Palmerin of England by Francisco de Moraes, Volume 1 of 4 (1807) PDF Download
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Author: Luis Hurtado Publisher: Palala Press ISBN: 9781341739446 Category : Languages : en Pages : 524
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Luis Hurtado Publisher: Palala Press ISBN: 9781341739446 Category : Languages : en Pages : 524
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Francisco De Moraes Publisher: Palala Press ISBN: 9781377915302 Category : History Languages : en Pages : 534
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Francisco De Moraes Publisher: Palala Press ISBN: 9781341351556 Category : Languages : en Pages : 534
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: W. Ron Hess Publisher: iUniverse ISBN: 149171753X Category : History Languages : en Pages : 708
Book Description
The "Dark Side of Shakespeare" trilogy by W. Ron Hess has been his 20-year undertaking to try to fill-in many of the gaps in knowledge of Shakespeare's personality and times. The first two volumes investigated wide-ranging topics, including the key intellectual attributes that Shakespeare exhibited in his works, including the social and political events of the 1570s to early-1600s. This was when Hess believes the Bard's works were being "originated" (the earliest phases of artistry, from conception or inspiration to the first of multiple iterations of "writing"). Hess highlights a peculiar fascination that the Bard had with the half-brother of Spain's Philip II, the heroic Don Juan of Austria, or in 1571 "the Victor of Lepanto." From that fascination, as determined by characters based on Don Juan in the plays (e.g., the villain "Don John" in "Much Ado")and other matters, Hess even made so bold as to propose a series of phases from the mid-1570s to mid-80s in which he feels each Shakespeare play had been originated, or some early form of each play then existed -- if not in writing, at least in the Bard's imagination. Thus, the creative process Hess describes is a vastly more protracted on than most Shakespeare scholars would admit to -- the absurd notion that the Bard would jot off the lines of a work in a few days or weeks and then immediately have it performed on the public stage or published shortly thereafter still dominates orthodox dating systems for the canon. Hess draws on the works of many other scholars for using "topical allusions" within each work in order to set practical limits for when the "origination" and subsequent "alterations" of each play occurred. In the trilogy's Volume III, Hess continues to amplify a heroic "knight-errant" personality type that Shakespeare's very "pen-name" may have been drawn from, a type which envied and transcended the brutal chivalry of Don Juan. This was channeled into a patriotic anti-Spanish and pro-British imperial spirit -- particularly with regard to reforming and improving the English language so that it could rival the Greco-Roman, Italian, and Frenchpoetic traditions -- one-upping the best that the greats of antiquity and the Renaissance had achieved in literature. In fact, as vast as the story is that Hess tells in his three volumes, there is a huge volume of material he is making available out of print (on his webpage at http://home.earthlink.net/~beornshall/index.html and via a "Volume IV" that he plans to offer on CD for a nominal cost via his e-mail [email protected]). Among this added material is a searchable 1,000-page Chronological listing of "Everything" that Hess deems relevant to Shakespeare and his age, or to the providing of the canon to modern times. Hess feels that discernable patterns can be detected through that chronology that help to illuminate the roles of others in the Bard's circle, such as Anthony Munday and Thomas Heywood. The network of 16th and 17th century "Stationers" (printers, publishers, and book sellers) and their often curious doings provide many of those patterns. Hess invites his readers to help to continuously update the Chronology and other materials, so that those can remain worthwhile research resources for all to use. For, the mysteries of Shakespeare and his age can only be unraveled through fully understanding the patterns within.
Author: Luis Hurtado
Author: Luis Hurtado
Author: Francisco De Moraes
Author: Francisco De Moraes
Author: Ernest Albert Baker![A Catalogue of the Library of Bowdoin College; to which is Added, an Index of Subjects. [Edited by W. P. Tucker.] PDF](https://books.google.com/books/content/images/frontcover/SXH3N0ykmnwC?fife=w80-h100)
Author: Bowdoin College (BRUNSWICK, Me.). Library
Author: Bowdoin college
Author: Ernest Albert Baker
Author: W. Ron Hess
Author: Francis James Child
Author: