Ovid, Werk und Wirkung PDF Download

Author: Werner Schubert
Publisher:
ISBN:
Category : Didactic poetry, Latin
Languages : de
Pages : 712

View

Book Description

Author: Guillermo Galán Vioque
Publisher: BRILL
ISBN: 9789004123380
Category : Literary Criticism
Languages : en
Pages : 624

View

Book Description
This is the first comprehensive commentary -line by line and word by word- on the seventh book of the epigrams of Martial. Literary, linguistic and metrical matters are examined in depth, and special attention is paid to the relationship with the poet's other books and with the rest of Greek and Latin Literature, as well as to the use of recurrent motifs, obscene language, puns, double meanings and proper names.

Author: Alessandro Barchiesi
Publisher: Cambridge University Press
ISBN: 0521895812
Category : History
Languages : en
Pages : 475

View

Book Description
The first complete commentary in English on Ovid's Metamorphoses, covering textual interpretation, poetics, imagination, and ideology.

Author: Peter E. Knox
Publisher: John Wiley & Sons
ISBN: 1118556666
Category : Literary Criticism
Languages : en
Pages : 562

View

Book Description
A Companion to Ovid is a comprehensive overview of one of the most influential poets of classical antiquity. Features more than 30 newly commissioned chapters by noted scholars writing in their areas of specialization Illuminates various aspects of Ovid's work, such as production, genre, and style Presents interpretive essays on key poems and collections of poems Includes detailed discussions of Ovid's primary literary influences and his reception in English literature Provides a chronology of key literary and historical events during Ovid's lifetime

Author: Elaine Fantham
Publisher: Oxford University Press
ISBN: 0198035063
Category : Literary Criticism
Languages : en
Pages : 191

View

Book Description
Oxford Approaches to Classical Literature (Series Editors: Kathleen Coleman and Richard Rutherford) introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context, and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Ovid's Metamorphoses have been seen as both the culmination of and a revolution in the classical epic tradition, transferring narrative interest from war to love and fantasy. This introduction considers how Ovid found and shaped his narrative from the creation of the world to his own sophisticated times, illustrating the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic, and illusion. Elaine Fantham introduces the reader not only to this marvelous and complex narrative poem, but to the Greek and Roman traditions behind Ovid's tales of transformation and a selection of the images and texts that it inspired.

Author: Matthew McGowan
Publisher: BRILL
ISBN: 9047424077
Category : Literary Criticism
Languages : en
Pages : 272

View

Book Description
In response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the Tristia and Epistulae ex Ponto and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the Tristia and Epistulae ex Ponto as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry.

Author: Alessandro Barchiesi
Publisher: Cambridge University Press
ISBN: 0521895790
Category : History
Languages : en
Pages : 785

View

Book Description
The first complete commentary in English on Ovid's Metamorphoses, covering textual interpretation, poetics, imagination, and ideology.

Author: Alessandro Barchiesi
Publisher: Cambridge University Press
ISBN: 0521895804
Category : History
Languages : en
Pages : 691

View

Book Description
The first complete commentary in English on Ovid's Metamorphoses, covering textual interpretation, poetics, imagination, and ideology.

Author: Philip R. Hardie
Publisher: Cambridge University Press
ISBN: 9780521800877
Category : History
Languages : en
Pages : 382

View

Book Description
Ovid's poetry is haunted obsessively by a sense both of the living fullness of the texts and of the emptiness of these 'insubstantial pageants'. This major study touches on the whole of Ovid's output, from the Amores to the exile poetry, and is an overarching treatment of illusionism and the textual conjuring of presence in the corpus. Modern critical and theoretical approaches, accompanied by close readings of individual passages, examine the topic from the points of view of poetics and rhetoric, aesthetics, the psychology of desire, philosophy, religion and politics. There are also case studies of the reception of Ovid's poetics of illusion in Renaissance and modern literature and art. The book will interest students and scholars of Latin and later European literatures. All foreign languages are accompanied by translations.

Author: Alessandro Barchiesi
Publisher: Cambridge University Press
ISBN: 1009197606
Category : Literary Collections
Languages : en
Pages : 786

View

Book Description
Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).