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Spirit of Place

Spirit of Place PDF Author: John Arthur
Publisher:
ISBN: 9780821217078
Category : Art
Languages : en
Pages : 159

Book Description
Over 80 artists are represented, including Wolf Kahn.

Spirit of Place

Spirit of Place PDF Author: John Arthur
Publisher:
ISBN: 9780821217078
Category : Art
Languages : en
Pages : 159

Book Description
Over 80 artists are represented, including Wolf Kahn.

Grand Themes

Grand Themes PDF Author: Jochen Wierich
Publisher: Penn State Press
ISBN: 0271050322
Category : Art
Languages : en
Pages : 237

Book Description
"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.

Painting a Place in America

Painting a Place in America PDF Author: Norman L. Kleeblatt
Publisher: Jewish Museum New York
ISBN:
Category : Art, American
Languages : en
Pages : 216

Book Description


Thomas Cole's Studio

Thomas Cole's Studio PDF Author: Annette Blaugrund
Publisher:
ISBN: 9783777436364
Category :
Languages : en
Pages : 144

Book Description
An exploration of nineteenth-century American landscape painter Thomas Cole and the influential role of his studio for other artists of the Hudson River School. In December 1846, Thomas Cole excitedly began work in his new studio, but his early death left his great ambitions unfinished. His influence, both through works from his early career and ones he worked on in a self-designed studio during his final year, was truly profound for others who followed his example. In Thomas Cole's Studio: Memory and Inspiration, the artist's achievements and impact on future artists are described by renowned Cole scholar Franklin Kelly, along with contributions from three additional authors. Together, they offer a new understanding of the critical last phase of Cole's career and his lasting effect on other artists, as well as his unrealized ambitions.

The Civil War and American Art

The Civil War and American Art PDF Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353

Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

In American Waters

In American Waters PDF Author: Daniel Finamore
Publisher: University of Arkansas Press
ISBN: 1682261700
Category : Art
Languages : en
Pages : 233

Book Description
"For over 200 years, artists have been inspired to capture the beauty, violence, poetry and transformative power of the sea in American life. Oceans play a key role in American society no matter where we live, and the sea continues to inspire painters today to capture its mystery and power. In American Waters reveals that marine painting is so much more than ship portraits. In this exhibition, visitors will also discover the sea as an expansive way to reflect on American culture and environment, learn how coastal and maritime symbols moved inland across the United States, and question what it means to be "in American waters." Be transported across time and water on the wave of a diverse range of modern and historical artists including Georgia O'Keeffe, Amy Sherald, Kay WalkingStick, Norman Rockwell, Hale Woodruff, Paul Cadmus, Thomas Hart Benton, Jacob Lawrence, Valerie Hegarty, Stuart Davis, and many others"--Publisher's website

American Gothic

American Gothic PDF Author: Steven Biel
Publisher: W. W. Norton & Company
ISBN: 9780393059120
Category : Art
Languages : en
Pages : 232

Book Description
Describes Grant Wood's portrait of Iowa farmers, and documents how the piece has represented midwestern Puritanism, hard-working endurance, and the often-parodied American heartland.

Painting American

Painting American PDF Author: Annie Cohen-Solal
Publisher: Knopf Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 456

Book Description
Describes the transformation in American art as a vast group of American artists settled in Paris to study with the great French painters, and continued through the twentieth century as French artists began to leave Paris for New York.

Americans in Spain

Americans in Spain PDF Author: Brandon Ruud
Publisher: Other Distribution
ISBN: 9780300252965
Category : Painters
Languages : en
Pages : 0

Book Description
A revealing exploration of Spain's significant impact on American painting in the 19th and early 20th century

American Genre Painting

American Genre Painting PDF Author: Elizabeth Johns
Publisher: Yale University Press
ISBN: 9780300057546
Category : Art
Languages : en
Pages : 292

Book Description
American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings--of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk--served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation--arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices--and not a blissful celebration of American democracy--that informed the look and the richly ambiguous content of genre painting.