the Mice, and The Pumpkinification of the Emperor Claudius. Bringing this diverse material together for the first time, Anderson widens readers’ perspectives on the realm of fantasy in ancient literature, including topics such as dialogues with the dead, Utopian communities and fantastic feasts. Going beyond the more familiar world of myth, his examples range from The Golden Ass to the Late Antique Testament of a Pig. The volume also explores ancient resistance to the world of make-believe. Fantasy in Greek and Roman Literature is an invaluable resource not only for students of classical and comparative literature, but also for modern writers on fantasy who want to explore the genre’s origins in antiquity, both in the more obvious and in lesser-known texts.
Author: Molly Swetnam-Burland Publisher: Cambridge University Press ISBN: 1316239985 Category : Art Languages : en Pages : 263
Book Description
This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.
Author: Nikolaus Dietrich Publisher: Walter de Gruyter GmbH & Co KG ISBN: 311046957X Category : Art Languages : en Pages : 434
Book Description
How does ‘decoration’ work? What are the relations between ‘figurative’ and ‘ornamental’ modes? And how do such modern western distinctions relate to other critical traditions? While these questions have been much debated among art historians, our book offers an ancient visual cultural perspective. On the one hand, we argue, Greek and Roman materials have proved instrumental in shaping modern assumptions. On the other hand, those ideologies are fundamentally removed from ancient ideas: an ancient perspective can therefore shed light on larger aesthetic debates about what images are – or indeed what they should be. This anthology of specially commissioned essays explores a variety of case studies (both literary and art historical alike): it discusses materials from across the ancient Mediterranean, and from Geometric art all the way through to late antiquity; the book also tackles questions of ‘figure’ and ‘ornament’ in relation to different media – including painting, free-standing statues, relief sculpture, mosaics and architecture. A particular feature of the volume lies in bringing together different national academic traditions, building a bridge between formalist approaches and broader cultural historical perspectives.
Author: Philip Hardie
Author: Philip Hardie
Author: Philip Hardie
Author: Alice König
Author: Dunstan Lowe
Author: Therese Fuhrer
Author: Karl Galinsky
Author: Giulia Maria Chesi
Author: Graham Anderson
Author: Molly Swetnam-Burland
Author: Nikolaus Dietrich