Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 316
Book Description
Paintings and Sculpture at Hatfield House
Author: Paintings and Sculpture at Hatfield House
Author: Publisher: Constable & Robinson
ISBN:
Category : Art
Languages : en
Pages : 346
Book Description
Paintings and Sculpture at Hatfield House
Author: Erna AuerbachCharles Dickens and His Original Illustrators
Author: Jane R. CohenPublisher: Ohio State University Press
ISBN: 0814202845
Category : Illustration of books
Languages : en
Pages : 330
Book Description
A Catalogue of the Paintings at Hatfield House
Author: Mary Catherine Cecil Marchioness of SalisburyPublisher:
ISBN:
Category : Art
Languages : en
Pages : 18
Book Description
Great Houses and Their Treasures
Author: Everyday Objects
Author: Tara HamlingPublisher: Routledge
ISBN: 1351938118
Category : History
Languages : en
Pages : 357
Book Description
This book is about the objects people owned and how they used them. Twenty-three specially written essays investigate the type of things that might have been considered 'everyday objects' in the medieval and early modern periods, and how they help us to understand the daily lives of those individuals for whom few other types of evidence survive - for instance people of lower status and women of all status groups. Everyday Objects presents new research by specialists from a range of disciplines to assess what the study of material culture can contribute to our understanding of medieval and early modern societies. Extending and developing key debates in the study of the everyday, the chapters provide analysis of such things as ceramics, illustrated manuscripts, pins, handbells, carved chimneypieces, clothing, drinking vessels, bagpipes, paintings, shoes, religious icons and the built fabric of domestic houses and guild halls. These things are examined in relation to central themes of pre-modern history; for instance gender, identity, space, morality, skill, value, ritual, use, belief, public and private behaviour, continental influence, materiality, emotion, technical innovation, status, competition and social mobility. This book offers both a collection of new research by a diverse range of specialists and a source book of current methodological approaches for the study of pre-modern material culture. The multi-disciplinary analysis of these 'everyday objects' by archaeologists, art historians, literary scholars, historians, conservators and museum practitioners provides a snapshot of current methodological approaches within the humanities. Although analysis of material culture has become an increasingly important aspect of the study of the past, previous research in this area has often remained confined to subject-specific boundaries. This book will therefore be an invaluable resource for researchers and students interested in learning about important new work which demonstrates the potential of material culture study to cut across traditional historiographies and disciplinary boundaries and access the lived experience of individuals in the past.
The Country House Described
Author: Michael HolmesPublisher: Graphic Arts Center Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 348
Book Description
"The aim of this index is to provide a quick reference to the literature on individual country houses in England, Wales, Scotland and Ireland, held in the National Art Library at the Victoria and Albert Museum. Over 4,000 country houses are included. The contents of 135 general books on architecture, architectural details and county histories have been indexed, as well as guides to individual country houses, catalogues of collections and sales catalogues. Only a few periodicals, apart from Country Life up to 1982, have been included."--Introduction.
Mira Calligraphiae Monumenta
Author: Lee HendrixPublisher: Getty Publications
ISBN: 089236212X
Category : Art
Languages : en
Pages : 424
Book Description
In 1561–62 the master calligrapher Georg Bocksay, imperial secretary to the Holy Roman Emperor Ferdinand I, created the Mira calligraphiae monumenta as a demonstration of his own pre-eminence among scribes. Years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel, to embellish his work. The resulting book is at once a treasury of extraordinary beauty, a landmark in the cultural debate between word and image, and one of the most intriguing memorials of Rudolf’s endlessly fascinating rule in Prague. This complete facsimile of the codex, now in the J. Paul Getty Museum, is supported by scholarly commentaries and biographies of both artists. Bocksay assembled a vast selection of contemporary and historical scripts for a work which summarized all that had been learned about writing up to that date—a testament to the universal power of the written word. The finest white vellum and lavish use of gold and silver highlighted his flamboyant technical prowess and extraordinary sureness of hand. Hoefnagel took his commission to decorate this marvel, now accompanied by an alphabet of Roman majuscules and Gothic miniscules, as a challenge to prove the superiority of his art over Bocksay’s words. Every resource of illusionism, colour and form was employed in a rich, striking, and witty scheme. Brilliant grotesques of all kinds—flowers, fruit, insects, animals, monsters and masks—counterpoint the lettering and elaborate on the nature of the universe, the word of God, and the glory of His temporal representative, the Holy Roman Emperor Rudolf II. Of consuming interest to scholars, collectors, bibliophiles and art historians, this remarkable opus will also be a key source of inspiration for graphic designers, typographers, practising calligraphers and devotees of the art of the book.
Author: