Author: Julian Porter
Publisher: Dundurn
ISBN: 1459700732
Category : Art
Languages : en
Pages : 449
Book Description
Visit some of Europe's greatest galleries and view some of the world's most breath-taking paintings in the company of a knowledgeable tour guide. Beginning with the Renaissance and ending with the Modern era, Julian Porter introduces you to 149 specially chosen paintings and the artists who created them.
Painting What You Want to See
Author: Charles Reid
Publisher: Watson-Guptill Publications
ISBN: 9780823038794
Category : Art
Languages : en
Pages : 144
Book Description
If you've ever wanted to control your art so that you can paint anything—and paint it well—this is the book for you! The mediums are oil, watercolor, and contour drawing but this is a book about making good paintings, not learning a particular medium. The subject matter is broad, ranging from still lifes to figures and portraits, to landscapes. Again, the point is that if you can paint, you can paint anything! But you must never feel compelled to paint what is before you. You must feel free to paint not what you see, but what you want to see—the way you want it to look—and this book shows you how. Paint What You Want to Seeis a complete course in painting and "seeing." It even includes critiques of student work and problem paintings—you learn where the paintings went wrong and how they can be improved. There are also numerous assignments to practice at home, with examples of how to do them, and valuable lessons on the essentials of values, color, and composition. You will learn how to make a contour drawing, how to layer your washes until you get the right value, and how to use "local value" and color-values to make strong statements. You will also learn how to mix subtle colors such as greens, grays, flesh-tones, and darks; paint with analogous and complementary colors; paint light, shadows, and negative shapes; and see tubed paint in terms of value. Lessons on composition include directing the eye with edges; vignetting; placing darks and other colors; advice on handling patterns; integrating subject and background; subduing or emphasizing contours; and hints on loosening up your painting style. The book concludes with a review of famous artists' painting, with suggestions on applying their "lessons" to your own work. Painting What You Want to Seeis for artists of all levels of ability, particularly for intermediate and advanced students who already know how to paint and want to make better, more expressive paintings. The instructions are clear and simple, with numerous examples, excellent illustrations, informative captions, and many useful assignments to help you develop your own style. Except for sections on drawing and values, the entire book is in color. All in all, a most extraordinary book!
Publisher: Watson-Guptill Publications
ISBN: 9780823038794
Category : Art
Languages : en
Pages : 144
Book Description
If you've ever wanted to control your art so that you can paint anything—and paint it well—this is the book for you! The mediums are oil, watercolor, and contour drawing but this is a book about making good paintings, not learning a particular medium. The subject matter is broad, ranging from still lifes to figures and portraits, to landscapes. Again, the point is that if you can paint, you can paint anything! But you must never feel compelled to paint what is before you. You must feel free to paint not what you see, but what you want to see—the way you want it to look—and this book shows you how. Paint What You Want to Seeis a complete course in painting and "seeing." It even includes critiques of student work and problem paintings—you learn where the paintings went wrong and how they can be improved. There are also numerous assignments to practice at home, with examples of how to do them, and valuable lessons on the essentials of values, color, and composition. You will learn how to make a contour drawing, how to layer your washes until you get the right value, and how to use "local value" and color-values to make strong statements. You will also learn how to mix subtle colors such as greens, grays, flesh-tones, and darks; paint with analogous and complementary colors; paint light, shadows, and negative shapes; and see tubed paint in terms of value. Lessons on composition include directing the eye with edges; vignetting; placing darks and other colors; advice on handling patterns; integrating subject and background; subduing or emphasizing contours; and hints on loosening up your painting style. The book concludes with a review of famous artists' painting, with suggestions on applying their "lessons" to your own work. Painting What You Want to Seeis for artists of all levels of ability, particularly for intermediate and advanced students who already know how to paint and want to make better, more expressive paintings. The instructions are clear and simple, with numerous examples, excellent illustrations, informative captions, and many useful assignments to help you develop your own style. Except for sections on drawing and values, the entire book is in color. All in all, a most extraordinary book!
Painting Flowers in Watercolor with Charles Reid
Author: Charles Reid
Publisher: North Light Books
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Three short novels; seven short stories; two plays for puppets.
Publisher: North Light Books
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Three short novels; seven short stories; two plays for puppets.
