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Author: Willa Jane Tanabe Publisher: Weatherhill, Incorporated ISBN: Category : Art Languages : en Pages : 360
Book Description
An in-depth survey of the several genres of pictorial art related to the Lotus Sutra, one of the most influential scriptures of Buddhism. The book analyzes the content, style, and import of each work, accompanied by a comprehensive classification scheme.
Author: Willa Jane Tanabe Publisher: Weatherhill, Incorporated ISBN: Category : Art Languages : en Pages : 360
Book Description
An in-depth survey of the several genres of pictorial art related to the Lotus Sutra, one of the most influential scriptures of Buddhism. The book analyzes the content, style, and import of each work, accompanied by a comprehensive classification scheme.
Author: Tamura Kurata Publisher: Kosei Publishing Company ISBN: 4333010969 Category : Art Languages : en Pages : 174
Book Description
The Lotus Sutra, one of the principal scriptures of Mahayana Buddhism, is at once a great work of literature and a profound religious classic, containing the core and culmination of the historical BuddhaÆs ageless teaching of compassion and the way to achieve liberation from suffering. For more than fourteen hundred years, since its introduction into Japan early in the sixth century, the Lotus Sutra has been a rich source of subjects and themes for the countryÆs artists. Generations of priests, nuns and lay believers confident in the sutraÆs promise of spiritual reward for those who revere it and pay it homage have made opulent transcriptions of it, fashioned lavishly ornamented vessels for its preservation, and commissioned votive art depicting its narratives and religious teachings. As Art of the Lotus Sutra eloquently reveals, the range of artistic expression inspired by the Lotus Sutra is astonishing: miniature altars, bronzes, lacquerware, vibrant mandalas, wall paintings, hanging scrolls, narrative picture scrolls, and sculptures, as well as embroidered, handwritten and printed copies of the sutra itself. Much has been written in Japanese about the Lotus Sutra and the magnificent artworks related to it, but not until Bunsaku Kurata and Yoshiro Tamura compiled the present book was it possible to bring this material together in a single volume in English.
Author: Eugene Yuejin Wang Publisher: University of Washington Press ISBN: 9780295984629 Category : Art Languages : en Pages : 550
Book Description
The Lotus Sutra has been the most widely read and most revered Buddhist scripture in East Asia since its translation in the third century. The miracles and parables in the "king of sutras" inspired a variety of images in China, in particular the sweeping compositions known as transformation tableaux that developed between the seventh and ninth centuries. Surviving examples in murals painted on cave walls or carved in relief on Buddhist monuments depict celestial journeys, bodily metamorphoses, cycles of rebirth, and the achievement of nirvana. Yet the cosmos revealed in these tableaux is strikingly different from that found in the text of the sutra. Shaping the Lotus Sutra explores this visual world. Challenging long-held assumptions about Buddhist art, Eugene Wang treats it as a window to an animated and spirited world. Rather than focus on individual murals as isolated compositions, Wang views the entire body of pictures adorning a cave shrine or a pagoda as a visual mapping of an imaginary topography that encompasses different temporal and spatial domains. He demonstrates that the text of the Lotus Sutra does not fully explain the pictures and that a picture, or a series of them, constitutes its own "text." In exploring how religious pictures sublimate cultural aspirations, he shows that they can serve both political and religious agendas and that different social forces can co-exist within the same visual program. These pictures inspired meditative journeys through sophisticated formal devices such as mirroring, mapping, and spatial programming - analytical categories newly identified by Wang. The book examines murals in cave shrines at Binglingsi and Dunhuang in northwestern China and relief sculptures in the grottoes of Yungang in Shanxi, on stelae from Sichuan, and on the Dragon-and-Tiger pagoda in Shandong, among other sites. By tracing formal impulses in medieval Chinese picture-making, such as topographic mapping and pictorial illusionism, the author pieces together a wide range of visual evidence and textual sources to reconstruct the medieval Chinese cognitive style and mental world. The book is ultimately a history of the Chinese imagination. Read an interview with the author: http: //dgeneratefilms.com/cinematalk/cinematalk-interview-with-professor-eugene-wang-on-chinese-art-and-film/
Author: Stephen F. Teiser Publisher: Columbia University Press ISBN: 0231142897 Category : History Languages : en Pages : 300
Book Description
Specialists in Buddhist philosophy, art, and history of religion outline the major ideas and controversies surrounding the 'Lotus Sūtra'. They also treat its use in ritual performance, ascetic practice, visual representations, and social action.
