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Author: Stanley Boorman Publisher: Oxford University Press ISBN: 0195142071 Category : Music Languages : en Pages : 1294
Book Description
The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance.This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci's publishing decisions, and provides a detailed catalogue of editions and copies.Stanley Boorman has made a study of the output of Petrucci's presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.
Author: Stanley Boorman Publisher: Oxford University Press ISBN: 0195142071 Category : Music Languages : en Pages : 1294
Book Description
The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance.This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci's publishing decisions, and provides a detailed catalogue of editions and copies.Stanley Boorman has made a study of the output of Petrucci's presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.
Author: Douglas Alton Smith Publisher: ISBN: Category : Music Languages : en Pages : 420
Book Description
By the year 1500, the lute's almost universal appeal throughout Europe had made it a unifying element of Western music and culture. Renaissance composers, singers and dancers all found in the lute a perfect tool for the musical development and maturation of their art. In fact, the lute's unique musical and physical characteristics inspired artists and poets alike to elevate it to a place of such high honor that the lute's image has come to symbolize music itself. This traces the lute's development from the early instruments of Classical Greece to its glorious flowering in Renaissance Europe's golden age of polyphony. This illustrated and comprehensive book explores the historical and cultural reasons behind the lute's importance as the preeminent musical instrument of the Renaissance. With its lengthy bibliography, index, 74 illustrations and 55 musical examples, the author has told the lute's story with a scholarly and visual depth.
Author: Simon Eliot Publisher: John Wiley & Sons ISBN: 1444356585 Category : Literary Criticism Languages : en Pages : 617
Book Description
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.
Author: M. Jennifer Bloxam Publisher: Lexington Books ISBN: 1498549918 Category : Music Languages : en Pages : 259
Book Description
This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.
Author: Alessandro Marzo Magno Publisher: Europa Editions ISBN: 160945152X Category : History Languages : en Pages : 175
Book Description
This early history of printed literature “delves into the delectable intrigues of Renaissance Venice with a degree of detail that will mesmerize readers” (La Repubblica). This accessible yet erudite history traces the incredible rise of publishing in the Republic of Venice, the Renaissance’s era of global capital of culture and trade. While a number of Venetian innovators drove this new enterprise, one in particular, Aldus Manutius, stands head and shoulders above the rest. Manutius tirelessly promoted the concept of reading for pleasure, and his Aldine Press commissioned the first modern typeface. Beginning in Venice and subsequently across much of the civilized world, bound printed editions of the Talmud, the Koran, the works of Erasmus of Rotterdam, and classics of Greek and Latin poetry and theater began to circulate for the first time, leading to an unprecedented diffusion of human knowledge, and bringing about the birth of the modern world.
Author: Bronwen Wilson Publisher: Routledge ISBN: 1135168938 Category : History Languages : en Pages : 297
Book Description
The book looks at how people, things, and new forms of knowledge created "publics" in early modern Europe, and how publics changed the shape of early modern society. The focus is on what the authors call "making publics" — the active creation of new forms of association that allowed people to connect with others in ways not rooted in family, rank or vocation, but rather founded in voluntary groupings built on the shared interests, tastes, commitments, and desires of individuals. By creating new forms of association, cultural producers and consumers challenged dominant ideas about just who could be a public person, greatly expanded the resources of public life for ordinary people in their own time, and developed ideas and practices that have helped create the political culture of modernity. Coming from a number of disciplines including literary and cultural studies, art history, history of religion, history of science, and musicology, the contributors develop analyses of a range of cases of early modern public-making that together demonstrate the rich inventiveness and formative social power of artistic and intellectual publication in this period.
Author: Jane D. Hatter Publisher: Cambridge University Press ISBN: 1108474918 Category : Art Languages : en Pages : 301
Book Description
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Author: Robert Steele Publisher: London : Printed for the Bibliographical Society at the Chiswick Press ISBN: Category : Music Languages : en Pages : 218
Author: Stanley Boorman
Author: Stanley Boorman
Author: Douglas Alton Smith
Author: Simon Eliot
Author: M. Jennifer Bloxam
Author: Pompeo Molmenti
Author: Alessandro Marzo Magno
Author: Bronwen Wilson
Author: Jane D. Hatter
Author: Bibliographical Society (Great Britain)
Author: Robert Steele