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Author: Ann Murray Publisher: A&C Black ISBN: 135035466X Category : Art Languages : en Pages : 0
Book Description
"This book examines the confrontational war pictures of Otto Dix (1891-1969) and explores their role in shaping the memory of World War I in Germany during the years 1914-36. Dix's thirty-eight months on the World War I battlefields profoundly influenced his post-war artistic career, saw him produce some of the most enduring images of the conflict and establish himself as one of Europe's leading modernists. Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration. Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. Bringing a unique perspective and original scholarship to Dix's war works, Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-36 is essential reading for art historians of the First World War and the visual culture of Weimar Germany"--
Author: Ann Murray Publisher: A&C Black ISBN: 135035466X Category : Art Languages : en Pages : 0
Book Description
"This book examines the confrontational war pictures of Otto Dix (1891-1969) and explores their role in shaping the memory of World War I in Germany during the years 1914-36. Dix's thirty-eight months on the World War I battlefields profoundly influenced his post-war artistic career, saw him produce some of the most enduring images of the conflict and establish himself as one of Europe's leading modernists. Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration. Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. Bringing a unique perspective and original scholarship to Dix's war works, Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-36 is essential reading for art historians of the First World War and the visual culture of Weimar Germany"--
Author: Ann Murray (Art historian) Publisher: ISBN: 9781350354654 Category : Collective memory Languages : en Pages : 0
Book Description
"This book examines the confrontational war pictures of Otto Dix (1891-1969) and explores their role in shaping the memory of World War I in Germany during the years 1914-36. Dix's thirty-eight months on the World War I battlefields profoundly influenced his post-war artistic career, saw him produce some of the most enduring images of the conflict and establish himself as one of Europe's leading modernists. Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration. Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. Bringing a unique perspective and original scholarship to Dix's war works, Otto Dix and the Memorialization of World War I in German Visual Culture, 1914-36 is essential reading for art historians of the First World War and the visual culture of Weimar Germany"--
Author: Ann Murray Publisher: Bloomsbury Publishing ISBN: 1350354635 Category : Art Languages : en Pages : 241
Book Description
This book examines the confrontational war pictures of Otto Dix (18911969) and explores their role in shaping the memory of World War I in Germany from 1914 to 1936. Dix's thirty-eight months on the World War I battlefields profoundly influenced his post-war artistic career, saw him produce some of the most enduring images of the conflict and establish himself as one of Europe's leading modernists. Offering substantial new research and presenting numerous primary sources to an English readership for the first time, the book examines Dix's war pictures within the broader visual culture of war in order to assess how they functioned alternatively as cutting-edge modernist art and transgressive war commemoration. Each chapter provides a case study of the first public display of one or more of Dix's war pictures at key exhibitions and explores how their reception was subjected to changing socio-political and cultural conditions as well as divergent attitudes to the lost war. Bringing a unique perspective and original scholarship to Dix's war works, this book is essential reading for art historians of World War I and the visual culture of Weimar Germany.
Author: Michael Mackenzie Publisher: German Visual Culture ISBN: 9783034317238 Category : Art and society Languages : en Pages : 0
Book Description
Otto Dix fought in the First World War for four years before becoming one of the most important artists of the Weimar era. This book takes Dix's very public, monumental works out of the isolation of the artist's studio and returns them to a context of public memorials, mass media depictions, and the communal search for meaning in the war.
Author: Hester Baer Publisher: Bloomsbury Publishing ISBN: 135037007X Category : Art Languages : en Pages : 350
Book Description
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture. Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
Author: Sarah Hegenbart Publisher: Bloomsbury Publishing ISBN: 1350227730 Category : Art Languages : en Pages : 281
Book Description
Curating Transcultural Spaces asks what a museum which enables the presentation of multiple perspectives might look like. Can identity be global and local at the same time? How may one curate dual identity? More broadly, what is the link between the arts and processes of identity construction? This volume, an indispensable source for the process of engaging with colonial history in Germany and beyond, takes its starting point from the 'scandal' of the Humboldt Forum. The transfer of German state collections from the Ethnological Museum and the Museum for Asian Art, located at the margins of Berlin in Dahlem, into the centre of Germany's capital indicates the nation's aspiration of purported multiculturalism and cosmopolitanism; yet the project's resurrection of the site's former Prussian city palace, which was demolished during the GDR, stands in opposition to its very mission, given that the Prussian rulers benefited from colonial exploitation. By examining the contrasting successes of other projects, such as the National Museum of African American History and Culture in Washington DC, Curating Transcultural Spaces compellingly argues for the necessity of taking post-colonial thinking on board in the construction of museum spaces in order to generate genuine exchange between multiple perspectives.
Author: Michael Klastorin Publisher: HarperCollins ISBN: 006269300X Category : Art Languages : en Pages : 366
Book Description
Celebrate the fortieth anniversary of Steven Spielberg’s sci-fi classic Close Encounters of the Third Kind with this fully authorized behind-the-scenes book exploring the creation, production, and legacy of this iconic film. Created in conjunction with Sony Pictures and Amblin Entertainment, Close Encounters of the Third Kind: The Visual History details the complete creative journey behind the making of the film and examines its cultural impact. Featuring rare and never-before-seen imagery from the archives, the book brings together a stunning collection of on-set photography, concept art, storyboards, and more to create a visual narrative of the film’s journey to the big screen. It also features a wealth of insightful commentary from every key player involved in the film, from the acclaimed director himself to the film’s stars and the key department heads who brought Spielberg’s vision to life. Special inserts and interactive elements include script pages, call lists, concept sketches, and more. Comprehensive, compelling, and filled with unseen treasures, Close Encounters of the Third Kind: The Ultimate Visual History is a fitting tribute to one of history’s most iconic films.
Author: Jay Winter Publisher: Cambridge University Press ISBN: 1108293476 Category : History Languages : en Pages : 317
Book Description
What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.
Author: Sally Debra Charnow Publisher: Peter Lang Limited, International Academic Publishers ISBN: 9781789974041 Category : Art and war Languages : en Pages : 344
Book Description
The Great War set in motion all of the subsequent violence of the twentieth century. This volume offers a significant interdisciplinary contribution to the study of modern war, exploring the ways that artists contributed to wartime culture as well as the ways in which wartime culture influenced artistic expressions.
Author: Ann Murray
Author: Ann Murray
Author: Ann Murray (Art historian)
Author: Ann Murray
Author: Michael Mackenzie
Author: Hester Baer
Author: Sarah Hegenbart
Author: Eva Karcher
Author: Michael Klastorin
Author: Jay Winter
Author: Sally Debra Charnow