Author: Ken Davies
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204
Book Description
Painting Sharp Focus Still Lifes
Still Life Painting Atelier
Author: Michael Friel
Publisher: Watson-Guptill
ISBN: 0307828786
Category : Art
Languages : en
Pages : 194
Book Description
The equivalent of a foundation course in traditional oil painting for beginning to intermediate level artists, this in-depth book uses the still life as a practical way to master oil techniques. The still life is a practical, forgiving genre as it does not require the likeness of a portrait or the accurate proportions of the figure and, unlike the landscape, it doesn’t change with the weather. Instead, it gives aspiring artists ample time to study and the opportunity to look closer. It can be used as a purely formal subject for drawing and painting techniques, or a platform for emotional expression using personal symbolism and imagery. However, though the still life is used throughout as a teaching tool, this is first and foremost a book about oil painting. It begins with simple compositions that build to more complex arrangements. Starting with essential information on how to best set up your studio—including lighting, equipment, materials (paints, solvents, brushes, mediums), and preparing your canvas and paper for oil painting—Still Life Painting Atelier then offers concrete lessons in a logical progressive sequence, with step-by-step illustrations, finished paintings, diagrams and tips. Chapters cover: • How to address composition through thumbnail sketches and line drawings • Using underpainting to study the characteristics of light and shade • The basics of color theory and color mixing • How to use a variety of brushes to create sharp and soft edges • Techniques that are helpful when painting metal and glass • How to apply glazing and scumbling to bring luminosity and texture
Publisher: Watson-Guptill
ISBN: 0307828786
Category : Art
Languages : en
Pages : 194
Book Description
The equivalent of a foundation course in traditional oil painting for beginning to intermediate level artists, this in-depth book uses the still life as a practical way to master oil techniques. The still life is a practical, forgiving genre as it does not require the likeness of a portrait or the accurate proportions of the figure and, unlike the landscape, it doesn’t change with the weather. Instead, it gives aspiring artists ample time to study and the opportunity to look closer. It can be used as a purely formal subject for drawing and painting techniques, or a platform for emotional expression using personal symbolism and imagery. However, though the still life is used throughout as a teaching tool, this is first and foremost a book about oil painting. It begins with simple compositions that build to more complex arrangements. Starting with essential information on how to best set up your studio—including lighting, equipment, materials (paints, solvents, brushes, mediums), and preparing your canvas and paper for oil painting—Still Life Painting Atelier then offers concrete lessons in a logical progressive sequence, with step-by-step illustrations, finished paintings, diagrams and tips. Chapters cover: • How to address composition through thumbnail sketches and line drawings • Using underpainting to study the characteristics of light and shade • The basics of color theory and color mixing • How to use a variety of brushes to create sharp and soft edges • Techniques that are helpful when painting metal and glass • How to apply glazing and scumbling to bring luminosity and texture
Drawing Sharp Focus Still Lifes
Author: Robert Zappalorti
Publisher:
ISBN: 9780823014354
Category : Art
Languages : en
Pages : 191
Book Description
Demonstrates special techniques for creating realistic sketches of landscapes and still lifes and includes advice on drawing materials
Publisher:
ISBN: 9780823014354
Category : Art
Languages : en
Pages : 191
Book Description
Demonstrates special techniques for creating realistic sketches of landscapes and still lifes and includes advice on drawing materials
Still Life with Oysters and Lemon
Author: Mark Doty
Publisher: Beacon Press
ISBN: 0807066109
Category : Biography & Autobiography
Languages : en
Pages : 84
Book Description
Mark Doty's prose has been hailed as "tempered and tough, sorrowing and serene" (The New York Times Book Review) and "achingly beautiful" (The Boston Globe). In Still Life with Oysters and Lemon he offers a stunning exploration of our attachment to ordinary things-how we invest objects with human store, and why.
Publisher: Beacon Press
ISBN: 0807066109
Category : Biography & Autobiography
Languages : en
Pages : 84
Book Description
Mark Doty's prose has been hailed as "tempered and tough, sorrowing and serene" (The New York Times Book Review) and "achingly beautiful" (The Boston Globe). In Still Life with Oysters and Lemon he offers a stunning exploration of our attachment to ordinary things-how we invest objects with human store, and why.
Still Life
Author: Irving Penn
Publisher: Bulfinch
ISBN: 9780821227022
Category : Photography
Languages : en
Pages : 144
Book Description
Irving Penn is one of the leading photographers of the 20th century. His elegant and innovative photographs are the subject of this volume. It includes some 200 images.
Publisher: Bulfinch
ISBN: 9780821227022
Category : Photography
Languages : en
Pages : 144
Book Description
Irving Penn is one of the leading photographers of the 20th century. His elegant and innovative photographs are the subject of this volume. It includes some 200 images.
Still Life Painting Techniques
Author: Adrian Ryan
Publisher: B.T. Batsford
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
Publisher: B.T. Batsford
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
The Painting of Modern Life
Author: T.J. Clark
Publisher: Knopf
ISBN: 0525520511
Category : Art
Languages : en
Pages : 636
Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Publisher: Knopf
ISBN: 0525520511
Category : Art
Languages : en
Pages : 636
Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Drawing Sharp Focus Still Lifes
Author: Robert Zappalorti
Publisher:
ISBN: 9780273016953
Category : Drawing
Languages : en
Pages : 191
Book Description
Publisher:
ISBN: 9780273016953
Category : Drawing
Languages : en
Pages : 191
Book Description
Themes in American Painting
Author: Robert Henkes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Examined are 13 common themes in American painting: mother and child; modes of transportation; the clown; the city; sports; the crucifixion; interiors; natural disasters; wars and aftermath; social protest and injustice; still life; self-portraits; and music. The work of many artists (Ben Shahn, Frederick Remington, Arthur G. Dove, Jacob Lawrence and many others) are used to illustrate common styles. The themes and artists were chosen to represent varying emotional moods and approaches to composition; naturalism, realism, cubism, abstract, abstract expressionism, photorealism and pop schools of art are represented. Heavily illustrated.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Examined are 13 common themes in American painting: mother and child; modes of transportation; the clown; the city; sports; the crucifixion; interiors; natural disasters; wars and aftermath; social protest and injustice; still life; self-portraits; and music. The work of many artists (Ben Shahn, Frederick Remington, Arthur G. Dove, Jacob Lawrence and many others) are used to illustrate common styles. The themes and artists were chosen to represent varying emotional moods and approaches to composition; naturalism, realism, cubism, abstract, abstract expressionism, photorealism and pop schools of art are represented. Heavily illustrated.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.