Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 345
Book Description
Pagan Mysteries in the Renaissance Enl. and Rev. Ed
Author: Pagan Mysteries in the Renaissance
Author: Edgar WindPublisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 294
Book Description
Modern Perspectives in Western Art History
Author: W. Eugene KleinbauerPublisher: University of Toronto Press
ISBN: 9780802067081
Category : Art
Languages : en
Pages : 548
Book Description
A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.
Myth, Emblem, and Music in Shakespeare's Cymbeline
Author: Peggy Muñoz SimondsPublisher: University of Delaware Press
ISBN: 9780874134292
Category : Art and literature
Languages : en
Pages : 412
Book Description
"Winner of the University of Delaware Press Award for the best manuscript in Shakespearean Studies, this study clarifies and revitalizes Shakespeare's Cymbeline for the modern reader through a rediscovery of the poet's artistic use of Renaissance myths, symbols, and emblematic topoi that give meaning to the play. Although mainly concerned with the rich classical and Christian iconography of Cymbeline, the book also rages widely over Shakespeare's dramatic and nondramatic works and beyond to the work of his contemporaries in Renaissance poetry, drama, art, theology, philosophy, emblems, and myths to show parallels between the mysteries of this tragicomedy and other examples of Renaissance thought and expression. It uncovers actual representations in the visual arts of parallels to the play's descriptive and theatrical moments. These iconographic parallels are lavishly illustrated in the book through photographs of Renaissance plaster work, embroidery, metalwork, oil paintings, and sculpture, but primarily through woodcuts and engravings from English and Continental emblem books of the period. The visual imagery is carefully related to an intellectual explanation of Cymbeline's complex Neoplatonic and Reformation themes." "The author begins with a extended definition of the genre of Renaissance tragicomedy, a form developed for Christian artistic purposes in Italy by Tasso and Guarini. Aside from the obviously similar characteristics of a happy ending and the presence of an oracle, Cymbeline shares nine other artistic aspects with the pioneer Italian tragicomedies Aminta and Il pastor fido, including the celebration of an Orphic ritual of death and resurrection. After a discussion of the Neoplatonic and Ovidian mythology embedded in the play, the book considers in detail the iconography of Imogen's elaborately decorated bedroom as a reconciliation of opposites, the iconography of primitivism and Wild Men versus courtier as a satire of the British court, and the iconography of birds, animals, vegetation, and minerals as evocative of the major themes of doubt, repentance, reformation, reunion, and regeneration in Cymbeline. The final objective of the dramatic conflict is mutual forgiveness and a happy marriage, all of which is achieved through temperance or the attainment of musical concord within the individual, the state, and the world. Although Shakespeare shows the five senses to be an inadequate means for his characters to recognize true virtue in a deceitful world, the sense of hearing is the most important in the play, since it allows participation in the four redemptive functions of sound, which ultimately leads to psychological harmony with the music of the spheres." "Simonds also demonstrates that because Cymbeline is essentially an Orphic tragicomedy designed to liberate the audience from melancholy, the play strives to bring delight through its theatrical reenactment of the initially painful Platonic journey from Eros to Anteros, from blindness to a vision of divinity, from discord to musical harmony, from spiritual confusion to joyful enlightenment."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Inspiration and Utmost Art: The Poetics of Early Modern English Psalm Translations
Author: Janina NieferPublisher: LIT Verlag Münster
ISBN: 3643908180
Category : Literary Criticism
Languages : en
Pages : 480
Book Description
This study is concerned with Early Modern English psalm translations. It focusses on the connection between inspiration and formal perfection as it appears in George Wither's "A Preparation to the Psalter", Philip Sidney's "The Defence of Poesy", "The Sidney Psalter" and "The Bay Psalm Book". Taking into account theological, philosophical, and literary contexts of the time, it reveals the struggle to find a suitable language in praise of God as a main concern of Early Modern religious writers, and presents concepts which are highly relevant for the religious poetry of the time. Dissertation. (Series: Religion and Literature / Religion und Literatur, Vol. 5) [Subject: Religious Studies]
The Logic of the Living Present
Author: Anna-Teresa TymienieckaPublisher: Springer Science & Business Media
