Author: Rachel Beckles Willson
Publisher: Cambridge University Press
ISBN: 1107067979
Category : Music
Languages : en
Pages : 379
Book Description
Orientalism and Musical Mission presents a new way of understanding music's connections with imperialism, drawing on new archive sources and interviews and using the lens of 'mission'. Rachel Beckles Willson demonstrates how institutions such as churches, schools, radio stations and governments, influenced by missions from Europe and North America since the mid-nineteenth century, have consistently claimed that music provides a way of understanding and reforming Arab civilians in Palestine. Beckles Willson discusses the phenomenon not only in religious and developmental aid circles where it has had strong currency, but also in broader political contexts. Plotting a historical trajectory from the late Ottoman and British Mandate eras to the present time, the book sheds new light on relations between Europe, the USA and the Palestinians, and creates space for a neglected Palestinian music history.
Orientalism and Musical Mission
Author: Rachel Beckles Willson
Publisher: Cambridge University Press
ISBN: 1107067979
Category : Music
Languages : en
Pages : 379
Book Description
Orientalism and Musical Mission presents a new way of understanding music's connections with imperialism, drawing on new archive sources and interviews and using the lens of 'mission'. Rachel Beckles Willson demonstrates how institutions such as churches, schools, radio stations and governments, influenced by missions from Europe and North America since the mid-nineteenth century, have consistently claimed that music provides a way of understanding and reforming Arab civilians in Palestine. Beckles Willson discusses the phenomenon not only in religious and developmental aid circles where it has had strong currency, but also in broader political contexts. Plotting a historical trajectory from the late Ottoman and British Mandate eras to the present time, the book sheds new light on relations between Europe, the USA and the Palestinians, and creates space for a neglected Palestinian music history.
Publisher: Cambridge University Press
ISBN: 1107067979
Category : Music
Languages : en
Pages : 379
Book Description
Orientalism and Musical Mission presents a new way of understanding music's connections with imperialism, drawing on new archive sources and interviews and using the lens of 'mission'. Rachel Beckles Willson demonstrates how institutions such as churches, schools, radio stations and governments, influenced by missions from Europe and North America since the mid-nineteenth century, have consistently claimed that music provides a way of understanding and reforming Arab civilians in Palestine. Beckles Willson discusses the phenomenon not only in religious and developmental aid circles where it has had strong currency, but also in broader political contexts. Plotting a historical trajectory from the late Ottoman and British Mandate eras to the present time, the book sheds new light on relations between Europe, the USA and the Palestinians, and creates space for a neglected Palestinian music history.
Musical Elaborations
Author: Edward W. Said
Publisher: Columbia University Press
ISBN: 9780231073196
Category : Music
Languages : en
Pages : 138
Book Description
Examines the performance of Western high-art music, the politicized theorizing of it, and the use of "melody, solitude, and affirmation" in it.
Publisher: Columbia University Press
ISBN: 9780231073196
Category : Music
Languages : en
Pages : 138
Book Description
Examines the performance of Western high-art music, the politicized theorizing of it, and the use of "melody, solitude, and affirmation" in it.
The Orient in Music - Music of the Orient
Author: Małgorzata Grajter
Publisher: Cambridge Scholars Publishing
ISBN: 1527510263
Category : Music
Languages : en
Pages : 239
Book Description
“OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.
Publisher: Cambridge Scholars Publishing
ISBN: 1527510263
Category : Music
Languages : en
Pages : 239
Book Description
“OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.
Ligeti, Kurtág, and Hungarian Music During the Cold War
Author: Rachel Beckles Willson
Publisher: Cambridge University Press
ISBN: 0521827337
Category : History
Languages : en
Pages : 0
Book Description
A 2007 study situating the music of the Hungarian composers Ligeti and Kurtág in political context.
Publisher: Cambridge University Press
ISBN: 0521827337
Category : History
Languages : en
Pages : 0
Book Description
A 2007 study situating the music of the Hungarian composers Ligeti and Kurtág in political context.
