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The Orient in Western Art

The Orient in Western Art PDF Author: Gérard-Georges Lemaire
Publisher: Konemann
ISBN:
Category : Art
Languages : en
Pages : 370

Book Description
The oriental motif is a recurring theme in western painting. From the Renaissance with its awakening interest in ancient cultures and art to the 18th century with its Grand Tours and "Turkish fashion," the oriental theme has not only documented artists' travels to the East, but has projected the wishes, desires and imagination of the West. From ethnographic etchings to exaggerated displays of the sultans' splendor, this paradox of fact and fantasy culminated in the 19th century with the genre Orientalism. Napoleon's conquest of Egypt, European colonization, and archaeological excavations opened up the region to numerous artists such as Decamps. Delacroix, Fromentin, Ingres, Lear, and Hunt, whose most famous works express oriental imagery. The Orient in Western Art presents the emergence and development of an artistic motif accompanied by explanations of social and cultural history. Book jacket.

The Orient in Western Art

The Orient in Western Art PDF Author: Gérard-Georges Lemaire
Publisher: Konemann
ISBN:
Category : Art
Languages : en
Pages : 370

Book Description
The oriental motif is a recurring theme in western painting. From the Renaissance with its awakening interest in ancient cultures and art to the 18th century with its Grand Tours and "Turkish fashion," the oriental theme has not only documented artists' travels to the East, but has projected the wishes, desires and imagination of the West. From ethnographic etchings to exaggerated displays of the sultans' splendor, this paradox of fact and fantasy culminated in the 19th century with the genre Orientalism. Napoleon's conquest of Egypt, European colonization, and archaeological excavations opened up the region to numerous artists such as Decamps. Delacroix, Fromentin, Ingres, Lear, and Hunt, whose most famous works express oriental imagery. The Orient in Western Art presents the emergence and development of an artistic motif accompanied by explanations of social and cultural history. Book jacket.

Orientalism

Orientalism PDF Author: Gérard-Georges Lemaire
Publisher: H.F.Ullmann Publishing
ISBN: 9783848003174
Category : Orient
Languages : en
Pages : 0

Book Description
History of art.

Orient in Western Art

Orient in Western Art PDF Author: Gérard-Georges Lemaire
Publisher: H.F. Ullmann
ISBN: 9780841602892
Category : Orientalism in art
Languages : en
Pages : 0

Book Description
The orient and the mystical images it evokes have always been a special source of inspiration in the history of european painting. From the Venetian portrayal of the Renaissance and the first examples of Turkish Fashion to the heyday of the 19th century and the Tunis paintings by August Macke and Paul Klee, this volume traces the development of the oriental motif in painting. Geographically so near, culturally so different, the countries of the Arabian Peninsula and North Africa have influenced both the oriental vogue of the baroque period and also the popular oriental genre in the fine arts. At the same time, the mysterious aura of the orient has repeatedly served as a romantically idealized counterpoint and escape route for european fantasies. Features [[ Individual chapters devoted to important artists including Delacroix, Picasso, and Kandinsky [[ extensive articles on special themes such as the image of the harem and the oriental fantasies of the Impressionists.

The Orient Expressed

The Orient Expressed PDF Author: Gabriel P. Weisberg
Publisher:
ISBN: 9781887422192
Category : Art
Languages : en
Pages : 0

Book Description
Issued in connection with an exhibition held Feb. 19-July 17, 2011, Mississippi Museum of Art, Jackson, Mississippi, and Oct. 5, 2011-Jan. 15, 2012, McNay Art Museum, San Antonio, Texas.

Orientalism

Orientalism PDF Author: Edward W. Said
Publisher: Vintage
ISBN: 0804153868
Category : Social Science
Languages : en
Pages : 434

Book Description
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

The Orientalists

The Orientalists PDF Author: Kristian Davies
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

Book Description
The Orientalists pursues the mid to late 19th century, when American and European artists traveled and painted throughout the Holy Land and India. The highly cinematic images they created suggest a great influence on modern visual culture.

