Dwight's Journal of Music. A Paper of Art and Literature PDF Download

Author: John Sullivan Dwight
Publisher: BoD – Books on Demand
ISBN: 3385379369
Category : Fiction
Languages : en
Pages : 434

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Book Description
Reprint of the original, first published in 1875.

Author: Amy Wright
Publisher: Sarabande Books
ISBN: 1946448818
Category : Literary Collections
Languages : en
Pages : 129

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Book Description
How to capture Amy Wright’s Paper Concert: A Conversation in the Round, a one-of-a-kind book-length essay containing a multitude of individual voices? Wright, conductor extraordinaire, has managed to piece apart, then fold together conversations from a bevy of thinkers like Dorothy Allison, Rae Armantrout, Gerald Stern, Lia Purpura, Raven Jackson, Wendy Walters, Kimiko Hahn, Philanese Slaughter, and others, blended into one harmonious whole. Wright opens the book: “This essay anchors a central thread of dialogue over a dizzying divide. It weaves a decades worth of questions and answers from a range of discussions I’ve had with artists, activists, scientists, philosophers, physicians, priests, musicians, and other representatives of the human population. Some of them are famous, some will be, some should be—but all of them refract the light of the unknowable mystery of the self.” The subjects range from the interconnected (inspiration and craft) to the seemingly disparate (colonialism and entomophagy), all with the hope of finding what truly matters to us. If this book is a paper concert, it is a symphony. Just pull up a chair and listen.

Author: John S. Dwight
Publisher: BoD – Books on Demand
ISBN: 3385252857
Category : Fiction
Languages : en
Pages : 434

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Book Description
Reprint of the original, first published in 1875.

Author: William Smythe Babcock Mathews
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 772

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Book Description

Author: John Beckwith
Publisher: Dundurn
ISBN: 9780919614727
Category : Music
Languages : en
Pages : 280

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Book Description
What is music -- where does it come from and what does it mean? If music is in the background, and no one listens to it, does it still exist? Why do composers write music, and how do they learn their profession? What about Canadian music -- a regional dialect of this "universal language"? How has it been created inside the country -- how well is it understood abroad? Music papers are reflections from a life of composing and teaching. These articles, talks and reviews, whether intended originally for general or professional audiences, communicate a passion for music rooted in a North American culture and place, informed by long and loving familiarity with masterpieces from elsewhere. Also included are alternative versions of the early life of Glenn Gould, proofs of the existence of musical life in Toronto, and some questions still unanswered.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 798

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Book Description

Author: Colby Chamberlain
Publisher: University of Chicago Press
ISBN: 022683137X
Category : Art
Languages : en
Pages : 297

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Book Description
"George Maciunas is typically associated with the famous art collective Fluxus, of which he is often thought to have been the leader. In this book, critic and art historian Colby Chamberlain wants us to question two things: first, the idea that Fluxus was a "group" in any conventional sense, and second, that Maciunas was its "leader." Instead, Chamberlain shows us how Maciunas used the paper materials of bureaucracy in his art-cards, certificates, charts, files, and plans, among others-to subvert his own status as a "figurehead" of this collective and even as a biographical entity. Each of the book's chapters situates Maciunas's artistic practice in relation to a different domain: education, communication, production, housing, and health. We learn about his use of the postal service to make Fluxus into an international network; his manipulation of US copyright law to pursue a "Soviet" ideal of collective authorship; his intervention in Manhattan's zoning restrictions as founder and manager of the "Fluxhouse" artists' lofts in SoHo; and his performances protesting against normative ideals of health and family, focusing on his own, ultimately failed medical self-management. Fluxus Administration is not a biography, but it does delve more deeply than any other book into Maciunas's life and work, showing the lengths to which the artist himself went to disrupt any easy account of himself"--

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 500

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Book Description

Author: Disha Experts
Publisher: Disha Publications
ISBN: 9391551742
Category :
Languages : en
Pages : 492

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Book Description
The Thoroughly Updated 13th edition of Target MH-CET 2022 book covers Previous Solved Papers (2007 to 2021) and 5 Mock tests as per latest pattern. The solution to each and every question has been provided. The Past Papers will guide you in terms of understanding the Pattern, Types of Questions & their Level of Difficulty. # Thus in all there are 14 Past Papers as the MH-CET paper was not held in 2013. # 5 Mock tests designed exactly as per the pattern of the 2021 MH-CET exam. # Each Mock Test contains 200 questions on the 3 sections: Section I: Logical & Abstract Reasoning (100). Section II: Quantitative Aptitude (50) Section III: Verbal Ability & Reading Comprehension (50) # The detailed solution to the questions are provided immediately after the tests. # A total of 3700+ MCQs with explanation.

Author: Colin Timms
Publisher: Taylor & Francis
ISBN: 1003860079
Category : Music
Languages : en
Pages : 117

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Book Description
This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.