Oriental Theatricals PDF Download

Author: Berthold Laufer
Publisher:
ISBN:
Category : Oriental drama
Languages : en
Pages : 90

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Book Description

Author: James R. Brandon
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266

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Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.

Author: Esther Kim Lee
Publisher: Cambridge University Press
ISBN: 0521850517
Category : Drama
Languages : en
Pages : 219

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Book Description
This book surveys the history of Asian American theatre from 1965 to 2005.

Author: Min Tian
Publisher: Springer
ISBN: 3319971786
Category : Performing Arts
Languages : en
Pages : 315

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Book Description
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.

Author: Fan-Pen Li Chen
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773531971
Category : Performing Arts
Languages : en
Pages : 367

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Book Description
In her study of Chinese shadow theatre Fan-Pen Li Chen documents and corrects misconceptions about this once-popular art form. She argues how a traditional folk theatre reflected and subverted Chinese popular culture.

Author: Agatha Christie
Publisher: Concord Theatricals
ISBN: 0573707731
Category : Drama
Languages : en
Pages : 90

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Book Description
Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer – in case he or she decides to strike again.

Author: Field Museum of Natural History. Department of Anthropology
Publisher:
ISBN:
Category : Anthropological museums and collections
Languages : en
Pages : 88

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Book Description

Author: Esther M. Morgan-Ellis
Publisher: University of Georgia Press
ISBN: 0820352039
Category : Music
Languages : en
Pages : 310

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Book Description
During the 1920s, a visit to the movie theater almost always included a sing-along. Patrons joined together to render old favorites and recent hits, usually accompanied by the strains of a mighty Wurlitzer organ. The organist was responsible for choosing the repertoire and presentation style that would appeal to his or her patrons, so each theater offered a unique experience. When sound technology drove both musicians and participatory culture out of the theater in the early 1930s, the practice faded and was eventually forgotten. Despite the popularity and ubiquity of community singing—it was practiced in every state, in theaters large and small—there has been scant research on the topic. This volume is the first dedicated account of community singing in the picture palace and includes nearly one hundred images, such as photographs of the movie houses’ opulent interiors, reproductions of sing-along slides, and stills from the original Screen Songs “follow the bouncing ball” cartoons. Esther M. Morgan-Ellis brings the era of movie palaces to life. She presents the origins of theater sing-alongs in the prewar community singing movement, describes the basic components of a sing-along, explores the unique presentation styles of several organists, and assesses the aftermath of sound technology, including the sing-along films and children’s matinees of the 1930s.

Author:
Publisher:
ISBN:
Category : Young Men's Christian associations
Languages : en
Pages : 636

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Book Description

Author: Ghulam-Sarwar Yousof
Publisher: Partridge Publishing Singapore
ISBN: 1482830256
Category : Performing Arts
Languages : en
Pages : 172

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Book Description
Although stretching back into the unwritten and often mythic past, traditional Malay performing arts have, until recent times, been almost totally neglected. In recent years, the subject has begun to attract the serious scholarly interest it deserves. Such attention is timely, for the principal theatre genres, including Mak Yong, Wayang Kulit and the comparatively modern Bangsawan, have begun to suffer decline. Indeed, many of them are on the verge of extinction and, with time, will come the loss of an important facet of the native Malay genius. This volume by an acknowledged expert on Malaysian theatre, Ghulam-Sarwar Yousof, is a pioneering work on the subject, an invaluable contribution to Malay cultural studies. It discusses theatre from the perspectives of history, performance principles, functions and problems that have contributed to the decline of traditional performing arts in Malaysia. Also included is a chapter on Semangat, the Malay concept of soul, a seminal belief whose understanding allows for a deeper appreciation of Malay theatre and its role in traditional society. A vital forerunner of several books on the traditional performing arts and cultural traditions of the Malays, this volume is a landmark in cultural research by a Malaysian scholar.