Author: Lewis Lupton
Publisher:
ISBN: 9780902093201
Category : History
Languages : en
Pages : 186
Book Description
Paint, Print & Exile
Author: Lewis Lupton
Publisher:
ISBN: 9780902093201
Category : History
Languages : en
Pages : 186
Book Description
Publisher:
ISBN: 9780902093201
Category : History
Languages : en
Pages : 186
Book Description
A History of the Geneva Bible: Paint, print & exile, further stories of reformers, artists and printers, in the time of Christopher Froschover of Zurich, including the Marian Exile
Tobiasse
Author: Chaim Potok
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
Scent and Subversion
Author: Barbara Herman
Publisher: Rowman & Littlefield
ISBN: 1493002023
Category : Health & Fitness
Languages : en
Pages : 293
Book Description
An intriguing look at vintage perfume's powerful past, including reviews of more than 300 scents, with stunning period advertisements throughout.
Publisher: Rowman & Littlefield
ISBN: 1493002023
Category : Health & Fitness
Languages : en
Pages : 293
Book Description
An intriguing look at vintage perfume's powerful past, including reviews of more than 300 scents, with stunning period advertisements throughout.
Max Beckmann in Exile
Author: Max Beckmann
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Distributed by Abrams, Exhibition: 10/9/96-1/5/97.
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Distributed by Abrams, Exhibition: 10/9/96-1/5/97.
Felix Nussbaum
Author: Felix Nussbaum
Publisher: Overlook Books
ISBN: 9780879517892
Category : Art
Languages : en
Pages : 0
Book Description
Nussbaum's art reflects the course of the first half of this century like that of no other painter - the tranquil life in the provinces, the rapid tempo of life in the capital Berlin, emigration, the camp, war and the conquest of Europe by Nazi Germany, then the exclusion of the Jewish people by a policy of racism, life underground and in hiding, and finally the extermination of the Jews in Europe.
Publisher: Overlook Books
ISBN: 9780879517892
Category : Art
Languages : en
Pages : 0
Book Description
Nussbaum's art reflects the course of the first half of this century like that of no other painter - the tranquil life in the provinces, the rapid tempo of life in the capital Berlin, emigration, the camp, war and the conquest of Europe by Nazi Germany, then the exclusion of the Jewish people by a policy of racism, life underground and in hiding, and finally the extermination of the Jews in Europe.
Artists in Exile
Author: Frauke Josenhans
Publisher: Yale University Press
ISBN: 0300225709
Category : Art
Languages : en
Pages : 273
Book Description
An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile--forced or voluntary--as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book's four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones--like Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters--but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Lê, Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat.
Publisher: Yale University Press
ISBN: 0300225709
Category : Art
Languages : en
Pages : 273
Book Description
An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile--forced or voluntary--as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book's four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones--like Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters--but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Lê, Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat.
An Artistic Exile
Author: Geremie Barmé
Publisher: Univ of California Press
ISBN: 9780520208322
Category : Art
Languages : en
Pages : 496
Book Description
Publisher description
Publisher: Univ of California Press
ISBN: 9780520208322
Category : Art
Languages : en
Pages : 496
Book Description
Publisher description
Identity and Image
Author: Jutta Vinzent
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958993036
Category : Art
Languages : en
Pages : 403
Book Description
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of the study, structure of the book), Chapter Two establishes socio-political patterns of emigration and provides an historical framework for Chapters Three and Four, which concentrate on the image and identity of the refugee artist, the former based on written sources and the latter on visual material. In detail, Chapter Three analyses the British image of the refugee artists and their works on the one hand and the émigrés' self-representations on the other, the latter exemplified by refugee organisations (the Free German League of Culture/Freier Deutscher Kulturbund, the Austrian Centre, the Anglo-Sudeten Club and the Czech Institute) and institutions founded by émigré artists (Jack Bilbo's Modern Art Gallery and Arthur Segal's Painting School). Chapter Four examines the works produced in internment and those exhibited and produced for the refugee organisations discussed in Chapter Three. Chapter Five discusses the results of this study in the light of three postcolonial concepts: diaspora communities, the notion of home and the gendered identity of the refugee. The appendix lists all painters, sculptors and graphic artists from Nazi Germany in Britain with biographical details. Apart from visual and written sources discussed for the first time, there are two major results of the study: First, although the artists were united as refugees, this unity did not lead to a unity in art - "refugee art" is a construction put forward by the British press and the refugee organisations, particularly the Free German League of Culture. Second, contrary to claims that modern art was international and formed a universal unity that "transgressed" nationality, neither the West/Europe nor modernism form unities; instead, in the 1930s and 1940s, cultures in Europe constructed conceptions of other European cultures on the basis of nation-state identities.
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958993036
Category : Art
Languages : en
Pages : 403
Book Description
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of the study, structure of the book), Chapter Two establishes socio-political patterns of emigration and provides an historical framework for Chapters Three and Four, which concentrate on the image and identity of the refugee artist, the former based on written sources and the latter on visual material. In detail, Chapter Three analyses the British image of the refugee artists and their works on the one hand and the émigrés' self-representations on the other, the latter exemplified by refugee organisations (the Free German League of Culture/Freier Deutscher Kulturbund, the Austrian Centre, the Anglo-Sudeten Club and the Czech Institute) and institutions founded by émigré artists (Jack Bilbo's Modern Art Gallery and Arthur Segal's Painting School). Chapter Four examines the works produced in internment and those exhibited and produced for the refugee organisations discussed in Chapter Three. Chapter Five discusses the results of this study in the light of three postcolonial concepts: diaspora communities, the notion of home and the gendered identity of the refugee. The appendix lists all painters, sculptors and graphic artists from Nazi Germany in Britain with biographical details. Apart from visual and written sources discussed for the first time, there are two major results of the study: First, although the artists were united as refugees, this unity did not lead to a unity in art - "refugee art" is a construction put forward by the British press and the refugee organisations, particularly the Free German League of Culture. Second, contrary to claims that modern art was international and formed a universal unity that "transgressed" nationality, neither the West/Europe nor modernism form unities; instead, in the 1930s and 1940s, cultures in Europe constructed conceptions of other European cultures on the basis of nation-state identities.
Exile's Return
Author: Malcolm Cowley
Publisher: Penguin
ISBN: 1101662670
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.
Publisher: Penguin
ISBN: 1101662670
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.