Charles Reid Master Class
Author: Charles Reid
Publisher:
ISBN: 9781626543218
Category : Art
Languages : en
Pages : 146
Book Description
Charles Reid is beloved as a teacher for his ability to guide students beyond the superficial and straight into the heart of what makes good painting good. In Painting by Design he explains how seeing your painting subjects in terms of light, shadow, shape, value, and color, will help you create striking works that embody effective design while capturing the intangible essence of the subject. A firm believer in drawing as an ideal tool for understanding a subject as an abstract form, Reid opens this book with lessons in contour and rhythm drawing, providing photographs for you to work from. Next comes a chapter on effective and reliable ways to treat color and value in your work. With clear and easy-to-follow pointers on working with oils and watercolors, Painting by Design explains how color functions as an important design element. Reid goes on to cover figure painting and the difficult art of rendering faces with realistic detail and expression, neatly demonstrating how the techniques and strategies learned in earlier chapters can be used to create specific effects. Finally, Reid shares his method of properly balancing a painting. Explaining how to combine what he refers to as "the effect" (sharp-focus, high-contrast compositional elements) with "the big blur" (softer edges, lighter values) to create interesting and dynamic artwork. Packed with assignments, detailed demonstrations, and illuminating examples, Painting by Design provides big-picture strategies and techniques alongside tips for identifying and addressing specific compositional problems. Ideal for any artist who wants to hone their skills and develop their sense of composition, Painting by Design stands out among Reid's impressive catalog of painting books. Readers interested in related titles from Charles Reid will also want to see: Flower painting in oil (ISBN: 9781626543805), Painting What (You Want) to See (ISBN: 9781626543782), Pulling Your Paintings Together (ISBN: 9781626543843), The Natural Way to Paint (ISBN: 9781626543829).
Publisher:
ISBN: 9781626543218
Category : Art
Languages : en
Pages : 146
Book Description
Charles Reid is beloved as a teacher for his ability to guide students beyond the superficial and straight into the heart of what makes good painting good. In Painting by Design he explains how seeing your painting subjects in terms of light, shadow, shape, value, and color, will help you create striking works that embody effective design while capturing the intangible essence of the subject. A firm believer in drawing as an ideal tool for understanding a subject as an abstract form, Reid opens this book with lessons in contour and rhythm drawing, providing photographs for you to work from. Next comes a chapter on effective and reliable ways to treat color and value in your work. With clear and easy-to-follow pointers on working with oils and watercolors, Painting by Design explains how color functions as an important design element. Reid goes on to cover figure painting and the difficult art of rendering faces with realistic detail and expression, neatly demonstrating how the techniques and strategies learned in earlier chapters can be used to create specific effects. Finally, Reid shares his method of properly balancing a painting. Explaining how to combine what he refers to as "the effect" (sharp-focus, high-contrast compositional elements) with "the big blur" (softer edges, lighter values) to create interesting and dynamic artwork. Packed with assignments, detailed demonstrations, and illuminating examples, Painting by Design provides big-picture strategies and techniques alongside tips for identifying and addressing specific compositional problems. Ideal for any artist who wants to hone their skills and develop their sense of composition, Painting by Design stands out among Reid's impressive catalog of painting books. Readers interested in related titles from Charles Reid will also want to see: Flower painting in oil (ISBN: 9781626543805), Painting What (You Want) to See (ISBN: 9781626543782), Pulling Your Paintings Together (ISBN: 9781626543843), The Natural Way to Paint (ISBN: 9781626543829).
The Natural Way to Paint
Author: Charles Reid
Publisher:
ISBN: 9781626543836
Category :
Languages : en
Pages : 146
Book Description
Learn to figure paint in watercolor with a world-renowned instructor! The Natural Way to Paint will teach you a natural approach to seeing and painting the human form in watercolor. By learning to carefully observe and capture the basic shapes and subtle nuances in human figures, you'll be able to infuse your work with newfound life and energy. Reid begins with lessons and practical exercises in contour and gesture drawing, which will help you learn to see and capture the essence of your subject. Once you've established a strong foundation of drawing skills, it's time to pick up your brush! Reid will guide you through detailed lessons on:* Painting technique and color theory* Moving from silhouettes to three-dimensional forms* Capturing and rendering facial features* Composing and designing a variety of figure paintingsPacked with examples, demonstrations, and detailed assignments, The Natural Way to Paint is the ultimate guide to beautiful figure painting in watercolor.
Publisher:
ISBN: 9781626543836
Category :
Languages : en
Pages : 146
Book Description
Learn to figure paint in watercolor with a world-renowned instructor! The Natural Way to Paint will teach you a natural approach to seeing and painting the human form in watercolor. By learning to carefully observe and capture the basic shapes and subtle nuances in human figures, you'll be able to infuse your work with newfound life and energy. Reid begins with lessons and practical exercises in contour and gesture drawing, which will help you learn to see and capture the essence of your subject. Once you've established a strong foundation of drawing skills, it's time to pick up your brush! Reid will guide you through detailed lessons on:* Painting technique and color theory* Moving from silhouettes to three-dimensional forms* Capturing and rendering facial features* Composing and designing a variety of figure paintingsPacked with examples, demonstrations, and detailed assignments, The Natural Way to Paint is the ultimate guide to beautiful figure painting in watercolor.
