Author: Chad Engelland
Publisher: MIT Press
ISBN: 0262028093
Category : Language Arts & Disciplines
Languages : en
Pages : 337
Book Description
An examination of the role of ostension—the bodily manifestation of intention—-in word learning, and an investigation of the philosophical puzzles it poses. Ostension is bodily movement that manifests our engagement with things, whether we wish it to or not. Gestures, glances, facial expressions: all betray our interest in something. Ostension enables our first word learning, providing infants with a prelinguistic way to grasp the meaning of words. Ostension is philosophically puzzling; it cuts across domains seemingly unbridgeable—public–private, inner–outer, mind–body. In this book, Chad Engelland offers a philosophical investigation of ostension and its role in word learning by infants. Engelland discusses ostension (distinguishing it from ostensive definition) in contemporary philosophy, examining accounts by Quine, Davidson, and Gadamer, and he explores relevant empirical findings in psychology, evolutionary anthropology, and neuroscience. He offers original studies of four representative historical thinkers whose work enriches the understanding of ostension: Wittgenstein, Merleau-Ponty, Augustine, and Aristotle. And, building on these philosophical and empirical foundations, Engelland offers a meticulous analysis of the philosophical issues raised by ostension. He examines the phenomenological problem of whether embodied intentions are manifest or inferred; the problem of what concept of mind allows ostensive cues to be intersubjectively available; the epistemological problem of how ostensive cues, notoriously ambiguous, can be correctly understood; and the metaphysical problem of the ultimate status of the key terms in his argument: animate movement, language, and mind. Finally, he argues for the centrality of manifestation in philosophy. Taking ostension seriously, he proposes, has far-reaching implications for thinking about language and the practice of philosophy.
Ostension
Author: Chad Engelland
Publisher: MIT Press
ISBN: 0262028093
Category : Language Arts & Disciplines
Languages : en
Pages : 337
Book Description
An examination of the role of ostension—the bodily manifestation of intention—-in word learning, and an investigation of the philosophical puzzles it poses. Ostension is bodily movement that manifests our engagement with things, whether we wish it to or not. Gestures, glances, facial expressions: all betray our interest in something. Ostension enables our first word learning, providing infants with a prelinguistic way to grasp the meaning of words. Ostension is philosophically puzzling; it cuts across domains seemingly unbridgeable—public–private, inner–outer, mind–body. In this book, Chad Engelland offers a philosophical investigation of ostension and its role in word learning by infants. Engelland discusses ostension (distinguishing it from ostensive definition) in contemporary philosophy, examining accounts by Quine, Davidson, and Gadamer, and he explores relevant empirical findings in psychology, evolutionary anthropology, and neuroscience. He offers original studies of four representative historical thinkers whose work enriches the understanding of ostension: Wittgenstein, Merleau-Ponty, Augustine, and Aristotle. And, building on these philosophical and empirical foundations, Engelland offers a meticulous analysis of the philosophical issues raised by ostension. He examines the phenomenological problem of whether embodied intentions are manifest or inferred; the problem of what concept of mind allows ostensive cues to be intersubjectively available; the epistemological problem of how ostensive cues, notoriously ambiguous, can be correctly understood; and the metaphysical problem of the ultimate status of the key terms in his argument: animate movement, language, and mind. Finally, he argues for the centrality of manifestation in philosophy. Taking ostension seriously, he proposes, has far-reaching implications for thinking about language and the practice of philosophy.
Publisher: MIT Press
ISBN: 0262028093
Category : Language Arts & Disciplines
Languages : en
Pages : 337
Book Description
An examination of the role of ostension—the bodily manifestation of intention—-in word learning, and an investigation of the philosophical puzzles it poses. Ostension is bodily movement that manifests our engagement with things, whether we wish it to or not. Gestures, glances, facial expressions: all betray our interest in something. Ostension enables our first word learning, providing infants with a prelinguistic way to grasp the meaning of words. Ostension is philosophically puzzling; it cuts across domains seemingly unbridgeable—public–private, inner–outer, mind–body. In this book, Chad Engelland offers a philosophical investigation of ostension and its role in word learning by infants. Engelland discusses ostension (distinguishing it from ostensive definition) in contemporary philosophy, examining accounts by Quine, Davidson, and Gadamer, and he explores relevant empirical findings in psychology, evolutionary anthropology, and neuroscience. He offers original studies of four representative historical thinkers whose work enriches the understanding of ostension: Wittgenstein, Merleau-Ponty, Augustine, and Aristotle. And, building on these philosophical and empirical foundations, Engelland offers a meticulous analysis of the philosophical issues raised by ostension. He examines the phenomenological problem of whether embodied intentions are manifest or inferred; the problem of what concept of mind allows ostensive cues to be intersubjectively available; the epistemological problem of how ostensive cues, notoriously ambiguous, can be correctly understood; and the metaphysical problem of the ultimate status of the key terms in his argument: animate movement, language, and mind. Finally, he argues for the centrality of manifestation in philosophy. Taking ostension seriously, he proposes, has far-reaching implications for thinking about language and the practice of philosophy.
Ostension
Author: Chad Engelland
Publisher: MIT Press
ISBN: 0262320622
Category : Philosophy
Languages : en
Pages : 337
Book Description
An examination of the role of ostension—the bodily manifestation of intention—-in word learning, and an investigation of the philosophical puzzles it poses. Ostension is bodily movement that manifests our engagement with things, whether we wish it to or not. Gestures, glances, facial expressions: all betray our interest in something. Ostension enables our first word learning, providing infants with a prelinguistic way to grasp the meaning of words. Ostension is philosophically puzzling; it cuts across domains seemingly unbridgeable—public–private, inner–outer, mind–body. In this book, Chad Engelland offers a philosophical investigation of ostension and its role in word learning by infants. Engelland discusses ostension (distinguishing it from ostensive definition) in contemporary philosophy, examining accounts by Quine, Davidson, and Gadamer, and he explores relevant empirical findings in psychology, evolutionary anthropology, and neuroscience. He offers original studies of four representative historical thinkers whose work enriches the understanding of ostension: Wittgenstein, Merleau-Ponty, Augustine, and Aristotle. And, building on these philosophical and empirical foundations, Engelland offers a meticulous analysis of the philosophical issues raised by ostension. He examines the phenomenological problem of whether embodied intentions are manifest or inferred; the problem of what concept of mind allows ostensive cues to be intersubjectively available; the epistemological problem of how ostensive cues, notoriously ambiguous, can be correctly understood; and the metaphysical problem of the ultimate status of the key terms in his argument: animate movement, language, and mind. Finally, he argues for the centrality of manifestation in philosophy. Taking ostension seriously, he proposes, has far-reaching implications for thinking about language and the practice of philosophy.
Publisher: MIT Press
ISBN: 0262320622
Category : Philosophy
Languages : en
Pages : 337
Book Description
An examination of the role of ostension—the bodily manifestation of intention—-in word learning, and an investigation of the philosophical puzzles it poses. Ostension is bodily movement that manifests our engagement with things, whether we wish it to or not. Gestures, glances, facial expressions: all betray our interest in something. Ostension enables our first word learning, providing infants with a prelinguistic way to grasp the meaning of words. Ostension is philosophically puzzling; it cuts across domains seemingly unbridgeable—public–private, inner–outer, mind–body. In this book, Chad Engelland offers a philosophical investigation of ostension and its role in word learning by infants. Engelland discusses ostension (distinguishing it from ostensive definition) in contemporary philosophy, examining accounts by Quine, Davidson, and Gadamer, and he explores relevant empirical findings in psychology, evolutionary anthropology, and neuroscience. He offers original studies of four representative historical thinkers whose work enriches the understanding of ostension: Wittgenstein, Merleau-Ponty, Augustine, and Aristotle. And, building on these philosophical and empirical foundations, Engelland offers a meticulous analysis of the philosophical issues raised by ostension. He examines the phenomenological problem of whether embodied intentions are manifest or inferred; the problem of what concept of mind allows ostensive cues to be intersubjectively available; the epistemological problem of how ostensive cues, notoriously ambiguous, can be correctly understood; and the metaphysical problem of the ultimate status of the key terms in his argument: animate movement, language, and mind. Finally, he argues for the centrality of manifestation in philosophy. Taking ostension seriously, he proposes, has far-reaching implications for thinking about language and the practice of philosophy.