Orientalism in Art

Orientalism in Art PDF Author: Christine Peltre
Publisher:
ISBN: 9780789204592
Category : Art, European
Languages : en
Pages : 0

Book Description
The romance and exoticism of the Orient, as captured by 19th-century European and American painters, are brought to life in this important volume. Nineteenth-century Europe was fascinated by the Orient. Napoleon's Egyptian campaign of 1798 initiated this phenomenon, and its history-the most notable episodes of which include the Greek uprising against the Turks in 1821 and the French taking of Algiers in 1830-was closely linked to changing attitudes toward the "Eastern question." Artists of the period, too, were captivated by these events, and the rich body of imagery they produced is the subject of this volume. Incorporating much recent research, author Christine Peltre's elegant text retraces Orientalism's artistic history, in which the French and British schools predominated. The "high poetry" of the Romantics' Orient, often inspired by Byron or Hugo, strove for dramatic effect, as the works of David Roberts, Alexandre-Gabriel Decamps, and Eugène Delacroix attest. A different brand of imagery was produced by the "ethnographic gaze" of the century's middle years, practiced by artists who visited the sites they represented, such as John Frederick Lewis, Eugène Fromentin, and Jean-Léon Gérôme, as well as by others who remained studio-bound, including J.-A.-D. Ingres and Adolphe Monticelli. Work of this kind was eventually superseded by a "third style,"a fusion of European and Eastern elements, as seen in the work of August Macke, Wassily Kandinsky, Paul Klee, and Henri Matisse. Witnesses to a history that they influenced in subtle ways through their imagery, the Orientalist painters also produced a history of their own, that of a spiritual and formal quest to find in the "East" the ideal of "primitive" purity. Illustrated with more than two hundred expertly selected Orientalist paintings and drawings, Orientalism in Art is an indispensable volume for art historians and anyone lured by the romance and exoticism of Orientalist art. AUTHOR Christine Peltre is professor of the history of contemporary art at the Université des Sciences Humaines in Strasbourg. The author of a book on the encounter of nineteenth-century European artists with Greece (Retour en Arcadie, 1997), she is also a specialist in Orientalism and has published widely on the subject (L'Atelier du voyage, 1995). ILLUSTRATIONS 220 illustrations

Representations of the Orient in Western Music

Representations of the Orient in Western Music PDF Author: Nasser Al-Taee
Publisher: Routledge
ISBN: 1351551418
Category : Music
Languages : en
Pages : 336

Book Description
This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.

Recovering the Orient

Recovering the Orient PDF Author: C. Andrew Gerstle
Publisher: Psychology Press
ISBN: 9783718656875
Category : Art
Languages : en
Pages : 382

Book Description
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.

Rembrandt's Orient

Rembrandt's Orient PDF Author: Ortrud Westheider
Publisher: National Geographic Books
ISBN: 3791359630
Category : Art
Languages : en
Pages : 0

Book Description
This book sheds light on the fascinating ways Rembrandt and other Golden Age painters were influenced by Eastern culture. In the 17th century, Amsterdam was a vibrant hub of the burgeoning European trade with Asia, Africa, and the Levant, importing copious amounts of foreign items that powerfully stimulated the imagination of numerous Dutch artists. This was notably the case with Rembrandt, whose curiosity and voraciousness as a collector were legendary in his time. Throughout his prolific career, he drew on Eastern influences in genres as diverse as history painting and portraiture, including depictions in which he himself adopted Oriental styled attire. This lavishly illustrated book explores the inventive ways in which Rembrandt and his contemporaries accommodated Eastern imagery into their own repertoire, set within the wider context of Holland's rapidly expanding commercial and cultural exchange with its non-European trading partners. The problematic term "Orient" was widely used in Rembrandt's time and will be discussed at great length in this catalogue.