Painting in Bruges at the Close of the Middle Ages

Painting in Bruges at the Close of the Middle Ages PDF Author: Jean C. Wilson
Publisher: Penn State Press
ISBN: 9780271044071
Category : Art
Languages : en
Pages : 286

Book Description
Wilson (art history, State U. of New York-Binghamton) examines the origins and nature of the demand for painting in Bruges over the course of the 15th century. She traces the combined influences of the opulent Burgundian court, an affluent urban bourgeoisie, and an increasingly expanding community of painters, and the effects of this dynamic social configuration on the newly emerging art of oil painting, the community of painters, and their workshop and marketing practices. Superb bandw illustrations throughout. Annotation copyrighted by Book News, Inc., Portland, OR

Painting in Bruges at the Close of the Middle Age. Studies in Society and Visual Culture

Painting in Bruges at the Close of the Middle Age. Studies in Society and Visual Culture PDF Author: Jean C. Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


Lotteries, Art Markets, and Visual Culture in the Low Countries, 15th-17th Centuries

Lotteries, Art Markets, and Visual Culture in the Low Countries, 15th-17th Centuries PDF Author: Sophie Raux
Publisher: BRILL
ISBN: 9004358811
Category : Art
Languages : en
Pages : 389

Book Description
Lotteries, Art Markets, and Visual Culture examines lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts.

Bruges, Cradle of Capitalism, 1280-1390

Bruges, Cradle of Capitalism, 1280-1390 PDF Author: James M. Murray
Publisher: Cambridge University Press
ISBN: 9780521819213
Category : Business & Economics
Languages : en
Pages : 430

Book Description
Teeming with merchants from all over Europe, medieval Bruges provides an early model of a great capitalist city. Bruges established a sophisticated money market and an elaborate network of agents and brokers. Moreover, it promoted co-operation between merchants of various nations. In this book James Murray explores how Bruges became the commercial capital of northern Europe in the late fourteenth century. He argues that a combination of fortuitous changes such as the shift to sea-borne commerce and the extraordinary efforts of the city's population served to shape a great commercial centre. Areas explored include the political history of Bruges, its position as a node and network, the wool, cloth and gold trade and the role of women in the market. This book serves not only as a case-study in medieval economic history, but also as a social and cultural history of medieval Bruges.

Prayers and Portraits

Prayers and Portraits PDF Author:
Publisher: Yale University Press
ISBN: 0300121555
Category : Diptychs
Languages : en
Pages : 364

Book Description
Publisher description

Understanding Medieval Primary Sources

Understanding Medieval Primary Sources PDF Author: Joel T. Rosenthal
Publisher: Routledge
ISBN: 1317796314
Category : History
Languages : en
Pages : 273

Book Description
Medieval society created many kinds of records and written material which differ considerably, giving us such sources as last wills, sermons, manorial accounts, or royal biographies. Primary sources are an exciting way for students to engage with the past and draw their own ideas about life in the medieval period. Understanding Medieval Primary Sources is a collection of essays that will introduce students to the key primary sources that are essential to studying medieval Europe. The sources are divided into two categories: the first part treats some of the many generic sources that have been preserved, such as wills, letters, royal and secular narratives and sermons. Chapter by chapter each expert author illustrates how they can be used to reveal details about medieval history. The second part focuses on areas of historical research that can only be fully discovered by using a combination of primary sources, covering fields such as maritime history, urban history, women’s history and medical history. Understanding Medieval Primary Sources will be an invaluable resource for any student embarking on medieval historical research.

1998

1998 PDF Author: Massimo Mastrogregori
Publisher: Walter de Gruyter
ISBN: 311096743X
Category : History
Languages : en
Pages : 444

Book Description
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.

Excavating the Medieval Image

Excavating the Medieval Image PDF Author: David S. Areford
Publisher: Routledge
ISBN: 1351158465
Category : Art
Languages : en
Pages : 341

Book Description
Medieval images, especially manuscript illuminations, have long been treated independently of the contexts in which they were created. These beautiful miniature paintings, frequently valued as keepers of documentary evidence or as curious artistic commodities, have only recently become the focus of art historians concerned with new questions related to artistic working methods, audience and the status of the visual in the Middle Ages and the modern era. Excavating the Medieval Image argues that the illuminated image is best understood as thoroughly integrated in the material context of the manuscript - and thus, integrated in a cultural context of production and reception. Seen in this way, the illuminated manuscript becomes a kind of archaeological site, which must be carefully unearthed layer by layer. The fourteen essays gathered here are written by scholars of both medieval and Renaissance art history, and demonstrate varied methodological approaches that combine the pursuits of traditional connoisseurship and iconography with those of critical theory and historiography. In addition, the authors contribute more broadly to important interdisciplinary issues such as the study of gender, text and image, and the history of literacy and the book.

Picturing the 'Pregnant' Magdalene in Northern Art, 1430-1550

Picturing the 'Pregnant' Magdalene in Northern Art, 1430-1550 PDF Author: Penny Howell Jolly
Publisher: Routledge
ISBN: 1351911236
Category : Art
Languages : en
Pages : 293

Book Description
Examining innovations in Mary Magdalene imagery in northern art 1430 to 1550, Penny Jolly explores how the saint’s widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzing paintings by Rogier van der Weyden, Quentin Massys, and others, Jolly investigates artists’ and audiences’ responses to increasing religious tensions, expanding art markets, and changing roles for women. Using cultural ideas concerning the gendered and pregnant body, Jolly reveals how dress confirms the Magdalene’s multivalent nature. In some paintings, her gown’s opening laces betray her wantonness yet simultaneously mark her as Christ’s spiritually pregnant Bride; elsewhere ’undress’ reconfirms her erotic nature while paradoxically marking her penitence; in still other works, exotic finery expresses her sanctity while celebrating Antwerp’s textile industry. New image types arise, as when the saint appears as a lovesick musician playing a lute or as a melancholic contemplative, longing for Christ. Some depictions emphasize her intercessory role through innovative pictorial strategies that invite performative viewing or relate her to the mythological Pandora and Italian Renaissance Neoplatonism. Throughout, the Magdalene’s ambiguities destabilize readings of her imagery while engaging audiences across a broad social and religious spectrum.

Early Netherlandish Painting at the Crossroads

Early Netherlandish Painting at the Crossroads PDF Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588390101
Category : Art
Languages : en
Pages : 132

Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.