Film, Folklore, and Urban Legends
Author: Mikel J. Koven
Publisher: Scarecrow Press
ISBN: 9780810860254
Category : Performing Arts
Languages : en
Pages : 220
Book Description
From Alien to When a Stranger Calls, many films are based on folklore or employ an urban legend element to propel the narrative. Films, Folklore and Urban Legends explores the convergence of folklore with popular cinema studies and focuses on the study of urban legends and how these narratives are used as inspiration for a number of films. Beginning with a general survey of the existing literature on folklore/film, this book addresses discourses of belief, how urban legends provide the organizing principle of some films, and how certain films "act out" or perform a legend.
Publisher: Scarecrow Press
ISBN: 9780810860254
Category : Performing Arts
Languages : en
Pages : 220
Book Description
From Alien to When a Stranger Calls, many films are based on folklore or employ an urban legend element to propel the narrative. Films, Folklore and Urban Legends explores the convergence of folklore with popular cinema studies and focuses on the study of urban legends and how these narratives are used as inspiration for a number of films. Beginning with a general survey of the existing literature on folklore/film, this book addresses discourses of belief, how urban legends provide the organizing principle of some films, and how certain films "act out" or perform a legend.
Architecture for the Shroud
Author: John Beldon Scott
Publisher: University of Chicago Press
ISBN: 9780226743165
Category : Architecture
Languages : en
Pages : 524
Book Description
The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today. In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital. Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.
Publisher: University of Chicago Press
ISBN: 9780226743165
Category : Architecture
Languages : en
Pages : 524
Book Description
The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today. In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geometry and bizarre imagery convey to the viewer the supernatural powers of the object enshrined there. Drawing on early plans and documents, he demonstrates how the architect's design mirrors the Shroud's strange history as well as political aspirations of its owners, the Dukes of Savoy. Exhibiting it ritually, the Savoy prized their relic with its godly vestige as a means to link their dynasty with divine purposes. Guarini, too, promoted this end by fashioning an illusionary world and sacred space that positioned the duke visually so that he appeared close to the Shroud during its ceremonial display. Finally, Scott describes how the additional need for an outdoor stage for the public showing of the relic to the thousands who came to Turin to see it also helped shape the urban plan of the city and its transformation into the Savoyard capital. Exploring the mystique of this enigmatic relic and investigating its architectural and urban history for the first time, Architecture for the Shroud will appeal to anyone curious about the textile, its display, and the architectural settings designed to enhance its veneration and boost the political agenda of the ruling family.
Giving a Damn
Author: Zed Adams
Publisher: MIT Press
ISBN: 0262035243
Category : Philosophy
Languages : en
Pages : 385
Book Description
A collection of essays that use John Haugeland's work on intentionality, embodiment, objectivity, and caring to explore contemporary issues in philosophy of mind. In his work, the philosopher John Haugeland (1945–2010) proposed a radical expansion of philosophy's conceptual toolkit, calling for a wider range of resources for understanding the mind, the world, and how they relate. Haugeland argued that “giving a damn” is essential for having a mind—suggesting that traditional approaches to cognitive science mistakenly overlook the relevance of caring to the understanding of mindedness. Haugeland's determination to expand philosophy's array of concepts led him to write on a wide variety of subjects that may seem unrelated—from topics in cognitive science and philosophy of mind to examinations of such figures as Martin Heidegger and Thomas Kuhn. Haugeland's two books with the MIT Press, Artificial Intelligence and Mind Design, show the range of his interests. This book offers a collection of essays in conversation with Haugeland's work. The essays, by prominent scholars, extend Haugeland's work on a range of contemporary topics in philosophy of mind—from questions about intentionality to issues concerning objectivity and truth to the work of Heidegger. Giving a Damn also includes a previously unpublished paper by Haugeland, “Two Dogmas of Rationalism,” as well as critical responses to it. Finally, an appendix offers Haugeland's outline of Kant's "Transcendental Deduction of the Categories.” Contributors Zed Adams, William Blattner, Jacob Browning, Steven Crowell, John Haugeland, Bennett W. Helm, Rebecca Kukla, John Kulvicki, Mark Lance, Danielle Macbeth, Chauncey Maher, John McDowell, Joseph Rouse
