Author: Gioacchino Rossini
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
Book Description
Overture ... Arranged as a duet for two performers on the piano forte, with an accompaniment (ad libitum) for flute and violoncello, by Charles T. Sykes
The Catalogue of Printed Music in the British Library to 1980
Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
The Harmonicon
Author: William Ayrton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258
Book Description
The Music Division
The Illustrated London News
The Year's Music
Author: Albert Charles Robinson Carter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 390
Book Description
The Diapason
Author: Siegfried Emanuel Gruenstein
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 216
Book Description
Includes music.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 216
Book Description
Includes music.
The Ampleforth Journal
Author:
Publisher:
ISBN:
Category : Benedictine movement (Anglican Communion)
Languages : en
Pages : 562
Book Description
Publisher:
ISBN:
Category : Benedictine movement (Anglican Communion)
Languages : en
Pages : 562
Book Description
Overture ... for the piano forte,arranged by the authorwith an accompaniment for the flute, (ad. lib.) by Charles Saust
The Banjo on Record
Author: Uli Heier
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 670
Book Description
The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available. Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo.
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 670
Book Description
The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available. Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo.