Our Islands and Their People as Seen with Camera and Pencil PDF Download

Author: José de Olivares
Publisher:
ISBN:
Category : Cuba
Languages : en
Pages : 442

View

Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

View

Book Description

Author: Joseì de Olivares
Publisher: Legare Street Press
ISBN: 9781013679513
Category :
Languages : en
Pages : 432

View

Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: José de Olivares
Publisher:
ISBN:
Category : Cuba
Languages : en
Pages : 448

View

Book Description
Photographic and descriptive representations of the people and the islands lately acquired from Spain, including Hawaii and the Philippines.

Author: José de Olivares
Publisher: Forgotten Books
ISBN: 9780666776914
Category : History
Languages : en
Pages : 422

View

Book Description
Excerpt from Our Islands and Their People as Seen With Camera and Pencil, Vol. 1: Embracing Perfect Photographic and Descriptive Representations of the People and the Islands Lately Acquired From Spain, Including Hawaii and the Philippines; Also Their Material Resources and Productions, Homes of the People Hile it is not the purpose of this book to treat especially of the late war with Spain, a brief resumé of the leading events of that memora ble contest will not be out of place. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Joseph R. Hartman
Publisher: University of Hawaii Press
ISBN: 0824890396
Category : History
Languages : en
Pages : 329

View

Book Description
When the USS Maine mysteriously exploded in Havana’s harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and “liberate” Cuba from the Spanish empire. “Remember the Maine! To Hell with Spain!” So went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom—in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai‘i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish, and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated “proof” for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US empire today, particularly for Caribbean, Latinx, Pilipinx, and Pacific Island communities.

Author: Ethel Traphagen
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 228

View

Book Description

Author: Brooklyn Public Library
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 72

View

Book Description

Author: Nicholas De Genova
Publisher: Duke University Press
ISBN: 9780822337164
Category : History
Languages : en
Pages : 246

View

Book Description
DIVA collection of essays that examine the intertwined racialization of Latinos and Asians in the United States ./div

Author: J.M. Mancini
Publisher: Univ of California Press
ISBN: 0520294513
Category : Architecture
Languages : en
Pages : 342

View

Book Description
"Recent years have witnessed a surge in interest the Pacific world as a hub for the global trade in art objects. Yet, the history of art and architecture has seldom reckoned with another profound aspect of the region's history: its exposure to global conflict. Art and War in the Pacific World provides a new view of the Pacific world, and of global artistic interaction, by exploring how the making, alteration, looting, and destruction of images, objects, buildings, and landscapes intersected with the exercise of force during the British and U.S. military incursions of the eighteenth and nineteenth centuries"--Provided by publisher.