OVER EXCESSIVE AMBITION AS REFLECTED IN THREE SCIENCE FICTION NOVELS: FRANKENSTEIN, SOLARIS AND INFERNAL DEVICES PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download OVER EXCESSIVE AMBITION AS REFLECTED IN THREE SCIENCE FICTION NOVELS: FRANKENSTEIN, SOLARIS AND INFERNAL DEVICES PDF full book. Access full book title OVER EXCESSIVE AMBITION AS REFLECTED IN THREE SCIENCE FICTION NOVELS: FRANKENSTEIN, SOLARIS AND INFERNAL DEVICES by KHULOD H. HUSAIN. Download full books in PDF and EPUB format.
Author: KHULOD H. HUSAIN Publisher: KY Publications ISBN: 8194807581 Category : Fiction Languages : en Pages : 109
Book Description
This book attempts to explore the emergence of science fiction as a genre and its development into steampunk as a subgenre of science fiction in selected science fiction novels: Mary Shelley's Frankenstein (1823), Stanislaw Lem's Solaris (1970) and K. W. Jeter's Infernal Devices (1987). This research shows that the scientists in these novels drag themselves into darkness. Victor, the protagonists of Frankenstein, is an ambition scientist who wants to conquer death but tragically loses his family during this endeavor. Kelvin, the hero of Solaris, is psychologically devastated when he struggles to understand how Solaris ocean creates a simulation of people. The hero of the third novel, George Dewar's father, a mad scientist and inventor, creates a double of his own son as a robot tries to destroy the earth. The main argument of this research is that all these novels set in different eras draw on science fiction to criticize and question man's greedy and unrestricted desire for scientific discovery to the extent that they want to conquer the universe and play the role of God. The study will ask the following questions: How do the ambitious scientists in the novels drag themselves into madness? And how does the scientific desire turn into a crave for transcendence bringing about their damnation? What do these scientific explorations and inventions reveal about human nature? Does steampunk bring evolution to the future as a sub-genre of science fiction?
Author: KHULOD H. HUSAIN Publisher: KY Publications ISBN: 8194807581 Category : Fiction Languages : en Pages : 109
Book Description
This book attempts to explore the emergence of science fiction as a genre and its development into steampunk as a subgenre of science fiction in selected science fiction novels: Mary Shelley's Frankenstein (1823), Stanislaw Lem's Solaris (1970) and K. W. Jeter's Infernal Devices (1987). This research shows that the scientists in these novels drag themselves into darkness. Victor, the protagonists of Frankenstein, is an ambition scientist who wants to conquer death but tragically loses his family during this endeavor. Kelvin, the hero of Solaris, is psychologically devastated when he struggles to understand how Solaris ocean creates a simulation of people. The hero of the third novel, George Dewar's father, a mad scientist and inventor, creates a double of his own son as a robot tries to destroy the earth. The main argument of this research is that all these novels set in different eras draw on science fiction to criticize and question man's greedy and unrestricted desire for scientific discovery to the extent that they want to conquer the universe and play the role of God. The study will ask the following questions: How do the ambitious scientists in the novels drag themselves into madness? And how does the scientific desire turn into a crave for transcendence bringing about their damnation? What do these scientific explorations and inventions reveal about human nature? Does steampunk bring evolution to the future as a sub-genre of science fiction?
Author: George Edgar Slusser Publisher: University of Georgia Press ISBN: 0820314498 Category : Literary Criticism Languages : en Pages : 314
Book Description
Will novels and stories be relevant in the next millennium, when the boundaries between illusion and reality, and observer and observed, may dissipate in a whirl of images, signals and data? This essay collection divines the prospects of fiction in the information age by examining cyberpunk literature. A movement less than a decade old, cyberpunk is driven by deep concerns about society, ethics, and new technology and has been defined as the literature of the first generation of science-fiction writers actually to live in a science-fiction world. These essays were first presented at the 1989 annual J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature, the field's most prestigious international gathering. They address concerns common not only to cyberpunk and traditional science-fiction scholars, critics, and writers but to their counterparts outside the genre as well. Interdisciplinary in perspective, the essays consider the origins of cyberpunk, the appropriation of its conventions by the mass media, the literature's paradoxical retrogressive/iconoclastic nature, cyberpunk's affinities to and deviations from both traditional science fiction and postmodernist literature, the parameters and components of the cyberpunk canon, and the movement's future course. Some essays are theoretical, but all are grounded in works familiar to serious science-fiction readers: Neuromancer, Frontera, Deserted Cities of the Heart, Islands in the Net, Great Sky River, the Mirrorshades anthology, and others; cyberpunk TV and cinema like the Max Headroom programs, Blade Runner, and Tron; and precursory literature, including Frankenstein, Le Roman de l'avenir, Ralph I24C 41 +, and A Clockwork Orange. Useful for its views on a volatile science-fiction subgenre, Fiction 2000 is also valuable for what it tells us about the fate of mainstream literature.