Author: Miyeko Murase Publisher: Metropolitan Museum of Art ISBN: 1588390683 Category : Art, Japanese Languages : en Pages : 210
Book Description
This lovely catalog accompanies an exhibition of the same name held at the Metropolitan Museum of Art in New York City in 2002-2003. The exhibition features Japanese calligraphy and paintings and sculpture of Buddhist and Shinto themes. Full descriptive entries accompany the plates of each work. Three essays introduce the catalog: a history of the collection and an essay on viewing calligraphy by Barnet and Burto, and an introduction to the calligraphy in their collection by Murase (a consultant on Japanese art at the museum). Annotation copyrighted by Book News, Inc., Portland, OR
Author: Sherry D. Fowler Publisher: University of Hawaii Press ISBN: 0824856252 Category : Art Languages : en Pages : 457
Book Description
Buddhists around the world celebrate the benefits of worshipping Kannon (Avalokiteśvara), a compassionate savior who is one of the most beloved in the Buddhist pantheon. When Kannon appears in multiple manifestations, the deity’s powers are believed to increase to even greater heights. This concept generated several cults throughout history: among the most significant is the cult of the Six Kannon, which began in Japan in the tenth century and remained prominent through the sixteenth century. In this ambitious work, Sherry Fowler examines the development of the Japanese Six Kannon cult, its sculptures and paintings, and its transition to the Thirty-three Kannon cult, which remains active to this day. An exemplar of Six Kannon imagery is the complete set of life-size wooden sculptures made in 1224 and housed at the Kyoto temple Daihōonji. This set, along with others, is analyzed to demonstrate how Six Kannon worship impacted Buddhist practice. Employing a diachronic approach, Fowler presents case studies beginning in the eleventh century to reinstate a context for sets of Six Kannon, the majority of which have been lost or scattered, and thus illuminates the vibrancy, magnitude, and distribution of the cult and enhances our knowledge of religious image-making in Japan. Kannon’s role in assisting beings trapped in the six paths of transmigration is a well-documented catalyst for the selection of the number six, but there are other significant themes at work. Six Kannon worship includes significant foci on worldly concerns such as childbirth and animal husbandry, ties between text and image, and numerous correlations with Shinto kami groups of six. While making groups of Kannon visible, Fowler explores the fluidity of numerical deity categorizations and the attempts to quantify the invisible. Moreover, her investigation reveals Kyushu as an especially active site in the history of the Six Kannon cult. Much as Kannon images once functioned to attract worshippers, their presentation in this book will entice contemporary readers to revisit their assumptions about East Asia’s most popular Buddhist deity.
Author: Halle O'Neal Publisher: BRILL ISBN: 1684175887 Category : History Languages : en Pages : 312
Book Description
"In this study of the Japanese jeweled pagoda mandalas, Halle O’Neal reveals the entangled realms of sacred body, beauty, and salvation. Much of the previous scholarship on these paintings concentrates on formal analysis and iconographic study of their narrative vignettes. This has marginalized the intriguing interplay of text and image at their heart, precluding a holistic understanding of the mandalas and diluting their full import in Buddhist visual culture. Word Embodied offers an alternative methodology, developing interdisciplinary insights into the social, religious, and artistic implications of this provocative entwining of word and image.O’Neal unpacks the paintings’ revolutionary use of text as picture to show how this visual conflation mirrors important conceptual indivisibilities in medieval Japan. The textual pagoda projects the complex constellation of relics, reliquaries, scripture, and body in religious doctrine, practice, and art. Word Embodied also expands our thinking about the demands of viewing, recasting the audience as active producers of meaning and offering a novel perspective on disciplinary discussions of word and image that often presuppose an ontological divide between them. This examination of the jeweled pagoda mandalas, therefore, recovers crucial dynamics underlying Japanese Buddhist art, including invisibility, performative viewing, and the spectacular visualizations of embodiment."
Author: Willa Jane Tanabe
Author: Willa Jane Tanabe
Author: Tamura Kurata
Author: Eugene Yuejin Wang
Author: Stephen F. Teiser
Author: George Joji Tanabe
Author: Miyeko Murase
Author: Sherry D. Fowler
Author: Halle O'Neal
Author: 
Author: Masako Watanabe