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Author: Patricia Seligman Publisher: Northlight ISBN: 9780891344865 Category : Landscape painting Languages : en Pages : 0
Book Description
Step-by-step demonstrations explain each technique and show how to render problem effects such as sunshine, shadows, clouds, rain, storms, fog, etc.
Author: Patricia Seligman Publisher: Northlight ISBN: 9780891344865 Category : Landscape painting Languages : en Pages : 0
Book Description
Step-by-step demonstrations explain each technique and show how to render problem effects such as sunshine, shadows, clouds, rain, storms, fog, etc.
Author: Pam Wissman Publisher: North Light Books ISBN: 9781581808872 Category : Art Languages : en Pages : 0
Book Description
Come rain or come shine ... with this expert, all-weather advice, any day is a perfect day for painting! There is more to life (and landscape painting!) than a perfect, sunny day. In this book, 8 "seasoned" artists share their favorite tips for capturing the look and feel of the elements in oil, acrylic and watercolor. You'll learn to paint sunrise to sunset, rain or shine, summer through winter ... and every type of atmospheric condition in between. Get expert advice for evoking a thrilling range of moods, including: clear, sunny days • morning fogs • cloudy skies • snowy scenes • sunrises • sunsets • sultry summer days • morning light • autumn days • overcast days • thunderstorms • rain • twilight • moonlight • mountain mist • morning light • dappled sunlight with lively shadows • sunlight streaming through clouds or foliage • and more! A series of 18 step-by-step demonstrations show you how to use color, the principals of design, the power of light, and other artistic tools to dramatize and harmonize the feeling of weather throughout your entire scene. Learn how to paint skies that set the mood. Tune in to key differences between the light at different times of the day, and throughout the various seasons. Discover special techniques that allow the magic of a summer day or the bite of a winter's eve to shine forth. Many inspiring examples of landscape art illustrate how—through the eyes of an artist—every face of nature presents exciting expressive opportunities. Don't just brave the elements, embrace them!
Author: Charles S. Moffett Publisher: Philip Wilson Publishers ISBN: 9780856674952 Category : Art Languages : en Pages : 240
Book Description
Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter - clearly the most inhospitable season for plein-air painting - provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley's Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called. Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these 'effets' led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir's characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte's dramatic elevated views over Paris, and Gauguin's rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid. A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly commen winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as 'wolf-like' or 'Siberian,' and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.
Author: Diana Seave Greenwald Publisher: Princeton University Press ISBN: 0691192456 Category : Art Languages : en Pages : 256
Book Description
"An innovative application of economic methods to the study of art history, demonstrating that new insights can be uncovered by using quantitative and qualitative methods together, which sheds light on longstanding disciplinary inequities"--
Author: Kathleen Dardes Publisher: Getty Publications ISBN: 0892363843 Category : Art Languages : en Pages : 582
Book Description
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Author: Kristi McKim Publisher: Routledge ISBN: 0415894123 Category : Art Languages : en Pages : 232
Book Description
How do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies. Building upon meteorological definitions of weather's dynamism and volatility, this book shows how film weather can reveal character interiority, accelerate plot development, inspire stylistic innovation, comprise a momentary attraction, convey the passage of time, and idealize the world at its greatest meaning-making capacity (unlike our weather, film weather always happens on time, whether for tumultuous, romantic, violent, suspenseful, or melodramatic ends). Akin to cinema's structuring of ephemera, cinematic weather suggests aesthetic control over what is fleeting, contingent, wildly environmental, and beyond human capacity to tame. This first book-length study of such a meteorological and cinematic affinity casts film weather as a means of artfully and mechanically conquering contingency through contingency, of taming weather through a medium itself ephemeral and enduring. Using film theory, history, formalist/phenomenological analysis, and eco-criticism, this book casts cinema as weather, insofar as our skies and screens become readable through our interpretation of changing phenomena.
Author: Patricia Seligman
Author: Patricia Seligman
Author: Pam Wissman
Author: Charles S. Moffett
Author: Patricia Seligman
Author: Richard Stemp
Author: 
Author: Diana Seave Greenwald
Author: Kathleen Dardes
Author: Charles L. Cochrane
Author: Kristi McKim