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Author: Giuseppe Verdi Publisher: Alma Books ISBN: 0714544671 Category : Music Languages : en Pages : 265
Book Description
Otello, Verdi's penultimate opera, was composed more than a dozen years after Aida, which he had intended to be his last work for the stage. He was persuaded by his publisher Giulio Ricordi to work with the librettist Arrigo Boito on an adaptation of Shakespeare's Othello; the resulting work is one of the supreme examples of Italian opera. Greeted with enormous enthusiasm at its premiere at La Scala in 1887, Otello immediately went on to huge success in all the major opera houses of the world. The richness of its musical and dramatic inventiveness is largely unmatched in Verdi's output, and its title role is perhaps the most demanding for the tenor in any Italian opera.This volume contains articles describing how Verdi was persuaded to write the opera and extracts from the extended correspondence between Verdi and Boito during the period of composition, as well as a detailed musical commentary and a historical survey of important productions and performers of the principal roles. The guide includes the full libretto with English translation, a discography, a bibliography, and DVD and website guides.Contains:The Moor of Venice, Milan and Sant'Agata, Avril BardoniOtello: Drama and Music, Benedict SarnakerOtello: A Selective Performance History, Hugo ShirleyOtello: Libretto by Arrigo Boito after the play Othello by William ShakespeareOtello: English translation by Avril Bardoni
Author: Giuseppe Verdi Publisher: Alma Books ISBN: 0714544671 Category : Music Languages : en Pages : 265
Book Description
Otello, Verdi's penultimate opera, was composed more than a dozen years after Aida, which he had intended to be his last work for the stage. He was persuaded by his publisher Giulio Ricordi to work with the librettist Arrigo Boito on an adaptation of Shakespeare's Othello; the resulting work is one of the supreme examples of Italian opera. Greeted with enormous enthusiasm at its premiere at La Scala in 1887, Otello immediately went on to huge success in all the major opera houses of the world. The richness of its musical and dramatic inventiveness is largely unmatched in Verdi's output, and its title role is perhaps the most demanding for the tenor in any Italian opera.This volume contains articles describing how Verdi was persuaded to write the opera and extracts from the extended correspondence between Verdi and Boito during the period of composition, as well as a detailed musical commentary and a historical survey of important productions and performers of the principal roles. The guide includes the full libretto with English translation, a discography, a bibliography, and DVD and website guides.Contains:The Moor of Venice, Milan and Sant'Agata, Avril BardoniOtello: Drama and Music, Benedict SarnakerOtello: A Selective Performance History, Hugo ShirleyOtello: Libretto by Arrigo Boito after the play Othello by William ShakespeareOtello: English translation by Avril Bardoni
Author: Giuseppe Verdi Publisher: Opera Journeys Publishing ISBN: 0977145522 Category : Music Languages : en Pages : 136
Book Description
A comprehensive guide to Verdi's OTELLO, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, a complete, newly translated LIBRETTO with Italian/English translation side-by-side and music examples, selected Discography and Videography, Dictionary of Opera and Musical Terms, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.
Author: Esther Dischereit Publisher: ISBN: 9780857429841 Category : Drama Languages : en Pages : 172
Book Description
A powerful performance text that illuminates incidents of anti-immigrant violence in contemporary Germany. Between 1998 and 2007 a series of killings in Germany, disdainfully styled "doner murders" by the media, were attributed by German police to internecine rivalries among immigrants. The victims included eight citizens of Turkish origin, a Greek citizen, and a German policewoman. Not until 2011 did the German public learn not only that the police had ignored signs pointing to the real perpetrators, a neo-Nazi group called the National Socialist Underground, but also that important files, possibly containing evidence implicating state agencies, had disappeared from the archives of Federal Police and intelligence organizations. Esther Dischereit, one of the preeminent German-Jewish voices of the post-Holocaust generation, takes that failure of the state to protect its citizens from racist violence as the core of her performance text Flowers for Otello: On the Crimes That Came Out of Jena. Seeking an appropriate language with which to meet the bereaved, she also finds a way to raise the blanket of silence that is used by those who would prefer that we forget. Combining witness testimony, myth, and incidents from a history of violence against minorities, Flowers for Otello, in Iain Galbraith's translation, refuses chaos, instead revealing the chilling, patterned order of tragedy, while bringing a great writer's humanism to the fore.
