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Oriental Panorama

Oriental Panorama PDF Author: Schiffer
Publisher: BRILL
ISBN: 9004651179
Category : Art
Languages : en
Pages : 453

Book Description


Oriental Panorama

Oriental Panorama PDF Author: Schiffer
Publisher: BRILL
ISBN: 9004651179
Category : Art
Languages : en
Pages : 453

Book Description


Oriental Panorama

Oriental Panorama PDF Author: Reinhold Schiffer
Publisher: Rodopi
ISBN: 9789042007963
Category : British
Languages : en
Pages : 460

Book Description


Asian Panorama

Asian Panorama PDF Author: K. M. De Silva
Publisher: Vikas Publishing House Private
ISBN:
Category : Literary Collections
Languages : en
Pages : 604

Book Description


Visualizing the Past

Visualizing the Past PDF Author: Kathrin Maurer
Publisher: Walter de Gruyter
ISBN: 3110282933
Category : History
Languages : en
Pages : 260

Book Description
Visual media had a decisive impact on how the past was perceived in historicist culture in nineteenth-century Germany. The panorama, photography, and book illustrations can portray the past under the auspices of spatiality. Research on historicist culture often neglects this dimension of space and concentrates on traditional historicist paradigms, such as temporality, narrative, and teleology. By investigating the visual vocabulary of different historicist genres (academic historiography, illustrated history books, historical maps), this volume expands an understanding of German historicist culture as a multi-medial phenomenon, and shows that past is conveyed in spatial forms, such as travel locations, national and colonial spaces, as well as geographical areas. Tracing these concepts of historical space, this volume demonstrates that the image works as a powerful tool to propagate the ideology of German imperialism in the nineteenth-century, but also can critically reflect the political agendas of national historicism.

Panorama of the 19th Century

Panorama of the 19th Century PDF Author: Dolf Sternberger
Publisher:
ISBN: 9780916354244
Category : History
Languages : en
Pages : 264

Book Description


Entertainment Among the Ottomans

Entertainment Among the Ottomans PDF Author: Ebru Boyar
Publisher: BRILL
ISBN: 9004399232
Category : Social Science
Languages : en
Pages : 308

Book Description
By addressing the ways in which entertainment was employed and enjoyed in Ottoman society, Entertainment Among the Ottomans introduces the reader to a new way of understanding the Ottoman world.

Empire of Landscape

Empire of Landscape PDF Author: John Zarobell
Publisher: Penn State Press
ISBN: 0271034432
Category : Art
Languages : en
Pages : 218

Book Description
"Explores visual culture and the social history of art through an analysis of French images of nineteenth-century Algeria"--Provided by publisher.

Edges of Empire

Edges of Empire PDF Author: Jocelyn Hackforth-Jones
Publisher: John Wiley & Sons
ISBN: 1405153067
Category : Art
Languages : en
Pages : 246

Book Description
Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.

Indian Renaissance

Indian Renaissance PDF Author: Hermionede Almeida
Publisher: Routledge
ISBN: 1351562959
Category : Art
Languages : en
Pages : 917

Book Description
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.

Spectacles of Authenticity

Spectacles of Authenticity PDF Author: Hsuan Tsen
Publisher: Stanford University
ISBN:
Category :
Languages : en
Pages : 244

Book Description
In the late-nineteenth and early twentieth centuries, America and Japan were in the process of establishing their positions as powers in a world dominated by Western Europe. The two nations with unconnected histories and cultures found themselves in momentary sympathy as they embarked on their first forays into military imperialism, expanded their trade, and constructed civic institutions intended to compete with those of Europe. It was during this period that mass entertainments developed and began circulating across national borders and, drawing on tourist practices, helped create a "universal" visual culture which coexisted with local particularities. This dissertation undertakes a study of Japanese and American shared visual culture and modern entertainments with the goal of nuancing current scholarship on East/West exchanges and expanding the definition of modernity. Three modern phenomena, panoramas, World's Fairs, and film, form the core of my three main chapters and describe a process of appropriation, assimilation, and collaboration through their movements from Europe, across America to Japan, and ending with a return to America. Many scholars have observed that Americans viewed Japan as a confusing cultural other with a baffling skill at appearing modern. This dissertation begins with the premise that Japan was modern and re-examines American and Japanese cultural exchanges from this position with the aim of shifting the paradigms of modernity and modern visuality.