Publisher: MIT Press
ISBN: 0262035243
Category : Philosophy
Languages : en
Pages : 385
Book Description
A collection of essays that use John Haugeland's work on intentionality, embodiment, objectivity, and caring to explore contemporary issues in philosophy of mind. In his work, the philosopher John Haugeland (1945–2010) proposed a radical expansion of philosophy's conceptual toolkit, calling for a wider range of resources for understanding the mind, the world, and how they relate. Haugeland argued that “giving a damn” is essential for having a mind—suggesting that traditional approaches to cognitive science mistakenly overlook the relevance of caring to the understanding of mindedness. Haugeland's determination to expand philosophy's array of concepts led him to write on a wide variety of subjects that may seem unrelated—from topics in cognitive science and philosophy of mind to examinations of such figures as Martin Heidegger and Thomas Kuhn. Haugeland's two books with the MIT Press, Artificial Intelligence and Mind Design, show the range of his interests. This book offers a collection of essays in conversation with Haugeland's work. The essays, by prominent scholars, extend Haugeland's work on a range of contemporary topics in philosophy of mind—from questions about intentionality to issues concerning objectivity and truth to the work of Heidegger. Giving a Damn also includes a previously unpublished paper by Haugeland, “Two Dogmas of Rationalism,” as well as critical responses to it. Finally, an appendix offers Haugeland's outline of Kant's "Transcendental Deduction of the Categories.” Contributors Zed Adams, William Blattner, Jacob Browning, Steven Crowell, John Haugeland, Bennett W. Helm, Rebecca Kukla, John Kulvicki, Mark Lance, Danielle Macbeth, Chauncey Maher, John McDowell, Joseph Rouse
Digital Legend and Belief
Author: Andrew Peck
Publisher: University of Wisconsin Pres
ISBN: 0299343405
Category : Computers
Languages : en
Pages : 266
Book Description
The internet brings new urgency to the study of folklore. The digital networks we use every day amplify the capacity of legends to spread swiftly, define threats, and inform action. Using the case of a particularly popular digital bogeyman known as the Slender Man, Andrew Peck brings the study of legends into the twenty-first century. Peck explains not only how legends circulate in the digital swirl of the internet but also how the internet affects how legends seep into our offline lives and into the mass media we consume. What happens, he asks, when legends go online? How does the internet enable the creation of new legends? How do these ideas go viral? How do tradition and technology interact to construct collaborative beliefs? Peck argues that the story of the Slender Man is really a story about the changing nature of belief in the age of the internet. Widely adopted digital technologies, from smartphones to social media, offer vast potential for extending traditional and expressive social behaviors in new ways. As such, understanding the online landscape of contemporary folklore is crucial for grasping the formation and circulation of belief in the digital age. Ultimately, Peck argues that advancing our comprehension of legends online can help us better understand how similar belief genres—like fake news, conspiracy theories, hoaxes, rumors, meme culture, and anti-expert movements—are enabled by digital media.
Publisher: University of Wisconsin Pres
ISBN: 0299343405
Category : Computers
Languages : en
Pages : 266
Book Description
The internet brings new urgency to the study of folklore. The digital networks we use every day amplify the capacity of legends to spread swiftly, define threats, and inform action. Using the case of a particularly popular digital bogeyman known as the Slender Man, Andrew Peck brings the study of legends into the twenty-first century. Peck explains not only how legends circulate in the digital swirl of the internet but also how the internet affects how legends seep into our offline lives and into the mass media we consume. What happens, he asks, when legends go online? How does the internet enable the creation of new legends? How do these ideas go viral? How do tradition and technology interact to construct collaborative beliefs? Peck argues that the story of the Slender Man is really a story about the changing nature of belief in the age of the internet. Widely adopted digital technologies, from smartphones to social media, offer vast potential for extending traditional and expressive social behaviors in new ways. As such, understanding the online landscape of contemporary folklore is crucial for grasping the formation and circulation of belief in the digital age. Ultimately, Peck argues that advancing our comprehension of legends online can help us better understand how similar belief genres—like fake news, conspiracy theories, hoaxes, rumors, meme culture, and anti-expert movements—are enabled by digital media.
Reaching Into Thought
Author: Anne E. Russon
Publisher: Cambridge University Press
ISBN: 9780521644969
Category : Psychology
Languages : en
Pages : 484
Book Description
This book investigates current field and theoretical information on great ape cognition.
Publisher: Cambridge University Press
ISBN: 9780521644969
Category : Psychology
Languages : en
Pages : 484
Book Description
This book investigates current field and theoretical information on great ape cognition.
Reframing Dutch Culture
Author: Peter Jan Margry
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754647058
Category : Science
Languages : en
Pages : 320
Book Description
Dutch society has undergone radical changes in recent years, due to complex political, social and ethnic developments. Reframing Dutch Culture examines issues of nationality, ethnicity, culture and identity in The Netherlands from an ethnological perspective, linking past traditions and notions of identity with more recent transformations.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754647058
Category : Science
Languages : en
Pages : 320
Book Description
Dutch society has undergone radical changes in recent years, due to complex political, social and ethnic developments. Reframing Dutch Culture examines issues of nationality, ethnicity, culture and identity in The Netherlands from an ethnological perspective, linking past traditions and notions of identity with more recent transformations.
The Art Institute of Chicago Field Guide to Photography and Media
Author: Antawan I. Byrd
Publisher: Yale University Press
ISBN: 030026688X
Category : Photography
Languages : en
Pages : 425
Book Description
A roster of prominent artists, curators, and scholars offers a new, entirely contemporary approach to our understanding of photography and media Focusing on the Art Institute of Chicago's deep and varied collection of photographs, books and other printed matter, installation art, photobooks, albums, and time-based media, this ambitious, wide-ranging volume features short essays by prominent artists, curators, university professors, and independent scholars that explore topics essential to understanding photography and media today. The essays, organized around themes ranging from the expected to the esoteric, are paired with key objects from the collection in order to address issues of aesthetics, history, philosophy, power relations, production, and reception. More than 400 high-quality reproductions amplify the authors' arguments and suggest additional dialogues across conventional divisions of chronology, genre, geography, and technology. An introductory essay by Matthew S. Witkovsky traces the museum's history of acquisitions and how the evolution of the museum's collection reflects broader changes in the critical reception of the field of photography and media. Distributed for the Art Institute of Chicago
Publisher: Yale University Press
ISBN: 030026688X
Category : Photography
Languages : en
Pages : 425
Book Description
A roster of prominent artists, curators, and scholars offers a new, entirely contemporary approach to our understanding of photography and media Focusing on the Art Institute of Chicago's deep and varied collection of photographs, books and other printed matter, installation art, photobooks, albums, and time-based media, this ambitious, wide-ranging volume features short essays by prominent artists, curators, university professors, and independent scholars that explore topics essential to understanding photography and media today. The essays, organized around themes ranging from the expected to the esoteric, are paired with key objects from the collection in order to address issues of aesthetics, history, philosophy, power relations, production, and reception. More than 400 high-quality reproductions amplify the authors' arguments and suggest additional dialogues across conventional divisions of chronology, genre, geography, and technology. An introductory essay by Matthew S. Witkovsky traces the museum's history of acquisitions and how the evolution of the museum's collection reflects broader changes in the critical reception of the field of photography and media. Distributed for the Art Institute of Chicago
From a Logical Point of View
Author: Willard Van Orman Quine
Publisher: Harvard University Press
ISBN: 9780674323513
Category : Philosophy
Languages : en
Pages : 204
Book Description
This volume of essays has a unity and bears throughout the imprint of Quine's powerful and original mind. It is written with the felicity in the choice of words which makes everything that Quine writes a pleasure to read, and which ranks him among the best contemporary writers on abstract subjects.
Publisher: Harvard University Press
ISBN: 9780674323513
Category : Philosophy
Languages : en
Pages : 204
Book Description
This volume of essays has a unity and bears throughout the imprint of Quine's powerful and original mind. It is written with the felicity in the choice of words which makes everything that Quine writes a pleasure to read, and which ranks him among the best contemporary writers on abstract subjects.