China and the West
Author: Michael Saffle
Publisher: University of Michigan Press
ISBN: 0472122711
Category : Music
Languages : en
Pages : 345
Book Description
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Publisher: University of Michigan Press
ISBN: 0472122711
Category : Music
Languages : en
Pages : 345
Book Description
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Humane Music Education for the Common Good
Author: Iris M. Yob
Publisher: Indiana University Press
ISBN: 0253046920
Category : Education
Languages : en
Pages : 272
Book Description
Why teach music? Who deserves a music education? Can making and learning about music serve the common good? A collection of essays considers the answers. In Humane Music Education for the Common Good, scholars and educators from around the world offer unique responses to the recent UNESCO report titled Rethinking Education: Toward the Common Good. This report suggests how, through purpose, policy, and pedagogy, education can and must respond to the challenges of our day in ways that respect and nurture all members of the human family. The contributors use this report as a framework to explore the implications and complexities that it raises. The book begins with analytical reflections on the report and then explores pedagogical case studies and practical models of music education that address social justice, inclusion, individual nurturance, and active involvement in the greater public welfare. The collection concludes by looking to the future, asking what more should be considered, and exploring how these ideals can be even more fully realized. This volume boldly expands the boundaries of the UNESCO report to reveal new ways to think about, be invested in, and use music education as a center for social change both today and going forward.
Publisher: Indiana University Press
ISBN: 0253046920
Category : Education
Languages : en
Pages : 272
Book Description
Why teach music? Who deserves a music education? Can making and learning about music serve the common good? A collection of essays considers the answers. In Humane Music Education for the Common Good, scholars and educators from around the world offer unique responses to the recent UNESCO report titled Rethinking Education: Toward the Common Good. This report suggests how, through purpose, policy, and pedagogy, education can and must respond to the challenges of our day in ways that respect and nurture all members of the human family. The contributors use this report as a framework to explore the implications and complexities that it raises. The book begins with analytical reflections on the report and then explores pedagogical case studies and practical models of music education that address social justice, inclusion, individual nurturance, and active involvement in the greater public welfare. The collection concludes by looking to the future, asking what more should be considered, and exploring how these ideals can be even more fully realized. This volume boldly expands the boundaries of the UNESCO report to reveal new ways to think about, be invested in, and use music education as a center for social change both today and going forward.
Renaissance Emir
Author: T.J. Gorton
Publisher: Interlink Publishing
ISBN: 1623710537
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
A groundbreaking biography of the mysterious Levantine prince Fakr ad-Din. The year is 1613: the Ottoman Empire is at its height, sprawling from Hungary to Iraq, Morocco to Yemen. One man dares to challenge it: the Prince of the mysterious Druze sect in Mount Lebanon, Fakhr ad-Din. Yielding before a mighty army sent to conquer him, he—astonishingly—takes refuge with the Medici in Florence at the height of the Renaissance. Fakhr ad-Din took along with him a diverse party of Moslem, Christian, and Jewish Levantines on their first visit to the “Lands of the Christians.” During his five-year stay in Italy, he fights to persuade Popes, Grand-Dukes and Viceroys to support a grand plan: a new Crusade to wrest the Holy Land from the Ottomans, giving Jerusalem back to Christendom and himself a crown. This groundbreaking biography of Fakhr ad-Din, Prince of the Druze, is based on the author’s vivid new translations of contemporary sources in Arabic and other languages. It brings to life one remarkable man’s beliefs and ambitions, uniquely illuminating the elusive interface between Eastern and Western culture.
Publisher: Interlink Publishing
ISBN: 1623710537
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
A groundbreaking biography of the mysterious Levantine prince Fakr ad-Din. The year is 1613: the Ottoman Empire is at its height, sprawling from Hungary to Iraq, Morocco to Yemen. One man dares to challenge it: the Prince of the mysterious Druze sect in Mount Lebanon, Fakhr ad-Din. Yielding before a mighty army sent to conquer him, he—astonishingly—takes refuge with the Medici in Florence at the height of the Renaissance. Fakhr ad-Din took along with him a diverse party of Moslem, Christian, and Jewish Levantines on their first visit to the “Lands of the Christians.” During his five-year stay in Italy, he fights to persuade Popes, Grand-Dukes and Viceroys to support a grand plan: a new Crusade to wrest the Holy Land from the Ottomans, giving Jerusalem back to Christendom and himself a crown. This groundbreaking biography of Fakhr ad-Din, Prince of the Druze, is based on the author’s vivid new translations of contemporary sources in Arabic and other languages. It brings to life one remarkable man’s beliefs and ambitions, uniquely illuminating the elusive interface between Eastern and Western culture.