Author: Gerry Canavan Publisher: Cambridge University Press ISBN: 1316733017 Category : Literary Criticism Languages : en Pages :
Book Description
The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.
Author: Andrei Tarkovsky Publisher: ISBN: 9780857424921 Category : Performing Arts Languages : en Pages : 0
Book Description
"Tarkovsky for me is the greatest," wrote Ingmar Bergman. Andrey Tarkovsky only made seven films, but all are celebrated for its striking visual images, quietly patient dramatic structures, and visionary symbolism. Time within Time is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death. Intense and intimate, it offers reflections on Dostoyevsky, Tolstoy, Hermann Hesse, Thomas Mann, and others. He writes movingly of his family, especially his father, Arseniy Tarkovsky, whose poems appear in his films. He records haunting dreams in detail and speaks of the state of society and the future of art, noting significant world events and purely personal dramas along with fascinating accounts of his own filmmaking. Rounding out this volume are Tarkovsky's plans and notes for his stage version of Hamlet; a detailed proposal for a film adaptation of Dostoyevsky's The Idiot; and a glimpse of the more public Tarkovsky answering questions put to him by interviewers.
Author: Steven Dillon Publisher: University of Texas Press ISBN: 9780292782273 Category : Performing Arts Languages : en Pages : 280
Book Description
What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspiration from Andrei Tarkovsky's 1972 film Solaris, a science fiction ghost story that relentlessly explores the relationship between the powers of nature and art. The author argues that American film has the best chance of aesthetic success when it acknowledges that a film is actually a film. The best American movies tell an endless ghost story, as they perform the agonizing nearness and distance of the cinematic image. This groundbreaking commentary examines the rarely seen bridge between select American film directors and their typically more adventurous European counterparts. Filmmakers such as Lynch and Soderbergh are cross-cut together with Tarkovsky and the great French director, Jean-Luc Godard, in order to test the limits and possibilities of American film. Both enthusiastically cinephilic and fiercely critical, this book puts a decade of U.S. film in its global place, as part of an ongoing conversation on nature and art.
Author: Wheeler Winston Dixon Publisher: Rutgers University Press ISBN: 0813595169 Category : Art Languages : en Pages : 525
Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Mark Fisher Publisher: Watkins Media Limited ISBN: 1910924393 Category : Literary Criticism Languages : en Pages : 143
Book Description
A noted cultural critic unearths the weird, the eerie, and the horrific in 20th-century culture through a wide range of literature, film, and music references—from H.P. Lovecraft and Daphne Du Maurier to Stanley Kubrick and Christopher Nolan. What exactly are the Weird and the Eerie? Two closely related but distinct modes, and each possesses its own distinct properties. Both have often been associated with Horror, but this genre alone does not fully encapsulate the pull of the outside and the unknown. In several essays, Mark Fisher argues that a proper understanding of the human condition requires examination of transitory concepts such as the Weird and the Eerie. Featuring discussion of the works of: H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.
Author: S. T. Joshi Publisher: Bloomsbury Publishing USA ISBN: 031308100X Category : Literary Criticism Languages : en Pages : 819
Book Description
Horror and the supernatural have fascinated people for centuries, and many of the most central figures appear over and over again. These figures have gained iconic status and continue to hold sway over popular culture and the modern imagination. This book offers extended entries on 24 of the most enduring and significant figures of horror and the supernatural, including The Sea Creature, The Witch, The Alien, The Vampire, The Werewolf, The Sorcerer, The Ghost, The Siren, The Mummy, The Devil, and The Zombie. Each entry is written by a leading authority on the subject and discusses the topic's essential features and lasting influence, from the classical epics of Homer to the novels of Stephen King. Entries cite sources for further reading, and the Encyclopedia closes with a selected, general bibliography. Entries include illustrations, sidebars of interesting information, and excerpts from key texts. Horror and the supernatural have fascinated people for centuries, with many of the most central figures appearing over and over again across time and cultures. These figures have starred in the world's most widely read literary works, most popular films, and most captivating television series. Because of their popularity and influence, they have attained iconic status and a special place in the popular imagination. This book overviews 24 of the most significant icons of horror and the supernatural.
Author: KHULOD H. HUSAIN
Author: KHULOD H. HUSAIN
Author: George Edgar Slusser
Author: Ronald Bergan
Author: Gerry Canavan
Author: Andrei Tarkovsky
Author: Karl Jansen
Author: Steven Dillon
Author: Wheeler Winston Dixon
Author: Mark Fisher
Author: S. T. Joshi