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Author: Matteo Maria Boiardo Publisher: Parlor Press LLC ISBN: 9781932559019 Category : Fiction Languages : en Pages : 726
Book Description
Like Ariosto's Orlando Furioso and Tasso's Jerusalem Delivered, Boiardo's chivalric stories of lords and ladies first entertained the culturally innovative court of Ferrara in the Italian Renaissance. Inventive, humorous, inexhaustible, the story recounts Orlando's love-stricken pursuit of "the fairest of her Sex, Angelica" (in Milton's terms) through a fairyland that combines the military valors of Charlemagne's knights and their famous horses with the enchantments of King Arthur's court. Today it seems more than ever appropriate to offer a new, unabridged edition of Boiardo's Orlando Innamorato, the first Renaissance epic about the common customs of, and the conflicts between, Christian Europe and Islam. Having extensively revised his earlier translation for general readers, Charles Ross has added headings and helpful summaries to Boiardo's cantos. Tenses have been regularized, and terms of gender and religion have been updated, but not so much as to block the reader's encounter with how Boiardo once viewed the world. Charles Stanley Ross has degrees from Harvard College and the University of Chicago and teaches English and comparative literature at Purdue University. "Neglect of Italian romances robs us of a whole species of pleasure and narrows our very conception of literature. It is as if a man left out Homer, or Elizabethan drama, or the novel. For like these, the romantic epic of Italy is one of the great trophies of the European genius: a genuine kind, not to be replaced by any other, and illustrated by an extremely copious and brilliant production. It is one of the successes, the undisputed achievements." -C. S. Lewis
Author: Matteo Maria Boiardo Publisher: Parlor Press LLC ISBN: 9781932559019 Category : Fiction Languages : en Pages : 726
Book Description
Like Ariosto's Orlando Furioso and Tasso's Jerusalem Delivered, Boiardo's chivalric stories of lords and ladies first entertained the culturally innovative court of Ferrara in the Italian Renaissance. Inventive, humorous, inexhaustible, the story recounts Orlando's love-stricken pursuit of "the fairest of her Sex, Angelica" (in Milton's terms) through a fairyland that combines the military valors of Charlemagne's knights and their famous horses with the enchantments of King Arthur's court. Today it seems more than ever appropriate to offer a new, unabridged edition of Boiardo's Orlando Innamorato, the first Renaissance epic about the common customs of, and the conflicts between, Christian Europe and Islam. Having extensively revised his earlier translation for general readers, Charles Ross has added headings and helpful summaries to Boiardo's cantos. Tenses have been regularized, and terms of gender and religion have been updated, but not so much as to block the reader's encounter with how Boiardo once viewed the world. Charles Stanley Ross has degrees from Harvard College and the University of Chicago and teaches English and comparative literature at Purdue University. "Neglect of Italian romances robs us of a whole species of pleasure and narrows our very conception of literature. It is as if a man left out Homer, or Elizabethan drama, or the novel. For like these, the romantic epic of Italy is one of the great trophies of the European genius: a genuine kind, not to be replaced by any other, and illustrated by an extremely copious and brilliant production. It is one of the successes, the undisputed achievements." -C. S. Lewis
Author: Matteo Maria Boiardo Publisher: Createspace Independent Publishing Platform ISBN: 9781544207216 Category : Languages : en Pages :
Book Description
Orlando Innamorato of Matteo Maria Boiardo Translated by William Stewart Rose Orlando Innamorato (Orlando in Love) is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 (first two books) and 1495 (third book published separately, first complete edition). Francesco Berni (1497/98 - May 26, 1535) was an Italian poet. He is credited for beginning what is now known as "Bernesque poetry," a serio-comedic type of poetry with elements of satire. IT is many years since I first entertained a vague idea of translating the Orlando Furioso, and circumstances of little importance to the reader, led me more recently to undertake it in earnest. This work was again laid down; and afterwards resumed at the instance of a distinguished friend; and by an odd coincidence, I am indebted also to the suggestion of another eminent person for the idea of the present translation of the Orlando Innamorato, which, I should observe, is intended to be auxiliary to that, my first and greater undertaking, though I need scarcely say, that the story of Boiardo is a necessary prologue to the poem of Ariosto.
Author: Francesco Berni Publisher: ISBN: 9781770833173 Category : Languages : en Pages : 154
Book Description
Look also for the Theophania Publishing edition of Orlando Furioso. The beautiful Angelica, daughter of the king of Cataio (Cathay), comes to Charlemagne's court for a tournament in which both Christians and pagans can participate. She offers herself as a prize to whoever will defeat her brother, Argalia, who in so doing imprisons lots of Christians. But then Ferraguto (aka Ferrau) kills Argalia and Angelica flees, chased by many paladins, especially Orlando and Rinaldo. Stopping in the Ardenne forest, she drinks at the Stream of Love (making her fall in love with Rinaldo), while Rinaldo drinks at the fount of hate (making him conceive a passionate hatred of Angelica): first reversal. She asks the magician Malagigi to kidnap Rinaldo, and the magician brings him to an enchanted island, while she returns to Cataio where she is besieged by king Agricane, another of her admirers, in the fortress of Albracca. Orlando comes to kill Agricane and to free her, and he succeeds. Afterwards, Rinaldo tries to convince him to return to France to fight alongside Charlemagne: consequently, Orlando and Rinaldo duel furiously. In fact, in the meantime the Saracen king Agramante has invaded France with a massive army (along with Rodomonte, Ferrau, Gradasso, and many others), to avenge his father Troiano, previously killed by Orlando. Rinaldo rushes back to France, chased by Angelica in love with him, in turn chased by Orlando. Back in the Ardenne forest, this time Rinaldo and Angelica drink at the opposite founts: second reversal. Orlando and Rinaldo duel again for Angelica, and Charlemagne decides to entrust her to the old and wise duke Namo, offering her to the one who will fight most valorously against the infidels. In the meantime, the Saracen paladin Ruggiero and Rinaldo's sister, Bradamante, fall in love. The poem stops there abruptly, with Boiardo's narrator explaining that he can write no more because Italy has been invaded by French troops headed by king Charles VIII (Ariosto's "Orlando Furioso" will reprise from that point).
Author: Matteo Boiardo Publisher: Createspace Independent Publishing Platform ISBN: 9781541384095 Category : Languages : en Pages : 118
Book Description
Orlando Innamorato of Matteo Maria Boiardo Orlando in Love Translated into prose From the Italian of Francesco Berni And interspersed with extracts in the same stanza as the original by William Stewart Rose Orlando Innamorato, Orlando in Love, is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 (first two books) and 1495 (third book published separately, first complete edition). The beautiful Angelica, daughter of the king of Cataio (Cathay), comes to Charlemagne's court for a tournament in which both Christians and pagans can participate. She offers herself as a prize to whoever will defeat her brother, Argalia, who in the consequent fighting competition imprisons one of the Christians. But the second knight to fight, Ferraguto (aka Ferrau), kills Argalia and Angelica flees, chased by leading paladins, especially Orlando and Rinaldo. Stopping in the Ardenne forest, she drinks at the Stream of Love (making her fall in love with Rinaldo), while Rinaldo drinks at the fount of hate (making him conceive a passionate hatred of Angelica): first reversal. She asks the magician Malagigi to kidnap Rinaldo, and the magician brings him to an enchanted island, while she returns to Cataio where she is besieged by king Agricane, another of her admirers, in the fortress of Albracca. Orlando comes to kill Agricane and to free her, and he succeeds. Afterwards, Rinaldo, who has escaped from the enchanted island, tries to convince him to return to France to fight alongside Charlemagne: consequently, Orlando and Rinaldo duel furiously."
