Author: J. L. Nevinson
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 68
Book Description
This book explores the concept of fashion from the 15th century to the present day (1967). The author worked at the Victoria and Albert Museum in London for many years and now continues to research fashion in his retirement.
Origin and Early History of the Fashion Plate
Origin and Early History of the Fashion Plate
Author: Nevinson John L
Publisher: Hardpress Publishing
ISBN: 9781318987481
Category :
Languages : en
Pages : 72
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Publisher: Hardpress Publishing
ISBN: 9781318987481
Category :
Languages : en
Pages : 72
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Origin and Early History of the Fashion Plate
Origin and Early History of the Fashion Plate
Author: John Lea Nevinson
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 32
Book Description
Establishing Dress History
Author: Lou Taylor
Publisher: Manchester University Press
ISBN: 9780719066399
Category : Antiques & Collectibles
Languages : en
Pages : 356
Book Description
'Establishing Dress History' will appeal not only to students and academics bt all those those with an interest in the history of dress and fashion. The title fuses together two areas of current academic interest, dress design and history, and current museum studies approaches.
Publisher: Manchester University Press
ISBN: 9780719066399
Category : Antiques & Collectibles
Languages : en
Pages : 356
Book Description
'Establishing Dress History' will appeal not only to students and academics bt all those those with an interest in the history of dress and fashion. The title fuses together two areas of current academic interest, dress design and history, and current museum studies approaches.
Bulletin
Author: United States National Museum
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 88
Book Description
Behind the Seams
Author: Susan Hiner
Publisher: Bloomsbury Publishing
ISBN: 1350339822
Category : Design
Languages : en
Pages : 369
Book Description
In this highly original book, Susan E. Hiner looks behind fashion's seams and focuses on the women fashion producers both working- and middle-class who were key to shaping the French fashion economy. Behind the Seams thus opens up the fields of both fashion and French cultural studies and explores new ways of understanding the 19th century by demonstrating that these women's complex and contradictory roles as producers of luxury items left them exploited by an oppressive fashion system even as they served as influencers within it. In 19th-century France, fashion was a powerful and lucrative network that depended on women's expert manipulation of its raw materials. The delicate finger work of seamstresses and modistes yielded frothy dresses and ethereal hats; the subtle, persuasive rhetoric of written chronicles resulted in savvy, targeted marketing campaigns of goods and lifestyles; and the stylized visual splendour of the detailed drawing, engraving, and painting of fashion plates fed an aspirational fantasy that ended in consumption. Yet this fashion system paradoxically effaced many of the women on whom it depended. Rather than repeating the familiar narrative of women as victims of fashion, Behind the Seams tells a more complicated story. Hiner's close examination reveals the productive women workers, writers, and artists who achieved agency, influence, and active careers even as their work and lives were masked by the ways in which they were mythologized in popular culture, rendered anonymous, and marginalized by institutional exclusion. Beautifully illustrated in colour throughout, Behind the Seams is a rich resource and essential reading for all those interested in fashion history, 19th-century French history and visual culture, and the social history of women.
Publisher: Bloomsbury Publishing
ISBN: 1350339822
Category : Design
Languages : en
Pages : 369
Book Description
In this highly original book, Susan E. Hiner looks behind fashion's seams and focuses on the women fashion producers both working- and middle-class who were key to shaping the French fashion economy. Behind the Seams thus opens up the fields of both fashion and French cultural studies and explores new ways of understanding the 19th century by demonstrating that these women's complex and contradictory roles as producers of luxury items left them exploited by an oppressive fashion system even as they served as influencers within it. In 19th-century France, fashion was a powerful and lucrative network that depended on women's expert manipulation of its raw materials. The delicate finger work of seamstresses and modistes yielded frothy dresses and ethereal hats; the subtle, persuasive rhetoric of written chronicles resulted in savvy, targeted marketing campaigns of goods and lifestyles; and the stylized visual splendour of the detailed drawing, engraving, and painting of fashion plates fed an aspirational fantasy that ended in consumption. Yet this fashion system paradoxically effaced many of the women on whom it depended. Rather than repeating the familiar narrative of women as victims of fashion, Behind the Seams tells a more complicated story. Hiner's close examination reveals the productive women workers, writers, and artists who achieved agency, influence, and active careers even as their work and lives were masked by the ways in which they were mythologized in popular culture, rendered anonymous, and marginalized by institutional exclusion. Beautifully illustrated in colour throughout, Behind the Seams is a rich resource and essential reading for all those interested in fashion history, 19th-century French history and visual culture, and the social history of women.