ISBN: 9401104638
Category : Philosophy
Languages : en
Pages : 328
Book Description
Some might ask "Why Locke's theory of knowledge now?" Though appreciated for his social philosophy, Locke has been criticized for his work in the field of epistemology ever since the publication of the Essay. It is even as if Locke serves only as an example of how not to think. When people criticize Locke, they usually cite the hostile commen taries of Berkeley, Kant, Husserl, or Sellars. But, one might ask, are they not all so eager to show the excellence of their own epistemo logical views that they distort and underestimate Locke's thought? Russell aptly noted in his History of Western Philosophy that: No one has yet succeeded in inventing a philosophy at once credible and self-consis tent. Locke aimed at credibility, and achieved it at the expense of consistency. Most of the great philosophers have done the opposite. A philosophy which is not self-consis tent cannot be wholly true, but a philosophy which is self-consistent can very well be wholly false. The most fruitful philosophies have contained glaring inconsistencies, but for that very reason have been partially true. There is no reason to suppose that a self consistent system contains more truth than one which, like Locke's, is obviously more or less wrong. (B. Russell, A History of Western Philosophy [New York: Simon and Schuster, 1945], p. 613. ) Here Russell is uncommonly charitable with Locke.
The Planets Within
Author: Thomas MoorePublisher: SteinerBooks
ISBN: 9780940262287
Category : Body, Mind & Spirit
Languages : en
Pages : 236
Book Description
The Planets Within asks us to return to antiquity with new eyes. It centers on one of the most psychological movements of the prescientific age -- Renaissance Italy, where a group of 'inner Columbuses' charted territories that still give us today a much- needed sense of who we are and where we have come from, and the right routes to take toward fertile and unexplored places.Chief among these masters of the interior life was Marsilio Ficino, presiding genius of the Florentine Academy, who taught that all things exist in soul and must be lived in its light. This study of Ficino broadens and deepens our understanding of psyche, for Ficino was a doctor of soul, and his insights teach us the care and nurture of soul.Moore takes as his guide Ficino's own fundamental tool -- imagination. Respecting the integrity and autonomy of images, The Planets Within unfolds a poetics of soul in a kind of dialogue between the laconic remarks of Ficino and the need to give these remarks a life and context for our day.
A Reference Guide for English Studies
Author: Michael J. MarcusePublisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816
Book Description
Mythologies of Internal Exile in Elizabethan Verse
Author: A.D. CousinsPublisher: Routledge
ISBN: 0429686420
Category : Language Arts & Disciplines
Languages : en
Pages : 311
Book Description
Writers of the English Renaissance, like their European contemporaries, frequently reflect on the phenomenon of exile—an experience that forces the individual to establish a new personal identity in an alien environment. Although there has been much commentary on this phenomenon as represented in English Renaissance literature, there has been nothing written at length about its counterpart, namely, internal exile: marginalization, or estrangement, within the homeland. This volume considers internal exile as a simultaneously twofold experience. It studies estrangement from one’s society and, correlatively, from one’s normative sense of self. In doing so, it focuses initially on the sonnet sequences by Sidney, Spenser, and Shakespeare (which is to say, the problematics of romance); then it examines the verse satires of Donne, Hall, and Marston (likewise, the problematics of anti-romance). This book argues that the authors of these major texts create mythologies—via the myths of (and accumulated mythographies about) Cupid, satyrs, and Proteus—through which to reflect on the doubleness of exile within one’s own community. These mythologies, at times accompanied by theologies, of alienation suggest that internal exile is a fluid and complex experience demanding multifarious reinterpretation of the incongruously expatriate self. The monograph thus establishes a new framework for understanding texts at once diverse yet central to the Elizabethan literary achievement.
Moral Fiction in Milton and Spenser
Author: John M. SteadmanPublisher: University of Missouri Press
ISBN: 9780826210173
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Steadman suggests that these poets, along with most other Renaissance poets, did not actually regard themselves as divinely inspired but, rather, resorted to a common fiction to create the appearance of having special insight into the truth.