Author: Fern Rusk ShapleyPublisher:
ISBN:
Category : Painting
Languages : en
Pages : 474
Book Description
Paintings from the Samuel H. Kress Collection: Italian Schools: XV-XVI century
Author: Fern Rusk ShapleyPublisher:
ISBN:
Category : Painting
Languages : en
Pages : 474
Book Description
Paintings from the Samuel H. Kress Collection ; 2
Author: The Samuel H. Kress Study Collection at the University of Missouri
Author: University of Missouri--Columbia. Museum of Art and ArchaeologyPublisher: University of Missouri Press
ISBN: 9780826212412
Category : Architecture
Languages : en
Pages : 124
Book Description
Land, Burton Dunbar, Judith Mann, Marjorie Och, and William E. Wallace."--BOOK JACKET. "This catalog will be accessible to both the art historian and the general reader."--Jacket.
Paintings from the Samuel H. Kress Collection
Author: Samuel H. Kress FoundationPublisher:
ISBN: 9780714813455
Category :
Languages : en
Pages : 0
Book Description
Paintings from the Samuel H. Kress Collection
Author: Fern Rusk ShapleyItalian Paintings
Author: Metropolitan Museum of Art (New York, N.Y.)Publisher: Metropolitan Museum of Art
ISBN: 0870994204
Category : Mannerism (Art)
Languages : en
Pages : 189
Book Description
The Samuel H. Kress Collection at the Seattle Art Museum
Author: Seattle Art MuseumPublisher:
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Italian Paintings, XIV-XVIIIth Centuries, from the Collection of the Baltimore Museum of Art
Author: Baltimore Museum of ArtPublisher: HP Trade
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
Drawing Relationships in Northern Italian Renaissance Art
Author: Giancarla PeritiPublisher: Routledge
ISBN: 1351569236
Category : Art
Languages : en
Pages : 252
Book Description
Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.
Painting in Renaissance Perugia
Author: Sheri Francis ShaneyfeltPublisher: Cambridge University Press
ISBN: 1009265547
Category : Art
Languages : en
Pages : 523
Book Description
This volume offers the first comprehensive study of painting in Renaissance Perugia from the late fifteenth to the mid- sixteenth centuries. Showcasing works by Perugino, Raphael, and Pintoricchio, as well as less familiar artists who worked in Perugia from ca. 1480–1540, Sheri Shaneyfelt traces the influence and impact of Perugino's workshop in central Italy over more than a half a century. She demonstrates why Perugia, which has been overlooked in modern scholarship, was such a vital center for the production of early modern Italian art. Shaneyfelt's study also shifts the focus away from the analysis of individual artistic creativity by highlighting the importance and significance of collaboration and workshop production in Renaissance Italy. Interweaving historical and archival evidence with analyses of numerous paintings and drawings, her book, richly illustrated with 115 color illustrations, offers many new insights into the vibrant artistic culture of early modern Perugia.