Author: Raymond BordePublisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
Book Description
This first book published on film noir established the genre--a classic, at last in translation.
A Panorama of American Film Noir (1941-1953)
Author: Raymond BordePublisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Panorama du film noir américain (1941-1953)
Author: Raymond BordePanorama du film noir américain
Author: Raymond BordePublisher:
ISBN: 9782080815088
Category : Detective and mystery films
Languages : fr
Pages : 283
Book Description
Panorama du film noir américain
Author: Raymond BordePanorama du film noir américain
Author: Raymond BordePanorama du film noir américain
Author: Raymond BordePublisher: Les Éditions de Minuit
ISBN:
Category :
Languages : fr
Pages : 297
Book Description
Panorama du film noir américain
Author: Raymond BordePhilosophy, Black Film, Film Noir
Author: Dan FloryPublisher: Penn State Press
ISBN: 0271033452
Category : Philosophy
Languages : en
Pages : 370
Book Description
"Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies"--Provided by publisher.
Historical Dictionary of Film Noir
Author: Andrew SpicerPublisher: Scarecrow Press
ISBN: 0810873788
Category : Performing Arts
Languages : en
Pages : 533
Book Description
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
The Philosophy of Film Noir
Author: Mark T. ConardPublisher: University Press of Kentucky
ISBN: 9780813191812
Category : Performing Arts
Languages : en
Pages : 268
Book Description
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.