149 Paintings You Really Need to See in Europe
Author: Julian Porter
Publisher: Dundurn
ISBN: 1459700732
Category : Art
Languages : en
Pages : 449
Book Description
Visit some of Europe's greatest galleries and view some of the world's most breath-taking paintings in the company of a knowledgeable tour guide. Beginning with the Renaissance and ending with the Modern era, Julian Porter introduces you to 149 specially chosen paintings and the artists who created them.
Publisher: Dundurn
ISBN: 1459700732
Category : Art
Languages : en
Pages : 449
Book Description
Visit some of Europe's greatest galleries and view some of the world's most breath-taking paintings in the company of a knowledgeable tour guide. Beginning with the Renaissance and ending with the Modern era, Julian Porter introduces you to 149 specially chosen paintings and the artists who created them.
I Paint What I Want to See
Author: Philip Guston
Publisher: Penguin UK
ISBN: 0141997990
Category : Art
Languages : en
Pages : 197
Book Description
Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century 'Thank God for yellow ochre, cadmium red medium, and permanent green light' How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing. 'Among the most important, powerful and influential American painters of the last 100 years ... he's an art world hero' Jerry Saltz, New York Magazine 'Guston's paintings make us think hard' Aindrea Emelife, Guardian
Publisher: Penguin UK
ISBN: 0141997990
Category : Art
Languages : en
Pages : 197
Book Description
Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century 'Thank God for yellow ochre, cadmium red medium, and permanent green light' How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing. 'Among the most important, powerful and influential American painters of the last 100 years ... he's an art world hero' Jerry Saltz, New York Magazine 'Guston's paintings make us think hard' Aindrea Emelife, Guardian
Tell Me Something Good
Author: Jarrett Earnest
Publisher: David Zwirner Books
ISBN: 194170137X
Category : Art
Languages : en
Pages : 537
Book Description
Since 2000, The Brooklyn Rail has been a platform for artists, academics, critics, poets, and writers in New York and abroad. The monthly journal’s continued appeal is due in large part to its diverse contributors, many of whom bring contrasting and often unexpected opinions to conversations about art and aesthetics. No other publication devotes as much space to the artist’s voice, allowing ideas to unfold and idiosyncrasies to emerge through open discussion. Since its inception, cofounder and artistic director Phong Bui and the Rail’s contributors have interviewed over four hundred artists for The Brooklyn Rail. This volume brings together for the first time a selection of sixty of the most influential and seminal interviews with artists ranging from Richard Serra and Brice Marden, to Alex Da Corte and House of Ladosha. While each interview is important in its own right, offering a perspective on the life and work of a specific artist, collectively they tell the story of a journal that has grown during one of the more diverse and surprising periods in visual art. There is no unified style or perspective; The Brooklyn Rail’s strength lies in its ability to include and champion difference. Selected and coedited by Jarrett Earnest, a frequent Rail contributor, with Lucas Zwirner, the book includes an introduction to the project by Phong Bui as well as many of the hand-drawn portraits he has made of those he has interviewed over the years. This combination of verbal and visual profiles offers a rare and personal insight into contemporary visual culture. Interviews with Vito Acconci, Ai Weiwei, Lynda Benglis, James Bishop, Chris Burden, Vija Celmins, Francesco Clemente, Bruce Conner, Alex Da Corte, Rosalyn Drexler, Keltie Ferris, Simone Forti, Andrea Fraser, LaToya Ruby Frazier, Suzan Frecon, Coco Fusco, Robert Gober, Leon Golub, Ron Gorchov, Michelle Grabner, Josephine Halvorson, Sheila Hicks, David Hockney, Roni Horn, House of Ladosha, Alfredo Jaar, Bill Jensen, Alex Katz, William Kentridge, Matvey Levenstein, Nalini Malani, Brice Marden, Chris Martin, Jonas Mekas, Shirin Neshat, Thomas Nozkowski, Lorraine O’Grady, Genesis Breyer P-Orridge, Joanna Pousette-Dart, Ernesto Pujol, Martin Puryear, Walid Raad, Dorothea Rockburne, Tim Rollins and K.O.S., Robert Ryman, Dana Schutz, Richard Serra, Shahzia Sikander, Nancy Spero, Hiroshi Sugimoto, Sarah Sze, Rirkrit Tiravanija, James Turrell, Richard Tuttle, Luc Tuymans, Kara Walker, Stanley Whitney, Jack Whitten, Yan Pei-Ming, and Lisa Yuskavage Special thanks to Furthermore, a program of the J.M. Kaplan Fund, for their support of The Brooklyn Rail.
