Our English Lakes, Mountains, and Waterfalls PDF Download

Author: William Wordsworth
Publisher:
ISBN:
Category : Lake District
Languages : en
Pages : 248

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Author: William Wordsworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 262

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Author: Saeko Yoshikawa
Publisher: Routledge
ISBN: 1134767927
Category : Literary Criticism
Languages : en
Pages : 280

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Book Description
In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.

Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 464

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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468

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Vols. for 1898-1968 include a directory of publishers.

Author: Thomas James Wise
Publisher:
ISBN:
Category :
Languages : en
Pages : 300

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Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 468

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Author: Faculty of Advocates (Scotland). Library
Publisher:
ISBN:
Category : Jurisprudence
Languages : en
Pages : 1038

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Author: Tom Mole
Publisher: Princeton University Press
ISBN: 0691202923
Category : History
Languages : en
Pages : 334

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Book Description
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.

Author: Gary Lee Harrison
Publisher: Wayne State University Press
ISBN: 9780814324813
Category : Literary Collections
Languages : en
Pages : 250

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William Wordsworth's poems are inhabited by beggars, vagrants, peddlers, and paupers. This book analyzes how a few key poems from Wordsworth's early years constitute a direct engagement with and intervention into the politics of poverty and reform that swept the social, political, and cultural landscape in England during the 1790s. In Wordsworth's Vagrant Muse, Gary Harrison argues that although Wordsworth's poetry is implicated in an ideology that idealizes rustic poverty, it nonetheless invests the image of the rural poor with a certain, if ambiguously realized, power. The early poems challenge the complacency of middle-class readers by constructing a mirror in which they confront the possibility of their own impoverishment (both economic and moral), and by investing the marginal poor with a sense of dignity and morality otherwise denied them.