Paintings & Drawings by Mary Fedden and Prints by Julian Trevelyan PDF Download

Author: Oxford Gallery (Oxford)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: José Manser
Publisher: Unicorn Publishing Group
ISBN: 9781906509118
Category : Art, British
Languages : en
Pages : 0

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Book Description
Jose Manser tells the story of two remarkable and gifted artists with radically different backgrounds, visions and approaches."

Author: Christopher Andreae
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221543
Category : Collage
Languages : en
Pages : 0

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Book Description
Mary Fedden (1915-2012) is one of Britain's most popular artists. The focus of this acclaimed book, newly available in paperback in celebration of her life's achievement, is the artist's creative process in various different media - oil, gouache, pencil and collage. In an engaging text, which draws on numerous conversations with the artist during her final years, Christopher Andreae considers why Fedden has always had such a popular following, looks at the English quality of her work, and talks about the commercialisation of her art and her attitudes to the art market. Fedden is shown to be an original, serious and prolific artist, a draftsman of unusual sensitivity and prowess, and a colourist of power and subtlety.

Author: Mel Gooding
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 104

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Book Description
The British painter's apparently effortless simplicity of presentation has behind it a long and rigorous search for the poise and directness of her later work. Critic and writer Gooding traces her development from her neo-Romantic beginnings in the 1940s to her mature style in the 1990s, when her approach to still-life emphasizes the presentation of a particular repertoire of subjects and the use of decorative color and simplified forms. Illustrated with 60 of Fedden's paintings. No index. Distributed by Ashgate. Annotation copyright by Book News, Inc., Portland, OR

Author: Philip Trevelyan
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848221123
Category : Art
Languages : en
Pages : 290

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Book Description
Julian Trevelyan: Picture Language follows the trail of a painter's visual language and motivation. The working life of Julian Trevelyan (1910-88) spanned more than 65 years. In that time he exhibited alongside Picasso, Miró and Dali, was a member of the British Surrealist group, an active participant in the Mass Observation Movement, taught both at Chelsea School of Art and the Royal College of Art, and wrote a number of books. After the Second World War his work was mainly concerned with depicting scenes around his Hammersmith home and the River Thames, where he lived with his wife Mary Fedden, as well as his travels around the world. Philip Trevelyan, Julian's son, takes us on a pictorial journey through Julian's life and presents here his personal view, offering insights from his researches and first-hand knowledge of life in Trevelyan's studio at Durham Wharf in London.

Author: Julian Trevelyan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228

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Book Description
He joined Tom Harrisson's Mass Observation Movement in 1937 and worked for a period in Bolton, recording numerous scenes around the Potteries, an experience which was to have a profound effect on his painting.

Author: Susannah Amoore
Publisher: Penguin Uk
ISBN: 9780140563078
Category : Cats
Languages : en
Pages : 32

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Book Description
Previously published in hardback in 1997, a fact-based story about a cat who tries to find a permanent home with a family who, unfortunately for him, already have a cat. A picture book in the PICTURE PUFFINS series, illustrated in colour by Mary Fedden.

Author: ARIANE. BANKES
Publisher:
ISBN: 9781869827823
Category :
Languages : en
Pages :

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Author: Christopher Andreae
Publisher: Lund Humphries Publishers
ISBN:
Category : Art
Languages : en
Pages : 184

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Book Description
Mary Fedden (born 1915) is one of Britain's most popular living artists. The focus of this new book is the artist's creative process in various different media - oil, gouache, pencil and collage.While Fedden is often considered almost exclusively a still-life painter, still life is far from being her only preoccupation, as this book shows. Fantasy and imagination have always played a strong part, and this is particularly evident in her small gouaches. A quietly surreal, enigmatic streak runs through much of her work.Fedden's collages are a witty and affectionate homage to the work of her husband, Julian Trevelyan. They lived, worked and travelled together from 1949 to 1988. The book re-emphasizes her debt to him, but also her independence, even during their early life together when he stimulated her move into modernism.In an engaging text, which draws on numerous conversations with the artist, Christopher Andreae considers why Mary Fedden has such a popular following, looks at the English quality of her work, and talks about the commercialization of her art and her attitudes to the art market. Fedden is shown to be an original, serious and prolific artist, a draftsman of unusual sensitivity and prowess, and a colourist of power and subtlety.Profusely illustrated with works from private and public collections, this is a book for Mary Fedden's existing devotees as well as newcomers to her work.

Author: Lawrence Pavia
Publisher:
ISBN: 9789990932263
Category : Malta
Languages : en
Pages : 381

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Book Description
This book delves into a substantial, largely unpublished, corpus of sketches of Malta by the artists Julian Trevelyan and Mary Fedden, particularly their interpretation of the Maltese landscape during the period from 1958, the year of their first visit to Malta and Gozo, to 1979. During this time, these two artists visited Malta no less than six times, in 1958, 1963, 1968, 1970, 1976 and 1979, whilst Mary Fedden would visit again in 2002. The study looks at the immediate impact that Malta had on these two artists, at what Maltese subject matter aroused their interest, and whether such an interest was towards specific buildings or locations or whether their interest was mainly in capturing the sense of time and place of the islands, without necessarily referring to specific locations. It was the aim of this study to establish how and why these two artists came to Malta, their connections in Malta, and the friendships that they developed over the years, both with British residents on the islands, and with local patrons and artists. Perhaps with some nostalgia and regret, the paintings, prints and sketches of Trevelyan and Fedden leave a historical account of Malta as it was then, the decades pre- and post-Independence; landscapes imbued with cultural overtones, which, in the name of progress, have now changed beyond recognition, or lost forever. One can find consolation, at least, in the fact that two sensitive British artists have left for posterity sincere depictions of Malta as seen through their mind’s eye.