Author: Mal Peet Publisher: Candlewick Press ISBN: 0763652458 Category : Young Adult Fiction Languages : en Pages : 431
Book Description
Carnegie Medalist Mal Peet takes a searing look at the world of soccer and pop-celebrity culture -- and the lives of three street kids caught in its glare. (Age 14 and up) When a black South American soccer star signs on to a team in the country’s racist south, headlines blare. And when he falls for the sensual Desmerelda, a stunning white pop singer and daughter of a wealthy politician, their sudden and controversial marriage propels the pair to center stage, where they burn in the media spotlight. But celebrity attracts enemies; some very close to home. And its dazzle reaches into the city’s hidden corners, exposing a life of grit and desperation the glitterati could never imagine. When a girl is found murdered, reporter Paul Faustino is caught between worlds as he witnesses the power of the media in making -- and breaking -- lives. Inspired by Shakespeare’s OTHELLO, this modern tragedy of desire and betrayal, incisively and compassionately told, is a truly enthralling work of crossover fiction.
Author: Jeongwon Joe Publisher: Routledge ISBN: 1317085485 Category : Music Languages : en Pages : 224
Book Description
Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment. Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen’s Match Point, David Cronenberg’s M. Butterfly, and Wong Kar-wai’s 2046.
Author: Massimo Franceschini Publisher: Xulon Press ISBN: 1607914670 Category : Fiction Languages : en Pages : 290
Book Description
"Faith will always prevail," is Doctor Bible's motto and the winning card for Professor Banetti, an unbeliever, to solve the diabolical mystery in Stonehenge. For centuries, Satan's archenemy has been held captive by Satan in the mystical circles of Stonehenge. Known by many names and disguised in many forms, the time of freedom for Satan's enemy has come and if he wins in the ultimate cosmic battle he will be Lord not only of Hell but of all Earth. There are only two people who can unfold his plan, Otello Banetti, a professor and scientist obsessed by the occult, and his friend Doctor Bible, an expert in the scriptures. Devastating earthquakes and tsunamis are the only signs of the clashes between the two evil forces until Satan's enemy arrives in front of mankind disguised as the new Messiah ready to lead us straight to Hell. Born in Prato, Italy, Massimo Franceschini is the author of eleven screenplays and numerous books. Stonehenge is the fourth in the series of adventures of Otello Banetti. The complete saga is nine books: Bible Code, Genetic code, Eden, Golden Papyrus, Premonitions, Banetti Unveiled, and The Church. Each story stands by itself but there are clues connecting all of them and in the final episode everything is explained and clarified. You'll know the back story of the hero, his purpose in life, and his final destiny. Massimo now lives in Florence, Arizona with his wife Teresa. He has six children and nine grandchildren. He loves Bible studies, mysteries, soccer, and movies. He moved to the USA in 1995 and now is an American citizen
Author: William Berger Publisher: Vintage ISBN: 0307756335 Category : Music Languages : en Pages : 514
Book Description
Everything you could possibly know about Verdi and his operas, from the brilliant and humorous author of Wagner Without Fear. If you want to know why La traviata was actually a flop at its premiere in 1853, it's in here. If you want to know why claiming to have heard Bjorling's Chicago performance of Il trovatore is the classic opera fan faux pas, it's in here. Even if you just want to know how to pronounce Aida, or what the plot of Rigoletto is all about, this is the place to look. From the composer's intense hatred of priests to synopses of the operas and a detailed discography of the best recordings to buy, it can all be found in Verdi with a Vengeance. William Berger has given another improbable performance, serving up a book as thorough as it is funny and as original as it is astute, an utterly indispensable guide for novice and expert alike.
Author: Giuseppe Verdi
Author: Giuseppe Verdi
Author: James A. Hepokoski
Author: Burton D. Fisher
Author: Giuseppe Verdi
Author: Esther Dischereit
Author: Mal Peet
Author: Jeongwon Joe
Author: Matt Dobkin
Author: Massimo Franceschini
Author: William Berger