Author: Harvard University. Fine Arts LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Knoedler Library: Christie's Sales 1945-1965
Author: M. Knoedler & CoPublisher:
ISBN:
Category : Art
Languages : en
Pages : 310
Book Description
A Critical and Historical Corpus of Florentine Painting
Author: Richard OffnerPublisher: Giunti Editore
ISBN:
Category : Art
Languages : en
Pages : 646
Book Description
This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.
Catalogue
Author: Hispanic Society of America. LibraryPublisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 686
Book Description
Catalogue of the Library
Author: Hispanic Society of America. LibraryPublisher:
ISBN:
Category : Civilization, Hispanic
Languages : en
Pages : 684
Book Description
A Critical and Historical Corpus of Florentine Painting: The fourteenth century. v. 1. The St. Cecilia Master and his circle
Author: Richard OffnerPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 652
Book Description
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie WallertPublisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Katalog Des Kunsthistorischen Instituts in Florenz
Author: Kunsthistorisches Institut in FlorenzPublisher:
ISBN:
Category : Art
Languages : en
Pages : 686
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1038
Book Description
Anonymous Art at Auction
Author: Anne-Sophie V. RadermeckerPublisher: BRILL
ISBN: 9004460209
Category : Art
Languages : en
Pages : 340
Book Description
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.