Encyclopedia of Historians and Historical Writing
Author: Kelly Boyd
Publisher: Routledge
ISBN: 113678764X
Category : History
Languages : en
Pages : 864
Book Description
The Encyclopedia of Historians and Historical Writing contains over 800 entries ranging from Lord Acton and Anna Comnena to Howard Zinn and from Herodotus to Simon Schama. Over 300 contributors from around the world have composed critical assessments of historians from the beginning of historical writing to the present day, including individuals from related disciplines like Jürgen Habermas and Clifford Geertz, whose theoretical contributions have informed historical debate. Additionally, the Encyclopedia includes some 200 essays treating the development of national, regional and topical historiographies, from the Ancient Near East to the history of sexuality. In addition to the Western tradition, it includes substantial assessments of African, Asian, and Latin American historians and debates on gender and subaltern studies.
Publisher: Routledge
ISBN: 113678764X
Category : History
Languages : en
Pages : 864
Book Description
The Encyclopedia of Historians and Historical Writing contains over 800 entries ranging from Lord Acton and Anna Comnena to Howard Zinn and from Herodotus to Simon Schama. Over 300 contributors from around the world have composed critical assessments of historians from the beginning of historical writing to the present day, including individuals from related disciplines like Jürgen Habermas and Clifford Geertz, whose theoretical contributions have informed historical debate. Additionally, the Encyclopedia includes some 200 essays treating the development of national, regional and topical historiographies, from the Ancient Near East to the history of sexuality. In addition to the Western tradition, it includes substantial assessments of African, Asian, and Latin American historians and debates on gender and subaltern studies.
Accessories to Modernity
Author: Susan Hiner
Publisher: University of Pennsylvania Press
ISBN: 0812205332
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Accessories to Modernity explores the ways in which feminine fashion accessories, such as cashmere shawls, parasols, fans, and handbags, became essential instruments in the bourgeois idealization of womanhood in nineteenth-century France. Considering how these fashionable objects were portrayed in fashion journals and illustrations, as well as fiction, the book explores the histories and cultural weight of the objects themselves and offers fresh readings of works by Balzac, Flaubert, and Zola, some of the most widely read novels of the period. As social boundaries were becoming more and more fluid in the nineteenth century, one effort to impose order over the looming confusion came, in the case of women, through fashion, and the fashion accessory thus became an ever more crucial tool through which social distinction could be created, projected, and maintained. Looking through the lens of fashion, Susan Hiner explores the interplay of imperialist expansion and domestic rituals, the assertion of privilege in the face of increasing social mobility, gendering practices and their relation to social hierarchies, and the rise of commodity culture and woman's paradoxical status as both consumer and object within it. Through her close focus on these luxury objects, Hiner reframes the feminine fashion accessory as a key symbol of modernity that bridges the erotic and proper, the domestic and exotic, and mass production and the work of art while making a larger claim about the "accessory" status—in terms of both complicity and subordination—of bourgeois women in nineteenth-century France. Women were not simply passive bystanders but rather were themselves accessories to the work of modernity from which they were ostensibly excluded.
Publisher: University of Pennsylvania Press
ISBN: 0812205332
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Accessories to Modernity explores the ways in which feminine fashion accessories, such as cashmere shawls, parasols, fans, and handbags, became essential instruments in the bourgeois idealization of womanhood in nineteenth-century France. Considering how these fashionable objects were portrayed in fashion journals and illustrations, as well as fiction, the book explores the histories and cultural weight of the objects themselves and offers fresh readings of works by Balzac, Flaubert, and Zola, some of the most widely read novels of the period. As social boundaries were becoming more and more fluid in the nineteenth century, one effort to impose order over the looming confusion came, in the case of women, through fashion, and the fashion accessory thus became an ever more crucial tool through which social distinction could be created, projected, and maintained. Looking through the lens of fashion, Susan Hiner explores the interplay of imperialist expansion and domestic rituals, the assertion of privilege in the face of increasing social mobility, gendering practices and their relation to social hierarchies, and the rise of commodity culture and woman's paradoxical status as both consumer and object within it. Through her close focus on these luxury objects, Hiner reframes the feminine fashion accessory as a key symbol of modernity that bridges the erotic and proper, the domestic and exotic, and mass production and the work of art while making a larger claim about the "accessory" status—in terms of both complicity and subordination—of bourgeois women in nineteenth-century France. Women were not simply passive bystanders but rather were themselves accessories to the work of modernity from which they were ostensibly excluded.
"Prints in Translation, 1450?750 "
Author: EdwardH. Wouk
Publisher: Routledge
ISBN: 1351553208
Category : Art
Languages : en
Pages : 556
Book Description
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Publisher: Routledge
ISBN: 1351553208
Category : Art
Languages : en
Pages : 556
Book Description
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.