Publisher: David Zwirner Books
ISBN: 194170137X
Category : Art
Languages : en
Pages : 537
Book Description
Since 2000, The Brooklyn Rail has been a platform for artists, academics, critics, poets, and writers in New York and abroad. The monthly journal’s continued appeal is due in large part to its diverse contributors, many of whom bring contrasting and often unexpected opinions to conversations about art and aesthetics. No other publication devotes as much space to the artist’s voice, allowing ideas to unfold and idiosyncrasies to emerge through open discussion. Since its inception, cofounder and artistic director Phong Bui and the Rail’s contributors have interviewed over four hundred artists for The Brooklyn Rail. This volume brings together for the first time a selection of sixty of the most influential and seminal interviews with artists ranging from Richard Serra and Brice Marden, to Alex Da Corte and House of Ladosha. While each interview is important in its own right, offering a perspective on the life and work of a specific artist, collectively they tell the story of a journal that has grown during one of the more diverse and surprising periods in visual art. There is no unified style or perspective; The Brooklyn Rail’s strength lies in its ability to include and champion difference. Selected and coedited by Jarrett Earnest, a frequent Rail contributor, with Lucas Zwirner, the book includes an introduction to the project by Phong Bui as well as many of the hand-drawn portraits he has made of those he has interviewed over the years. This combination of verbal and visual profiles offers a rare and personal insight into contemporary visual culture. Interviews with Vito Acconci, Ai Weiwei, Lynda Benglis, James Bishop, Chris Burden, Vija Celmins, Francesco Clemente, Bruce Conner, Alex Da Corte, Rosalyn Drexler, Keltie Ferris, Simone Forti, Andrea Fraser, LaToya Ruby Frazier, Suzan Frecon, Coco Fusco, Robert Gober, Leon Golub, Ron Gorchov, Michelle Grabner, Josephine Halvorson, Sheila Hicks, David Hockney, Roni Horn, House of Ladosha, Alfredo Jaar, Bill Jensen, Alex Katz, William Kentridge, Matvey Levenstein, Nalini Malani, Brice Marden, Chris Martin, Jonas Mekas, Shirin Neshat, Thomas Nozkowski, Lorraine O’Grady, Genesis Breyer P-Orridge, Joanna Pousette-Dart, Ernesto Pujol, Martin Puryear, Walid Raad, Dorothea Rockburne, Tim Rollins and K.O.S., Robert Ryman, Dana Schutz, Richard Serra, Shahzia Sikander, Nancy Spero, Hiroshi Sugimoto, Sarah Sze, Rirkrit Tiravanija, James Turrell, Richard Tuttle, Luc Tuymans, Kara Walker, Stanley Whitney, Jack Whitten, Yan Pei-Ming, and Lisa Yuskavage Special thanks to Furthermore, a program of the J.M. Kaplan Fund, for their support of The Brooklyn Rail.
Painting Do-It-Yourself For Dummies
Author: Katharine Kaye McMillan
Publisher: John Wiley & Sons
ISBN: 0470258535
Category : House & Home
Languages : en
Pages : 252
Book Description
Painting your home yourself can be faster, more affordable and even easier than hiring professionals—but only if you get it right the first time. Painting Do-It-Yourself For Dummies, helps you do just that with easy-to-follow, step-by-step procedures for giving your, floors, walls, and ceilings the extreme makeover of your dreams. More than 500 photos and illustrations show you exactly how to perform each step of each procedure the right way and avoid drips, smudges, and ugly surfaces. You'll find out how to choose the best paint for the job, figure out how much paint you'll need, and use rollers, brushes, and other painting tools with skill and precision. Before you know it, you'll have the confidence and ability to tackle any household painting project with ease. You'll discover how to: Select the proper tools and materials for each painting job Choose colors that will work for you—now and for years to come Prepare your room and the surface for painting Make necessary wall and ceiling repairs before painting Brush up on painting basics Create faux finishes with shapes and patterns Use glazes to dazzling effect Bring out the beauty of wood trim, windows and doors Finesse furniture, frames, and other household items Complete with a handy list of dos and don'ts for perfecting your painting skills, Painting Do-It-Yourself for Dummies, gives you the guidance, tips, and information you need to get a professional-level outcome every time.
Publisher: John Wiley & Sons
ISBN: 0470258535
Category : House & Home
Languages : en
Pages : 252
Book Description
Painting your home yourself can be faster, more affordable and even easier than hiring professionals—but only if you get it right the first time. Painting Do-It-Yourself For Dummies, helps you do just that with easy-to-follow, step-by-step procedures for giving your, floors, walls, and ceilings the extreme makeover of your dreams. More than 500 photos and illustrations show you exactly how to perform each step of each procedure the right way and avoid drips, smudges, and ugly surfaces. You'll find out how to choose the best paint for the job, figure out how much paint you'll need, and use rollers, brushes, and other painting tools with skill and precision. Before you know it, you'll have the confidence and ability to tackle any household painting project with ease. You'll discover how to: Select the proper tools and materials for each painting job Choose colors that will work for you—now and for years to come Prepare your room and the surface for painting Make necessary wall and ceiling repairs before painting Brush up on painting basics Create faux finishes with shapes and patterns Use glazes to dazzling effect Bring out the beauty of wood trim, windows and doors Finesse furniture, frames, and other household items Complete with a handy list of dos and don'ts for perfecting your painting skills, Painting Do-It-Yourself for Dummies, gives you the guidance, tips, and information you need to get a professional-level outcome every time.
The Best Art You've Never Seen
Author: Julian Spalding
Publisher: Rough Guides UK
ISBN: 140538655X
Category : Art
Languages : en
Pages : 290
Book Description
Across the globe there are scores of beautiful and unusual works of art that are largely unseen or fail to receive the critical acclaim they deserve. The Best Art You've Never Seen is your essential companion to this hidden world of artistic treasures. Travelling from Peru to Papua New Guinea, The Best Art You've Never Seen restores to view 101 wonderful treasures - uncovering neglected artistic wonders from off-beat corners of the world to store rooms in the world's great museums. Written by art expert and former museum director Julian Spalding, The Best Art You've Never Seen takes you into a world of beautiful and arresting artefacts and reveals their amazing stories. It unveils a surprising and unfamiliar alternative canon of works to offer a fresh and controversial take on the world of art.
Publisher: Rough Guides UK
ISBN: 140538655X
Category : Art
Languages : en
Pages : 290
Book Description
Across the globe there are scores of beautiful and unusual works of art that are largely unseen or fail to receive the critical acclaim they deserve. The Best Art You've Never Seen is your essential companion to this hidden world of artistic treasures. Travelling from Peru to Papua New Guinea, The Best Art You've Never Seen restores to view 101 wonderful treasures - uncovering neglected artistic wonders from off-beat corners of the world to store rooms in the world's great museums. Written by art expert and former museum director Julian Spalding, The Best Art You've Never Seen takes you into a world of beautiful and arresting artefacts and reveals their amazing stories. It unveils a surprising and unfamiliar alternative canon of works to offer a fresh and controversial take on the world of art.
Painting and Drawing the Head
Author: Daniel Shadbolt
Publisher: The Crowood Press
ISBN: 1785001647
Category : Art
Languages : en
Pages : 430
Book Description
Painting and Drawing the Head combines technical instruction, art history references and thoughts on the day-to-day practice of painting the head from life. The rich text, supported by over 100 paintings, gives a thoughtful account of the process of capturing a likeness. After introducing materials, principles and ideas, it follows the course of painting a head in five sittings, providing unique insight and practical comment throughout: from the choice of ground for the picture, through the set-up, the structure of the sessions, guidance on how to compose and what palette to use, all the way to the later stages of developing a portrait over time. There are equipment notes about what to paint on and what to paint with; the importance of looking, and training your eyes; advice on tone, colour, perspective and composition; photographs to explain lighting decisions and set-ups; and notes on painting a self-portrait. Aimed at all artists, particularly portrait painters, and superbly illustrated with 265 colour photographs that explain lighting decisions and set-ups.
Publisher: The Crowood Press
ISBN: 1785001647
Category : Art
Languages : en
Pages : 430
Book Description
Painting and Drawing the Head combines technical instruction, art history references and thoughts on the day-to-day practice of painting the head from life. The rich text, supported by over 100 paintings, gives a thoughtful account of the process of capturing a likeness. After introducing materials, principles and ideas, it follows the course of painting a head in five sittings, providing unique insight and practical comment throughout: from the choice of ground for the picture, through the set-up, the structure of the sessions, guidance on how to compose and what palette to use, all the way to the later stages of developing a portrait over time. There are equipment notes about what to paint on and what to paint with; the importance of looking, and training your eyes; advice on tone, colour, perspective and composition; photographs to explain lighting decisions and set-ups; and notes on painting a self-portrait. Aimed at all artists, particularly portrait painters, and superbly illustrated with 265 colour photographs that explain lighting decisions and set-ups.