Author: Ihab HassanPublisher: University of Illinois Press
ISBN: 9780252011665
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Paracriticisms
Author: Ihab HassanPublisher: University of Illinois Press
ISBN: 9780252011665
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Postmodernism: Disciplinary texts : humanities and social sciences
Author: Victor E. TaylorPublisher: Taylor & Francis
ISBN: 9780415185691
Category : Criticism
Languages : en
Pages : 824
Book Description
V.1 Foundational essays -- V.2 Critical Texts -- V.3 Disciplinary texts: Humanities and social sciences -- V.4 Legal studies, psychoanalytic studies, visual arts and architecture.
Labyrinths/paracriticism
Author: American Literature in Belgium
Author: Gilbert DebusscherPublisher: Rodopi
ISBN: 9789062038893
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
A Dictionary of Postmodernism
Author: Niall LucyPublisher: John Wiley & Sons
ISBN: 1405150777
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
A Dictionary of Postmodernism presents an authoritative A-Z of the critical terms and central figures related to the origins and evolution of postmodernist theory and culture. Explores the names and ideas that have come to define the postmodern condition – from Baudrillard, Jameson, and Lyotard, to the concepts of deconstruction, meta-narrative, and simulation – alongside less canonical topics such as dialogue and punk Includes essays by the late Niall Lucy, a leading expert in postmodernism studies, and by other noted scholars who came together to complete and expand upon his last work Spans a kaleidoscope of postmodernism perspectives, addressing its lovers and haters; its movers and shakers such as Derrida; its origins in modernism and semiotics, and its outlook for the future Features a series of brief essays rather than fixed definitions of the key ideas and arguments Engaging and thought-provoking, this is at once a scholarly guide and enduring reference for the field
Estranging the Familiar
Author: George Douglas AtkinsPublisher: University of Georgia Press
ISBN: 0820314536
Category : Literary Collections
Languages : en
Pages : 222
Book Description
In Estranging the Familiar, G. Douglas Atkins addresses the often lamented state of scholarly and critical writing as he argues for a criticism that is at once theoretically informed and personal. The revitalized critical writing he advocates may entail--but is not limited to--a return to the essay, the form critical writing once took and the form that is now enjoying a resurgence of popularity and excellence. Atkins contends that to reach a general audience, criticism must move away from the impersonality of modern criticism and contemporary theory without embracing the old-fashioned essay. "The venerable familiar essay may remain the basis," Atkins writes, "but its conventional openness, receptivity, and capaciousness must extend to theory, philosophy, and the candor that seems to mark the tail-end of the twentieth century." In noting the timeliness, if not the necessity, of a return to the essay, Atkins also considers our culture's parallel "return to the personal." When the essay combines good writing with the concerns of the personal, Atkins says, it becomes a form of criticism that is readable, vital, and potentially attractive to a large readership. Atkins hopes critics will tap into the revitalized interest the essay now enjoys without ignoring the considerable insights and advances of contemporary theory. He argues that despite claims to the contrary there is no inherent incompatibility between the essay and modern theory. As Atkins considers various experiments in critical writing from Plato to the present, notably feminist interest in the personal and autobiographical, he contends that these attempts, although undeniably important, fall short of the desired goal when they emphasize the merely expressive and neglect the artful quality good writing can bring to personal criticism. The final third of the book consists of a series of experiments in critical writing that represent the author's own attempts to bridge the gap between theory and popular criticism, between an academic and a general audience. In essays that illustrate the rhetorical power of the form, Atkins describes the reciprocal relationship between his life experience and a reading of The Odyssey, explains the role that theory has played in his personal development, and chronicles his attempts to find a voice as a writer.
The Dismemberment of Orpheus
Author: Ihab HassanPublisher: Univ of Wisconsin Press
ISBN: 9780299091248
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
In this book, the first edition of which was published in 1971 by Oxford University Press, Ihab Hassan takes Orphic dismemberment and regeneration as his metaphor for a radical crisis in art and language, culture and consciousness, which prefigures postmodern literature. The modern Orpheus, he writes, "sings on a lyre without strings." Thus, his sensitive critique traces a hypothetical line from Sade through four modern authors--Hemingway, Kafka, Genet, and Beckett--to a literature still to come. But the line also breaks into two Interludes, one concerning 'Pataphysics, Dada, and Surrealism, and the other concerning Existentialism and Aliterature. Combining literary history, brief biography, and critical analysis, Hassan surrounds these authors with a complement of avant-garde writers whose works also foreshadow the postmodern temper. These include Jarry, Apollinaire, Tzara, Breton, Sartre, Camus, Nathalie Sarraute, Robbe-Grillet, and in America, Cage, Salinger, Ginsberg, Barth, and Burroughs. Hassan takes account also of related contemporary developments in art, music, and philosophy, and of many works of literary theory and criticism. For this new edition, Hassan has added a new preface and postface on the developing character of postmodernism, a concept which has gained currency since the first edition of this work, and which he himself has done much to theorize.
Paracritical Hinge
Author: Nathaniel MackeyPublisher: University of Iowa Press
ISBN: 1609385837
Category : Literary Criticism
Languages : en
Pages : 393
Book Description
Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experimental writing; from Kamau Brathwaite’s “calibanistic” language practices to Federico García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H. D.’s desert measure and coastal way of knowing to the altered spatial disposition of Miles Davis’s trumpet sound; from Robert Duncan’s serial poetics to diasporic syncretism; from the lyric poem’s present-day predicaments to gnosticism. Offering illuminating commentary on these and other artists including Amiri Baraka, Mississippi Fred McDowell, Wilson Harris, Jack Spicer, John Coltrane, Jay Wright, and Bob Kaufman, Paracritical Hinge also sheds light on Mackey’s own work as a poet, fiction writer, and editor.
Postmodernism
Author: Thomas DochertyPublisher: Routledge
ISBN: 1315504596
Category : Literary Criticism
Languages : en
Pages : 674
Book Description
This reader provides a selection of articles and essays by leading figures in the postmodernism debate.
Redemptive Hybridism in Post-Postmodern Writing
Author: Tasha HainesPublisher: Bloomsbury Publishing USA
ISBN: 1501394525
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
From Virginia Woolf to David Foster Wallace and beyond, 'redemptive hybridism' – a new way of reading texts full of possibility and genre blending – emerges as a key trajectory for post-postmodernity. Tasha Haines investigates what she calls 'redemptive hybridism' a tendency in post-postmodern writing characterized by possibility. She suggests that near the 21st century, postmodern élitisme gives way to a reparative blending of high-low forms and genre collaborations for challenging and extending the relationship between writer, written material, and reader. By combining an innovative literary investigation with creative and auto-theoretical strategies, Haines offers valuable new interpretations for texts of 'the modernisms continuum'. Her conversational survey moves among the hybridity of Virginia Woolf, the paratextuality of David Foster Wallace, with Nathalie Sarraute, Édouard Levé, Maggie Nelson and more. In reference to Deleuze and Guattari, Hassan, and others, writers are curated for their approach to form, method, and content, evoking and invoking textual hybridity. Haines articulates a new way of viewing works via comparisons and close-ups that exemplify the possibility and genre-blending that is Redemptive Hybridism in Post-Postmodern Writing.