Musicians' Migratory Patterns: The Adriatic Coasts
Author: Franco Sciannameo
Publisher: Routledge
ISBN: 1351332228
Category : Music
Languages : en
Pages : 135
Book Description
Musicians’ Migratory Patterns: The Adriatic Coasts contains essays dedicated to the movement of musicians along and across the coasts of the Adriatic Sea. In the course of this book, the musicians become narrators of their own stories seen through the lenses of wanderlust, opportunity, exile, and refuge. Essayists in this collection are scholars hailing from Croatia, Italy, and Greece. They are internationally known for their passionate advocacy of musicians’ migratory rights and faithfulness to the lesson imparted by the history of immigration in the broadest of terms. Spanning the Venetian Republic’s domination, the demise of the Ottoman Empire, the European nationalistic movements of mid-nineteenth century, the shocking outcomes of World War One, and the dramatic shifts of frontiers that continue to occur in our time, the chapters of this book guide the reader on a voyage through the Adriatic Sea—from the Gulf of Venice and the peninsula of Istria, to Albania, the Island of Corfu, and other Ionian outposts.
Publisher: Routledge
ISBN: 1351332228
Category : Music
Languages : en
Pages : 135
Book Description
Musicians’ Migratory Patterns: The Adriatic Coasts contains essays dedicated to the movement of musicians along and across the coasts of the Adriatic Sea. In the course of this book, the musicians become narrators of their own stories seen through the lenses of wanderlust, opportunity, exile, and refuge. Essayists in this collection are scholars hailing from Croatia, Italy, and Greece. They are internationally known for their passionate advocacy of musicians’ migratory rights and faithfulness to the lesson imparted by the history of immigration in the broadest of terms. Spanning the Venetian Republic’s domination, the demise of the Ottoman Empire, the European nationalistic movements of mid-nineteenth century, the shocking outcomes of World War One, and the dramatic shifts of frontiers that continue to occur in our time, the chapters of this book guide the reader on a voyage through the Adriatic Sea—from the Gulf of Venice and the peninsula of Istria, to Albania, the Island of Corfu, and other Ionian outposts.
Becoming Palestine
Author: Gil Z. Hochberg
Publisher: Duke University Press
ISBN: 1478022132
Category : Art
Languages : en
Pages : 126
Book Description
In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.
Publisher: Duke University Press
ISBN: 1478022132
Category : Art
Languages : en
Pages : 126
Book Description
In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.
Representation in Western Music
Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107311012
Category : Music
Languages : en
Pages : 333
Book Description
Representation in Western Music offers a comprehensive study of the roles of representation in the composition, performance and reception of Western music. In recent years, there has been increasing academic interest in questions of musical interpretation and meaning and in music's interactions with other artistic media, and yet no book has dealt extensively with representation's important role in these processes. This volume presents new research about musical representation, with particular focus on Western art and popular music from the nineteenth century to the present day. It assembles essays by an international assortment of leading scholars on a range of subjects including instrumental music, opera, popular song, ballet, cinema and the music video. Individual sections address representation, interpretation and musical meaning; music's relationships with visual forms of representation; musical representation in dramatic forms; and the functions of music in the representation of identity.
Publisher: Cambridge University Press
ISBN: 1107311012
Category : Music
Languages : en
Pages : 333
Book Description
Representation in Western Music offers a comprehensive study of the roles of representation in the composition, performance and reception of Western music. In recent years, there has been increasing academic interest in questions of musical interpretation and meaning and in music's interactions with other artistic media, and yet no book has dealt extensively with representation's important role in these processes. This volume presents new research about musical representation, with particular focus on Western art and popular music from the nineteenth century to the present day. It assembles essays by an international assortment of leading scholars on a range of subjects including instrumental music, opera, popular song, ballet, cinema and the music video. Individual sections address representation, interpretation and musical meaning; music's relationships with visual forms of representation; musical representation in dramatic forms; and the functions of music in the representation of identity.