Author: Gordon T. McClelland
Publisher:
ISBN: 9780914589105
Category : California
Languages : en
Pages : 0
Book Description
California Watercolors 1850-1970
Author: Gordon T. McClelland
Publisher:
ISBN: 9780914589105
Category : California
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780914589105
Category : California
Languages : en
Pages : 0
Book Description
California Scene Paintings
Author: Gordon T. McClelland
Publisher:
ISBN: 9781616581084
Category : California in art
Languages : en
Pages : 215
Book Description
Publisher:
ISBN: 9781616581084
Category : California in art
Languages : en
Pages : 215
Book Description
American Watercolors
Author: Christopher Finch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324
Book Description
A comprehensive history of watercolor in the United States.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324
Book Description
A comprehensive history of watercolor in the United States.
John Singer Sargent Watercolors
Author: John Singer Sargent
Publisher: Mfa Publications
ISBN: 9780878467914
Category : Art
Languages : en
Pages : 247
Book Description
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
Publisher: Mfa Publications
ISBN: 9780878467914
Category : Art
Languages : en
Pages : 247
Book Description
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Watercolor
Author: Frank Germain
Publisher: Walter Foster Publishing
ISBN: 9781560100669
Category : Art
Languages : en
Pages : 32
Book Description
You can learn to paint the ocean in all of its moods—from serene lapping waves to mighty storm swells! Frank Germain invites you into his artistic world as he shows you how to re-create a variety of intriguing seascapes in watercolor. In Seascapes, he explains a number of basic watercolor techniques as well as methods for creating special effects as he demonstrates his own method of developing a painting, step by step. You will learn how to paint essential seascape elements, such as skies, rocks, sand, and even sea birds. And additional tips that explore watercolor painting materials and color theory will help you use the watercolor medium to its fullest potential. Best of all, you will find a wealth of beautiful watercolor seascapes to both copy and admire!
Publisher: Walter Foster Publishing
ISBN: 9781560100669
Category : Art
Languages : en
Pages : 32
Book Description
You can learn to paint the ocean in all of its moods—from serene lapping waves to mighty storm swells! Frank Germain invites you into his artistic world as he shows you how to re-create a variety of intriguing seascapes in watercolor. In Seascapes, he explains a number of basic watercolor techniques as well as methods for creating special effects as he demonstrates his own method of developing a painting, step by step. You will learn how to paint essential seascape elements, such as skies, rocks, sand, and even sea birds. And additional tips that explore watercolor painting materials and color theory will help you use the watercolor medium to its fullest potential. Best of all, you will find a wealth of beautiful watercolor seascapes to both copy and admire!
American Scene Painting
Author: Ruth Lilly Westphal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
The California Style
Author: Gordon McClelland
Publisher:
ISBN:
Category : Art schools
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Art schools
Languages : en
Pages : 272
Book Description
Obata's Yosemite
Author: Chiura Obata
Publisher: Yosemite Conservancy
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
This volume includes 80 full-color reproductions of Obata's pencil sketches, watercolor paintings, and day-by-day narratives woven through his correspondences.
Publisher: Yosemite Conservancy
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
This volume includes 80 full-color reproductions of Obata's pencil sketches, watercolor paintings, and day-by-day narratives woven through his correspondences.
Watercolor
Author: Marie-Pierre Salé
Publisher: National Geographic Books
ISBN: 0789213737
Category : Art
Languages : en
Pages : 0
Book Description
A comprehensive and beautifully illustrated history of watercolor, printed on a special paper stock As an artistic medium, watercolor is so widely practiced, and so widely beloved, that it can be startling to reflect on its humble origins. For hundreds of years, nevertheless, watercolor labored in the shadow of oil painting; it was dismissed as a mere tool for creating preparatory studies, or as a “feminine” pastime. But, from the Renaissance, there have been artists who recognized the unique potential of watercolor: its luminosity, its immediacy, its ability to create atmosphere—qualities that derive directly from the quick-drying, translucent nature of water-based pigments. In this landmark volume, Louvre curator Marie-Pierre Salé tells the story of how these pioneering practitioners unlocked the aesthetic power of watercolor and established it as a medium in its own right. Salé’s incisive text takes us from medieval scriptoria to the studios of the early twentieth-century modernists, encompassing every type of work—from plein-air sketches to finished studio pieces—and a wide variety of artists. Here are Dürer’s exquisitely detailed animal studies, Turner’s atmospheric landscapes, Cézanne’s tireless explorations of the visible, Sargent’s light-dappled sketches, O’Keeffe’s trailblazing abstractions. Throughout Salé draws on the personal and professional writings of artists and critics, revealing the rich dialogues that have propelled the development of watercolor, as well as the social institutions that have supported it, such as the nineteenth-century watercolor societies. A valuable appendix, also based in primary sources, traces the technical development of the medium. Watercolor: A History features more than three hundred full-color illustrations, specially printed on Munken paper to capture the vibrancy and texture of the original works. It is sure to be welcomed by artists, scholars, and art lovers alike.
Publisher: National Geographic Books
ISBN: 0789213737
Category : Art
Languages : en
Pages : 0
Book Description
A comprehensive and beautifully illustrated history of watercolor, printed on a special paper stock As an artistic medium, watercolor is so widely practiced, and so widely beloved, that it can be startling to reflect on its humble origins. For hundreds of years, nevertheless, watercolor labored in the shadow of oil painting; it was dismissed as a mere tool for creating preparatory studies, or as a “feminine” pastime. But, from the Renaissance, there have been artists who recognized the unique potential of watercolor: its luminosity, its immediacy, its ability to create atmosphere—qualities that derive directly from the quick-drying, translucent nature of water-based pigments. In this landmark volume, Louvre curator Marie-Pierre Salé tells the story of how these pioneering practitioners unlocked the aesthetic power of watercolor and established it as a medium in its own right. Salé’s incisive text takes us from medieval scriptoria to the studios of the early twentieth-century modernists, encompassing every type of work—from plein-air sketches to finished studio pieces—and a wide variety of artists. Here are Dürer’s exquisitely detailed animal studies, Turner’s atmospheric landscapes, Cézanne’s tireless explorations of the visible, Sargent’s light-dappled sketches, O’Keeffe’s trailblazing abstractions. Throughout Salé draws on the personal and professional writings of artists and critics, revealing the rich dialogues that have propelled the development of watercolor, as well as the social institutions that have supported it, such as the nineteenth-century watercolor societies. A valuable appendix, also based in primary sources, traces the technical development of the medium. Watercolor: A History features more than three hundred full-color illustrations, specially printed on Munken paper to capture the vibrancy and texture of the original works. It is sure to be welcomed by artists, scholars, and art lovers alike.