Author: Jo Ann Cavallo Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838635346 Category : Literary Criticism Languages : en Pages : 238
Book Description
Jo Ann Cavallo challenges the traditional tendency to view the Orlando Innamorato as "pure entertainment" and argues instead that the poem embodies the principal elements of fifteenth-century Humanist poets.
Author: Matteo Maria Boiardo Publisher: Createspace Independent Pub ISBN: 9781500489205 Category : Poetry Languages : en Pages : 150
Book Description
Orlando Innamorato of Matteo Maria Boiardo. Translated into prose from the Italian of Francesco Berni and interspersed with extracts in the same stanza as the original by William Stewart Rose. Orlando Innamorato (Orlando in Love) is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). The beautiful Angelica, daughter of the king of Cataio (Cathay), comes to Charlemagne's court for a tournament in which both Christians and pagans can participate. She offers herself as a prize to whoever will defeat her brother, Argalia, who in the consequent competition fighting imprisons many Christians. But then Ferraguto (aka Ferrau) kills Argalia and Angelica flees, chased by many paladins, especially Orlando and Rinaldo. Stopping in the Ardenne forest, she drinks at the Stream of Love (making her fall in love with Rinaldo), while Rinaldo drinks at the fount of hate (making him conceive a passionate hatred of Angelica): first reversal. She asks the magician Malagigi to kidnap Rinaldo, and the magician brings him to an enchanted island, while she returns to Cataio where she is besieged by king Agricane, another of her admirers, in the fortress of Albracca. Orlando comes to kill Agricane and to free her, and he succeeds. Afterwards, Rinaldo tries to convince him to return to France to fight alongside Charlemagne: consequently, Orlando and Rinaldo duel furiously. In the meantime the Saracen king Agramante has invaded France with a massive army (along with Rodomonte, Ferrau, Gradasso, and many others), to avenge his father Troiano, previously killed by Orlando. Rinaldo rushes back to France, chased by Angelica in love with him, in turn chased by Orlando. Back in the Ardenne forest, this time Rinaldo and Angelica drink at the opposite founts: second reversal. Orlando and Rinaldo duel again for Angelica, and Charlemagne decides to entrust her to the old and wise duke Namo, offering her to the one who will fight most valorously against the infidels. In the meantime, the Saracen paladin Ruggiero and Rinaldo's sister, Bradamante, fall in love. The poem stops there abruptly, with Boiardo's narrator explaining that he can write no more because Italy has been invaded by French troops headed by king Charles VIII. (Ariosto's Orlando Furioso will resume from that point.)
Author: Jo Ann Cavallo Publisher: Modern Language Association ISBN: 1603293671 Category : Language Arts & Disciplines Languages : en Pages : 314
Book Description
The Italian romance epic of the fifteenth and sixteenth centuries, with its multitude of characters, complex plots, and roots in medieval Carolingian epic and Arthurian chivalric romance, was a form popular with courtly and urban audiences. In the hands of writers such as Boiardo, Ariosto, and Tasso, works of remarkable sophistication that combined high seriousness and low comedy were created. Their works went on to influence Cervantes, Milton, Ronsard, Shakespeare, and Spenser. In this volume instructors will find ideas for teaching the Italian Renaissance romance epic along with its adaptations in film, theater, visual art, and music. An extensive resources section locates primary texts online and lists critical studies, anthologies, and reference works.
Author: Matteo Maria Boiardo
Author: Matteo Maria Boiardo
Author: Matteo Maria Boiardo![Orlando Innamorato [di] Matteo Maria Boiardo PDF](https://books.google.com/books/content/images/frontcover/CoHOxgEACAAJ?fife=w80-h100)
Author: Matteo Maria Boiardo
Author: Matteo Maria Boiardo
Author: Francesco Berni
Author: Matteo Boiardo
Author: Jo Ann Cavallo
Author: Matteo Maria Boiardo
Author: Jo Ann Cavallo
Author: